Daily Prompt: An Ounce of Home

(Doing the Daily Post today.  Why?  Because a part of my Writing Process that I didn’t talk about a couple of days ago is that occasionally I get blocked out of my damn mind and spend four hours staring at a computer screen like a jackass.  Which is what I’ve been doing this morning in between half-assed attempts to figure out a way to market my book/blog/Twitter feed/entire life.  Screw it; YOU tell ME what to write about.

Of course, now that I’ve typed that, I gotta go wander around my house until I can figure out what the answer is.  BAH.)

You’re embarking on a yearlong round-the-world adventure, and can take only one small object with you to remind you of home. What do you bring along for the trip?

(Seriously, walks around the house for ten minutes.)

Wait.

Going about this shit all wrong.  Small object?  Cool, I’m bringing a cell phone.  Loaded to the gills with pictures and videos and oh, wait, you can call people with that too?  Awesome.

Oh, that’s cheating?  Okay.

(There’s no rules!  It’s not cheating!  Shut up!)

Fine.  This:

photoThat?  Is my thinkin’ rock, and chances are I should have gone and gotten it out of my desk before now, because my brain’s all screwed up and useless today and I kinda need it.  It’s a rock, with a depression in it to rub your thumb on.  It is a singularly useless object.

Except.

Here’s what you’re really doing when you’re bringing something to “remind you of home.”  You’re bringing something with you to stimulate thinking.  The thinkin’ rock (I swear WordPress you correct thinkin’ to thinking’ one more time and I’ll kill you) is surprisingly calming, actually, for something that literally only exists to provide you a surface to rub your thumb on.  You’d think you could rub your thumb on just about anything, provided it wasn’t, like, sharp or something:  no!  The thinkin’ rock is literally specifically designed for thumb-rubbing.  It’s better!

(It’s also not as… wet?… as it looks in the picture, which makes it look kinda creepy.)

Thinkin’ rock reminds me to think.  Thinking, in this case, is the same as reminiscing, which a good way to kick back and think about your family.

Better, mind you, to bring them with you.  Or at least the damn phone.  But I’ll take the rock too.  I got big pockets.

On Amiri Baraka and memory

amiri-barakaAmiri Baraka died yesterday, at the ripe old age of 79. Baraka is on a short list– a very short list– of men who I might refer to as One of my Favorite Poets.  (Sadly, they are all men; that’s another post– needless to say, I don’t read nearly enough poetry.)

I first encountered Baraka’s work in middle school, believe it or not, during a poetry unit in English class where I’m pretty sure our teacher just shoveled anything and everything she could find at us in a mad quixotic frenzy, trying to find anything she could that might get middle schoolers interested in poetry.  (I’ve tried this; it’s tricky as hell.)  Someone, who it was is lost to memory, discovered that Baraka had several very short poems that were catchy and interesting and could be committed to memory and recited very, very quickly– which probably accounted for a large part of his popularity among myself and several of my friends.(*)  To wit, his poem In the Funk World, which I’m ashamed to note that I’ve slightly misquoted on Twitter today:

If Elvis Presley/ is
King
Who is James Brown,
God?

Here’s the thing, though: this post isn’t actually about Baraka.  It’s about how freaking weird memory is.  There are two other poems that I’ve been quoting at people and attributing to Amiri Baraka, literally for years, and I can find no evidence whatsoever right now that a) he wrote the poems, or that b) the poems actually exist.  I have a book of his work– this one— and I spent an hour going through the thing trying to find either of them.  They weren’t there.  I was convinced that both were in that book.  Google has gotten me nowhere.  Here are the two poems; they probably both have titles, but I couldn’t tell you what they were:

Hold me
She told me
I did.

And

You cannot fight
Muhammad Ali
And live.

That last one even sounds like Baraka, right?  I was about to refer to a Black Nationalism “phase” in his career, but that minimizes his devotion to the movement a bit too much, I think; the guy who wrote Who blew up America? certainly never walked too far away from nationalism.

I cannot find any evidence that these poems are not something that either I or some other seventh grade dipshit in my class came up with, or that they’re not short poetry by someone else that I’ve just attributed to Baraka, or that they are actually his work and just don’t happen to be in the one book by him I have or be easily accessible on the Internet– in particular since they’re so short and there’s not exactly a lot of unique vocabulary in there to build a proper search query around, plus I’ve almost certainly slightly modified them in my head over the years.

Then again, I was mostly right about Funk World, so…

Yeah.  Memory’s a motherfucker, innit?

Feel free to let me know if you actually recognize either of those, by the way.  I’d like to know I’m not crazy.

(*) I should point out that I’m a fan of his stuff that’s longer than your average haiku, but I can’t pretend that the short poems aren’t the reason I discovered him in the first place.

In which I memorize

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We’ve just finished the third week of school, and I’ve probably spent most of the past three weeks breaking the law in some form or another. That folder there is full of special ed documentation about my many, many special education students. There are, right now, 22 dossiers in that folder, ranging from three to thirty-some-odd pages long. Some are for students I don’t actually have in my classes and have never met. I’m legally responsible to have read and understood (and “understood” in this case should be taken to mean “memorized”) the documentation on each of those kids. And I am absolutely certain that I don’t have all of my IEPs yet, and am even more certain that I don’t have all my BIPs yet, as I don’t have any at all from seventh or eighth grade.

Here’s the thing: special ed paperwork, and the idea of an “individualized education profile,” or IEP, is a very good idea in theory that has gone terribly wrong in practice. It’s much like Communism in that regard. The idea that a student with disabilities shouldn’t be educated in the same manner as a student without those disadvantages is a good one. The idea that special education students deserve the same access to a quality education as other students is a good one.

The idea that I’m supposed to memorize, on average, fifteen pages of accommodations for each of my twenty-some odd students, and that one person is supposed to write these IEPs for what could be dozens of kids with special ed needs in a low-income building, is insane. It can’t be done, and great special ed teachers are getting driven out of the field because half of what they do now is push around stacks of paper, and then endlessly revise those stacks of paper based on federal and state and local guidelines that can’t ever seem to stay consistent for more than a week or two at a time. It’s freaking madness.

And then there are the BIPs, or Behavior Intervention (I think) Plans. I support the concept behind the IEP, if not the way they’re implemented. Half the time I think BIPs are bullshit. I’ll be honest: I still haven’t sussed out what the distinction is between a kid who ends up with a BIP and a kid who is an asshole. It probably has something to do with whether they think the kid’s assholism is an actual disorder or not. What they basically are is a list of steps that you’re supposed to follow with Little Johnny Special Snowflake when he’s fucking up so that you can get him back on track– steps that don’t have to be followed for any other student. While it’s not supposed to mean this, frequently in practice a BIP means that LJSS can get away with shit that would get other students literally crucified– because LJSS is just too much of an asshole to be expected to conform to regular behavioral norms.

But whatever, right? I adapt my disciplinary methods to the individual student I’m dealing with all the time. In other contexts– hell, right here on this blog– I’ve defended not nailing a kid to a wall for something that might have me reaching for a hammer with another student. I get it, even though it annoys the piss out of me.

Here’s the problem: BIPs have to be seen and signed by every adult who works in a school who could conceivably come in contact with a kid. Not just the teachers. Every adult. So, like, bus drivers and cafeteria staff and custodians and the lady who does photocopying on Wednesdays are in theory supposed to have read and memorized the BIPs for every student who has one that they could possibly come into contact with. Some of us (me, for example) could theoretically come into contact with every single student in the building.

I have BIPs in this folder for students who I have literally never met, who are not in my grade or my wing of the building, who I may never have in my class. I may not be able to pick Jenny Fucknut or Johnny Fingerbang out of a lineup, but I’d sure as shit better know their BIPs so if I happen to encounter them freaking the fuck out in the hallway I can calmly redirect them or go through their deep breathing exercises or whatever the fuck; it’s not like I’ve read the damn things yet. All of that without knowing their names, because frequently when these kinds of kids do lose their shit they’re likely to tell me that their name is Go Fuck Yourself, and I don’t have a BIP for him.

Seriously; the people in the cafeteria line are expected to know these things. Gimme a fucking break.

(The good news? I have very little grading to do this weekend, and my lesson plans are done for next week, so at least there’s a chance in hell that I’ll end up getting to them at some point.)