
Bear with me, if you will: before I review this book, I have to review this book. As in, the object made of paper and cardboard that can be held in your hands. I have amassed a lot of special editions and Special Editions over the last couple of years— I have an entire bookshelf where the books are arranged spine-in so that the pretty painted edges are visible, and yes, I can still tell you what damn near all of them are anyway.
I have two copies of Shen Tao’s The Poet Empress. One of them is a book-box special edition from Illumicrate. The other is, supposedly, the regular edition, the one you’ll get from Amazon or if you walk into a brick and mortar bookstore.
The regular edition may very well be the prettiest book I own.
If you love books at all as art objects in and of themselves, go grab this book right now before this printing sells out, because I doubt future editions are going to look like this first one. Don’t read another word; the story doesn’t matter, this book is that pretty and you want to own it so you can look at it. I am going to have to figure out a way to display this one front-facing. The endpapers are gorgeous, the edges are gilded beautifully, and the cover has this lovely sparkly texture on it that I can neither take nor find a decent picture of. It just doesn’t come through properly in photographs. Go buy this book, right now.
Oh, you want to read it? Yeah, you should do that too, because I know it’s only mid-February and things change but right now I feel like this is going to be high in the running for my favorite book of the year. I think the last time I was this impressed by a debut novel was Jade City. Which I think wasn’t actually Fonda Lee’s debut, but it was the first of her books I read. Close enough. It’s matching my enthusiasm for To Shape a Dragon’s Breath, which … I also compared to Jade City. Along with Scarlet Odyssey. And Iron Widow, so maybe I’m overusing this particular comparison, but the point is I really loved all of those books. This is up there with them.
It’s totally prettier than all of them, though.
Anyway, the story: the main character, Wei Yin, is a peasant girl living in the backwoods of a famine-ridden, crumbling empire controlled by the Azalea Dynasty. The empire is, more or less, Not China; roll with it. The emperor is dying, and has chosen his second son, Prince Terren, as his successor, and Prince Terren is seeking a bride. He has sent emissaries all over the country seeking out women who wish to compete for the honor of marrying him. Wei Yin manages to get herself selected, in hope that she will be able to marry the prince and use her influence to save her family and her village from the famine. Prince Terren, unfortunately, quickly turns out to be a horrible bastard.
Now, I’m gonna be honest: at first glance this doesn’t sound great. Does the phrase “enemies-to-lovers romantasy” mean anything to you? Because even the marketing for this book has been leaning into this, and you are just going to have to trust me that this book absolutely is not a romantasy and is far too intricate for such nonsense as “tropes.” Terren and Wei Yin are both impressively complex, layered characters, and … well, I’m not spoiling anything, but this is absolutely not an enemies-to-lovers book. Why is the book called The Poet Empress? Because much of this world’s magic is based on poetry, and when Wei Yin decides that her best bet is to murder Prince Terren, she realizes that the only way she’s going to be able to do it is to write a very particular kind of poem, one that requires her to know and understand the target on an immensely intimate level.
Oh, it’s illegal for women to be able to read, by the way. Which sorta complicates things.
I know, I know, some of you are shaking your heads. Of course she’s going to marry the prince. The damn book is called The Poet Empress, not The Peasant Girl Who Came In Twenty-Third and Got Her Head Chopped Off. I promise you no other aspect of this book is going to be predictable, and the “competition” is dispensed with much more quickly than you think it’s going to. And once that happens the book can get on with its actual goal, which is sinking its claws into you and slowly tearing your heart out. You will be fifteen pages from the end of the book and you will still not know how it’s going to turn out.
It’s also dark as hell, so be prepared for that; Terren is terrible, and Wei Yin is put through some absolutely terrible things as a result of being connected to him, much less actually married to him. On top of that, many of the women who didn’t win the competition are fairly powerful and well-connected in their own rights, and a number of them immediately decide to kill her. And then there’s the dowager empress, who is also unhappy with her son’s choice of bride. And the prince who got passed over in favor of his younger brother. Comparatively, dying of famine in a squalid village almost feels quaint.
This is brilliant fucking work, guys, and I cannot wait for more from Shen Tao. Go get this book right now. Even if you just look at it, it’s worth the money. The fact that there’s an amazing story in there is a bonus.





