
With about fifty pages left in Nicholas Pullen’s The Black Hunger, I showed my wife how much book was left and told her that there was no way the book had enough book left to end right.
I was wrong.
Real, real, real wrong.
Now, obviously I can’t spoil the book’s ending. I mean, I can; I’m not going to. But it makes the book kind of hard to talk about, because having read the ending, I now feel like it’s the only possible way that the book could have ended, and to be honest I feel kind of dumb for not having seen it coming. But God damn, Nicholas Pullen. My dude pulled an inside straight here, and I’m genuinely in awe of how this book is put together.
But before I get too far ahead of myself: The Black Hunger is a whole lot of things. It feels very neo-Lovecraftian despite not actually referencing any of the Lovecraft mythos; it’s somehow cosmic horror without quite being properly cosmic; it’s historical fiction, referencing real people and real events, right up until the point where it isn’t. There is, at one point, a story within a story within a story. It’s gory and supernatural and Gothic and super gay. I was already thoroughly enjoying myself even before finishing the book, and the last ten pages or so are a masterclass. It starts off at Oxford and wends its way through India, Tibet, Russia and China before it’s finished. Pullen even throws in an 1870s British paranormal spy agency and the Dalai Lama just for the sheer hell of it. The main character is an academic and a minor British lord who ends up in the civil service in the back-end of India just because it seemed like a good idea at the time.
In a move that really shouldn’t have worked and somehow did, the middle third or so of the book is a lengthy letter involving an entirely different set of characters that also itself includes a lengthy digression for another letter.
This, uh, appears to have alienated some people, from looking at the reviews, and the rest are mad that there is Gay. Do not trust Goodreads on this one, is what I’m saying.
Between this and The Poet Empress, I’ve definitely got some excellent early frontrunners for the end of the year.







