
This isn’t a review. I read M. John Harrison’s The End of Everything over tonight and last night; it’s a novella, under 200 pages, so it’s going to be a quick read no matter what.(*) My copy says “Longlisted” on the cover, this image says “Shortlisted,” and, well, the latest editions are going to read “Winner.” Despite that, of the currently 1750 books I have read on Goodreads, it has the fifth-lowest average rating.(**) One of the books worse than it was written by Steven Seagal. I gave it three stars and I feel like I’m being generous. I don’t have a lot to say about it, really; it’s just not a good book, and the notion that it was the best book written in the English language this year is ludicrous. It’s certainly not as good as John of John, which was also shortlisted, and while I haven’t read Marlon James’ The Disappearers yet, it’s on my shelf and I’m willing to say I’m going to like it more just based on what I know of James’ work. I’ve also got my eye on Black Bag, just based on the cover.
This got me curious about how many of the winners of this award I knew anything about at all. You all know how I feel about Litratcher, but this wasn’t even one of those books that made me feel like I wasn’t smart enough to appreciate it. Hell, The Rouse was approximately four hundred times as cryptic and obscure as this book was. If you wanted to give the Booker Prize to a science fiction book published in 2026, it should have been that.
Anyway, of the Booker Prize winners since 1969:
Read, Enjoyed: A Brief History of Seven Killings by Marlon James (2015); Midnight’s Children by Salman Rushdie (1981);
Read, Did Not Enjoy: The End of Everything by M. John Harrison (2026);
Have Heard Of But Have Never Read: Shuggie Bain by Douglas Stuart (2020; it’s on my Unread Shelf, so I’ll get to it); The Testaments by Margaret Atwood (2019); Life of Pi by Yann Martel (2002, and tbh I’m surprised I never read this); The Blind Assassin by Margaret Atwood (2000); Disgrace by J. M. Coetzee (1999); Amsterdam by Ian McEwan (1998); The God of Small Things by Arundhati Roy (1997); The English Patient by Michael Ondaatje (1992); The Remains of the Day by Kazuo Ishiguro (1989, another “wait, really?);
Have Heard of the Book or the Author, but Not Both: Lincoln in the Bardo by George Saunders (2017); The Luminaries by Eleanor Catton (2013); Bring Up the Bodies by Hilary Mantel (2012); Wolf Hall by Hilary Mantel (2009); The Inheritance of Loss by Kiran Desai (2006); The Sea by John Banville (2005); The English Patient by Michael Ondaatje (1992); The Old Devils by Kingsley Amis (1986); Life and Times of Michael K by J. M. Coetzee (1983); Rites of Passage by William Golding (1980); The Sea, the Sea by Iris Murdoch (1978); In a Free State by V. S. Naipaul (1971);
Absolutely No Clue: Flesh by David Szalay (2025); Orbital by Samantha Harvey (2024); Prophet Song by Paul Lynch (2023); The Seven Moons of Maali Almeida by Shehan Karunatilaka (2022); The Promise by Damon Galgut (2021); Girl, Woman, Other by Bernardine Evaristo (2019); Milkman by Anna Burns (2018); The Sellout by Paul Beatty (2016); The Narrow Road to the Deep North by Richard Flanagan (2014); The Sense of an Ending by Julian Barnes (2011); The Finkler Question by Howard Jacobson (2010); The White Tiger by Aravind Adiga (2008); The Gathering by Anne Enright (2007); The Line of Beauty by Alan Hollinghurst (2004); Vernon God Little by DBC Pierre (2003); True History of the Kelly Gang by Peter Carey (2001); Last Orders by Graham Swift (1996); The Ghost Road by Pat Barker (1995); How late it was, how late by James Kelman (1994); Paddy Clarke Ha Ha Ha by Roddy Doyle (1993); Sacred Hunger by Barry Unsworth (1992); The Famished Road by Ben Okri (1991); Possession by A. S. Byatt (1990); Oscar and Lucinda by Peter Carey (1988); Moon Tiger by Penelope Lively (1987); The Bone People by Keri Hulme (1985); Hotel du Lac by Anita Brookner (1984); Schindler’s Ark by Thomas Keneally (1982); Offshore by Penelope Fitzgerald (1979); Staying On by Paul Scott (1977); Saville by David Storey (1976); Heat and Dust by Ruth Prawer Jhabvala (1975); The Conservationist by Nadine Gordimer (1974); Holiday by Stanley Middleton (1974); The Siege of Krishnapur by J. G. Farrell (1973); G. by John Berger (1972); The Elected Member by Bernice Rubens (1970); Something to Answer For by P. H. Newby (1969) and Troubles by J.G Farrell, which is “The Lost Man Booker Prize,” and I do not intend to investigate what that means.
That’s … uh, not great! I’ve read three of them, fully intend to read one more, and maybe might pick up a couple of others at some point or another, but for an award that purports to be for the best book written in English that year, I feel like I should have heard of more than a third of them. Granted, I like me some genre, but I pay attention to books. I should be familiar with more of these.
How about you? Are you shaking your head at what an uncultured swine I am right now?
(*) I also own Harrison’s Viriconium; I’m phrasing it that way because I believe it was a DNF.
(**) In fact, all of my books are rated higher than all of Harrison’s books on Goodreads. That’s … amazing.





