Warning, maybe: reading this will make you reread Gormenghast.
Innamorata, and in case you’re wondering, no, I don’t know why the title is misspelled, is the fourth of Ava Reid’s books I’ve read. I actually own five of them; the fifth is the sequel to one of the other ones, bought at roughly the same time, and I think I read the first one and didn’t like it very much so I never got around to reading Book Two. Typically, once I own five of an author’s books, I’ve graduated to big fan of that author, or at least fan, and Reid, frustratingly, still hasn’t quite written a book that completely hit for me. And to be honest, I only bought this one because there was a ton of stupid BookTok drama and backlash against it that I’m not going to get into, and it pissed me off so I bought the book, striking back with my hard-earned money against the opinions of people I will never meet who similarly do not know I exist or that I bought this book to spite them and their unreasonable ideas.
Anyway.
Have you read Mervyn Peake’s Gormenghast books? If you have, knowing that Ava Reid begins this book with a quote from Gormenghast and that the castle that the main character lives in at the start of the book is called Castle Peake is probably enough to get you to pick this up. If you have not read any of Mervyn Peake’s Gormenghast books, you should go read them, then come back to this post.
The book begins with a funeral, the funeral for an old woman known as the Mistress of Teeth, and her funeral is attended by representatives for the Master of Blood, the Master of Eyes, the Master of Lungs, the Master of Bones, and the Master of Flesh, and the first several Masters take their parts from the corpse before the Master of Flesh stomps the flaccid, shredded sack of meat that remains into the mud, thus ensuring that the Mistress cannot rise from the dead. The former Mistress of Teeth’s teeth are made into a necklace for the new Mistress of Teeth, and I’m given to understand that the necklace contains teeth from several previous holders of that title. The book ends– this is technically a spoiler, but I think I can get away with it– with something “stirring” in a murdered woman’s womb, a murdered woman who was very much not pregnant when she was killed.
This is Gothic body horror, a lot of it, and it is deeply fucked up, and here I allude to the controversy in that you should completely ignore the marketing text that tries real hard to pretend this is a romantasy, because it is very much not a fucking romantasy, although I will admit it has some elements of same, including some, well, fucking. If you read books for atmosphere and mood and language, and the notion of reading something that is very much like a modern take on Peake appeals to you, jump at it. If you read books for other reasons … maybe not. The book is 532 pages long; I put it down, somewhat unwillingly, with about 80 pages left last night, having read all of the rest of it during my road trip. I got home from work today and read those last 80 pages, and I kind of feel like at some point the actual plot collapsed under its own weight. There is some interesting character development throughout, but that character development is going to involve someone completely abandoning every personality trait and motivation and goal that she had at the beginning of the book, and some of that stuff sounded pretty interesting! Lady Agnes wanted to follow in her grandmother’s footsteps– that’s grandma getting stomped into the mud in the first few pages– and restore necromancy to the creepy-ass island she lives on. That’s automatically cool!
She decides not to, basically because she gets distracted, and you’re going to have to be okay with that if you’re going to have a good time with this. And that was hellishly disappointing, even if a lot of the other stuff that happens was, again, cool and atmospheric and creepy and another part of the controversy was about trigger warnings, and I’m just going to tell you a lot of fucked up shit happens and has already happened, and there is so, so, so much blood in this book, and some spectacularly poor parenting, and I eventually turned that into four stars, but the sequel is going to get read right after it comes out, even if I’m kind of hoping it digs itself out of a bit of a hole.
Let’s call that a cautious and conditional recommendation for Innamorata, and you should definitely read Mervyn Peake.