In which I don’t know how you got there or what you’re doing

An interesting phenomenon, at least to me: I’ve noticed that the older I get the more annoyed I get by bad worldbuilding in my video games. This isn’t a story concern, necessarily; what I mean is that I need things like levels to make basic physical sense and seem in at least a cursory way to be things that could exist in the actual world the game is portraying.

Why yes, I am playing Star Wars Jedi: Fallen Order right now. How did you guess?

It’s been a running joke for a while, at least among my immediate family: my wife works in occupational health and safety, so we notice these sorts of things: Star Wars doesn’t have OSHA. Everything, everything is positioned with no railings over a bottomless pit or, if there is a railing, there’s not a chance in hell it would keep anyone from falling over it or, uh, being thrown:

That shit is not safe. And don’t even get me started on this bullshit:

So I’m used to the idea that in a Star Wars video game there are going to be some fall hazards. The idea doesn’t bother me. It doesn’t make sense on a fundamental level, but it’s pre-established in the world. But here’s my problem with Fallen Order: you unlock your Force powers as you travel through the game, and you use them extensively to get where you’re going on whatever planet you’re on– particularly the wall run ability, which is used constantly.

So if I had to use half a dozen Jedi wall runs, had to Force Pull a convenient vine over to myself to swing across a huge gap, had to use Force Push to break through a conveniently weak area of wall, and — oh, right — had to exterminate hundreds of incredibly dangerous examples of the local fauna in order to get to an area, how the hell are there two dozen Stormtroopers already there when I get there?

(“Why the hell are the Stormtroopers so much less dangerous than this space goat” is another question relevant to the game, but not the one I’m discussing at the moment.)

This shit gets to me, guys, it really does. You don’t have Jedi powers, Stormtrooper! How the fuck are you here? How did you get to the top of this wroshyr tree on Kashyyyk that I’ve been climbing using my magic Jedi abilities for twenty minutes? Did someone drop you off there in a ship? Why did they do that? Are they going to come get you? Are you here just in case a Jedi shows up? Because they’re supposed to all be dead.

How did any of these chests get here?

Remember these goddamn things?

Random huge pieces of machinery with no clear function whatsoever that seem to exist only to impede player progress are starting to get on my nerves. There are tons of enormous machines everywhere (on abandoned planets; who built all this shit?) that serve no purpose other than to kill you if you don’t figure out how to properly avoid and/or slow them down (Oh, also: Jedi slowing powers. I had to slow down a huge fan and sneak through an airduct to get here! How are you here, Stormtrooper?) and I just want to know what they’re for. Why are there giant spinny blades with holes in them in this area? What’s this thing, that just slams back and forth but doesn’t seem to do anything? Who decided that these catwalks needed to have places where you had to jump over holes? Because every fucking catwalk has holes, and they don’t all appear to be damaged. Some of them just aren’t finished. Why? Is the Empire suing the shit out of their contractors? Because they need to be suing the shit out of their contractors.

I’m having a lot of fun with the game– don’t get me wrong. But Jesus, the level geography is like they deliberately tried to make no damn sense at all.

Because capitalism

Yes goddammit of course I have a Disney+ subscription. I may actually have already mentioned ponying up around here; I signed up a few weeks ago and have been waiting impatiently ever since for the damn thing to actually launch. The entertaining bit is that after those several weeks of impatience I actually forgot until an hour or so ago that the thing was launching today, and didn’t get everything signed in and hooked up until just before dinner.

What am I watching first? Captain Marvel, of course, but we will absolutely be watching the first episode of The Mandalorian before bed, especially now that I have confirmed that a certain thing I was worried about does not actually happen in the show. (No spoilers, of course.)

We spent a couple of minutes scrolling through the available offerings and my wife went entertainingly nuts over some of the possibilities, so I think our $6.99 for at least the first month or two are going to be pretty well-spent. For me, the Star Wars and Marvel content is gonna be more than enough to keep me busy for a while, and having all the classic Disney films, many of which my son hasn’t seen, is icing on the cake.

So, yeah. See you in a month. 🙂

#REVIEW: Salt and Sanctuary (PS4)

Part of me feels like reviewing this game is pointless, because it came out way the hell back in 2016, but I never pay attention to the year books came out before I write about them, so to hell with it: I first downloaded Salt and Sanctuary for my PS4 a couple of months ago, played it for a couple of hours, and for whatever reason it felt unreasonably hard and didn’t click. I jumped back into it for no good reason a week and a half or so ago, and it immediately proceeded to eat about 20 hours of my life between then and beating it on Sunday. So I’ve been playing quite a bit of it later, and watching videos about it when I wasn’t playing it. I don’t know why it didn’t hit at first, but maybe running a mage build made all the difference.

Anyway: S&S is a 2D Soulslike combined with a Metroidvania, which is an utterly impenetrable sentence if you don’t speak fluent Gamer Nerd, so let me unpack it for you: difficult combat, tons of different ways to build your character that will lead to you fighting with anything from magic and giant hammers to whips and guns and scissor-swords, difficult boss encounters, penalties at death, collecting materials (in this case, salt) from defeating enemies that you can use to level up and are lost if you die unless you defeat the beast that killed you, and an absolutely enormous map (that’s only maybe 2/3 of it, if that; I don’t think there’s a complete map on the internet anywhere yet, which is unreal) with tons of shortcuts and secrets and replayability and lots of backtracking. Combine all that with a seriously cool, unique art style and we have something I’m going to be very into:

It’s an interesting combination of cartoony with gory; killing enemies results in a surprisingly satisfying explosion of blood and body bits, and the overall aesthetic is just Lovecraftian enough that it never got old, although in general I found it a bit too dark a lot of the time– you will be lighting a lot of torches in this game, and there’s a particular enemy that lives in completely dark areas and keeps a light on its forehead like some sort of bipedal angler fish, and the way my build worked out I often had to choose between being able to see and being able to attack it, because you can’t hold a torch and a two-handed weapon at once, and all of my weapons were two-handed. Which got complicated.

Another thing the game does well is the addition of what it calls Creeds, which are basically your character’s religion; there are about seven of them, three or four of which are available at the start of the game. When you find a safe area in the game (a “sanctuary”, where you can level up and there aren’t any enemies) sometimes they are already dedicated to a creed and sometimes you can choose what creed to dedicate them to; you collect items throughout the game that can let you add things like blacksmiths and vendors and fast-travel points to sanctuaries, but you can only add them to sanctuaries that belong to your creed. Sanctuaries can be converted between creeds, too (and you can change yours,) but that can lead to violence if done too many times to the same creed. Connecting vendors to a collectible item leads to a bit of strategic thinking about where to place them, but if you find all of the guides you can put a guide at nearly every sanctuary, so it’s not as big of a deal: more important is that the vendors and such also add bonuses to areas, so you get a salt bonus if you add a Stone Leader at a sanctuary, for example.

I just finished my first run, and it’s distinctly possible that I’m about to dive right in with a second, although I’ve got my eyes on a couple of other games too. But any game I play through twice before heading off to something else is pretty special. If you’ve found that your tastes in games line up with mine in the past, check this out.

KOKOMO-CON 2019: The Cosplay

I did not take a ton of cosplay pictures today, but what I did get was of pretty impressive entertainment value. More on the show tomorrow; I’m beat.

Hall of Heroes Con 2019 Cosplay, Day 2

Cosplay and broasted potatoes. More cons should feature food trucks with broasted potatoes. Also, the two panorama-style photos are from the cosplay contest, which … Jesus.