Creepy Children’s Programming Reviews: THE AMAZING WORLD OF GUMBALL

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This show has been the New Hotness around here for maybe three weeks or so, and he really hasn’t watched anything else during that time.  Outside of Teen Titans Go!, which it just occurs to me has never been the subject of one of these posts, it might be my favorite series he’s ever watched, to the point where I really don’t even have anything snarky to say about it, just a recommendation that you go watch it yourself, even if you don’t have a little kid in the house to give you an excuse.

The premise: the blue, oddly wide-hipped cat on the right is Gumball Watterson, a middle-school aged cat-thing.  The orange thing in the green socks on the left is Darwin Raglan Caspian Ahab Poseidon Nicodemius Watterson III.  That’s not a joke.  They call him Darwin, but that’s his name. Darwin is a fish, and he used to be Gumball’s pet and live in a bowl on his desk, but apparently I missed the episode where he grew legs and became a main character or something?  I dunno, roll with it.

(In time-honored The Boy Is Watching TV fashion, I haven’t seen the episodes in anything even vaguely resembling the order they aired in, so I’m sure I’m missing lots of stuff.  But yeah, Darwin’s a fish, and used to be a pet, but now he can breathe air and walk around. Make something up so it makes sense.)

Also, Darwin is a cat, and his mom is a cat, but the fish is also his brother in addition to being his former pet, and his dad and his sister are both rabbits.  The role of genetics in this world is somewhat suspect.  Also, his dad is a genial useless Homer Simpson type without the cynicism– oddly, I find dad weirdly refreshing– and Mom may be a no-shit actual ninja when she isn’t housewifing.

Take a good long look at that picture up there, which includes a decent chunk of the cast. You will note that there appear to be a pretty wide variety of animation styles on display, from traditional 2D animation to 3D CGI to papercraft to 8-bit pixel art to 1930s-style cel animation to puppetry to stop-motion to live-action.  The characters themselves range from animals to insects to robots to inanimate objects (one character is a bomb with legs) and food to Sussie.  This is Sussie:

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Sussie, if you can’t immediately tell, is someone’s upside-down face with googly eyes glued to her (?) chin.  (Sussie is female, but I think the chins are mostly guys?  They’re not always the same chin; that one snaggletooth in the picture isn’t always there.) We watched a Sussie-centered episode last night before going to bed and she was what convinced me that this show needed one of these pieces written about it, because Sussie is fucked up, guys.  She apparently takes her eyes off before she sleeps, and then peels them off of a sheet of googly-eyes to put them on in the morning?  And the episode was about her making Gumball and Darwin wear her googly eyes over her real eyes, and then they saw the world the way she does, and the entire episode was a fucked-up masterpiece of 3000 different styles of animation all in the same episode, and it was weird and brilliant and

(brief pause while I realize the second Tunisian player is being stretchered off the field since I started typing this; damn, but the Belgians and Tunisians are going at each other hard in this match)

and anyway the show is weird and dark and funny and insanely inventive and adventurous and original and has the best facial expressions of any animated television program I’ve ever seen and it’s genuinely worth a watch even if you don’t have a kid in the house to give you an excuse.  Actually, let’s talk about those facial expressions for a moment; one of the results about this show’s refusal to stick to a single stye of animation is that they’re free to vary things like line weight as much as they want, which gives them a tremendous range of expression when they need it:

Multiply this across literally every character on the show and you’ve got something really special.  Go check this one out.