Category: Reviews

#REVIEW: Challenger: A True Story of Heroism and Disaster on the Edge of Space, by Adam Higginbotham

On By Luther M. SilerIn Reading, ReviewsLeave a comment

In what might be the least surprising book recommendation in the history of the blog, I thoroughly enjoyed reading a history of the Challenger disaster. This is known; I’m an astronomy nerd, and I’m 50, so I was in fourth grade when the Challenger exploded, and I dressed up as Ellison Onizuka for some sort of history performance thing later that year that I can’t really remember the details of. I do remember several other people in my class were other Challenger astronauts; I don’t think we had all seven, but there were a good three or four of us, and the thing involved everyone standing around in the gym dressed as their chosen person and giving speeches about our lives and our contributions to society to whoever happened to walk past. A history fair of some kind? Maybe. We finagled matching fake space suits from somewhere, I remember that.

I also set part of the prologue of my book Skylights on January 28, 1986, and the Challenger disaster is what gets the main character interested in space. The book is dedicated to the fourteen astronauts we lost in the Challenger and Columbia explosions, but I had to look up the names of the Columbia astronauts. I have been able to rattle off the seven Challenger astronauts by name since 1986.

The book begins with the Apollo 1 disaster, where the pure-oxygen environment in the cabin caught fire and burned the three astronauts to death before the rocket even took off. Higginbotham then goes into the history of the development of the Space Shuttle, which, my God, was an incredible clusterfuck, and it’s amazing that any of them ever flew at all. There’s a fair amount of attention paid to the process used to select Christa McAuliffe as a payload specialist, some biographical information of each of the other six astronauts, and then once we get to about mid-January of 1986 the book shifts to practically an hour-by-hour description of the run-up to the explosion and the multiple investigations afterwards. Higginbotham is an impressive storyteller– I’m going to find his first book, which was about Chernobyl, as soon as I can– and the book is detailed and authoritative without ever getting dry, with an impressive amount of footnoting at the end for anyone who is interested in checking his sources.

This is– okay, I can’t say objectively, really, but I’m gonna do it anyway– objectively a good book, but it’s also a book that there was no way I was going to be able to put down once I picked it up unless it was an absolute travesty of a hack job, and it won a bunch of awards. I read it in a day, mostly because I couldn’t put it down. I learned some things, and I remembered some other things I’d forgotten, and I’m much angrier at 1980’s era NASA than I was before reading it. None of these people should have died. None of them.

I think a lot of you are like me and knew from the title whether you wanted to read this; I would recommend you follow that impulse if you do, and if your initial impulse wasn’t immediately “This book exists? I should read it!” you should read it anyway. I will talk about it again in December, there is no doubt of that.

#REVIEW: you seem pretty sad for a girl so in love, by Olivia Rodrigo

On By Luther M. SilerIn Music, ReviewsLeave a comment

I know, I know, the number of people on the planet who were hoping to find out my opinion on this album is approximately zero. That includes my wife. No one needs this review. You’re getting it anyway.

I just looked, and I’ve talked at least briefly about all three (yes, three; she released a kickass live album last year) of Rodrigo’s previous albums in this space. I owe the fact that I pay attention to Olivia Rodrigo at all to the fact that I’m a teacher; I never wrote the entire post and at this point it’s irrelevant, but her first album creeped me out on a deep and fundamental level as someone who is supposed to be an advocate for kids, and I never said a whole bunch of things about the people responsible for her career when she was a minor because I know how the internet works and they would be interpreted as me talking shit about her. And then Guts came out and bad idea right? was a world-class banger and a lot of the trepidation I had went away; it was clear pretty quick that the no-longer-quite-a-kid had more maturity and control over her own music than I’d been giving her credit for, and if the adults had been steering her wrong as I’d thought, she’d either gotten new adults or started ignoring the old ones.

All that said, I can boil the “review” part of this down to a single sentence if I want to: the last time an album has dominated my listening time as thoroughly as yspsfagsil was Dark Matter, Pearl Jam’s most recent album. That should be enough for anyone who has paid attention to my opinions on, well, anything; Pearl Jam is my favorite band of all time and at this point in my life is not going to be dethroned. This thing came out on June 12 and I’ve probably listened to it at least twenty times all the way through since then. I’m not sure there’s a song on here that I like as much as bad idea right? but the duet with Robert Smith, what’s wrong with me, is her best song.(*) drop dead, stupid song and maggots for brains are great tracks. Hell, I’d say the first five tracks on the album– those three, plus honeybee and u + me = <3 (**) are as good an opening five as any other album I can think of. I don’t love less, I suppose– in general the higher-energy songs rank higher in my esteem, and less is all high-register and piano; I kind of want to know what Billie Eilish would do with it– but there are no weak songs on here, and the most amazing thing is Rodrigo released a pop album in 2026 and the shortest song is still over three minutes long. I have grown so tired of music clearly written for TikTok. There’s none of that.

I genuinely can’t wait to see where Rodrigo’s career goes in the future. I started that sentence off saying “in twenty years” and then remembered I’m turning fifty this weekend. Let’s just say the future and go with that. Either way, this kid’s the real thing and if you have any interest in pop music at all and you haven’t at least streamed this yet, get on that.

(*) Olivia Rodrigo being singlehandedly responsible for making The Cure relevant to an entirely new generation was not something I was expecting of her during the Sour years, and I love it. Recall that The Cure’s latest album was also unexpectedly fantastic.

(**) yes, she literally says “you plus me equals a heart” in the refrain.

#REVIEW: She Knows All the Names, by Michelle Jabès Corpora

On By Luther M. SilerIn Reading, ReviewsLeave a comment

Don’t get me wrong, I love the stained edges trend, but I’m not sure that I love that I can find this image but not a straight image of the book cover like I’ve been using for years.

You have seen Michelle Jabès Corpora’s (not, fuck you autocorrect, Michelle Babes Corporation) name around here before; I read her His Face is the Sun almost exactly a year ago and loved it, and it ended up twelfth on my end of the year list. An interesting phenomenon: I said in my piece about it in December that I’d have ranked it higher, but a hundred books after first picking it up, I didn’t remember it very well other than that it was set in not-Egypt and I really liked it, and I resolved that I was going to reread it before the sequel, which I already knew was coming in May.

Well, I didn’t reread His Face is the Sun before picking up She Knows All the Names, and I’m pleased and more than a little fascinated to report that once I had the sequel in my hands I had no problems with recalling the events of the first book at all. I almost didn’t review this, to be honest, as what I have to say about it is nearly identical to what I had to say about Sun (go read that review); Corpora’s worldbuilding and characters are fantastic, the plot is twisty-turny and resolves a major plot element from the first book, clearing the way for a different antagonist to take center stage for the final book of the trilogy. I loved the first book, and the second is nearly a perfect sequel, and one of the best middle-book-in-the-trilogy volumes I’ve read in a very long time. I actually, genuinely do want to reread both books before the third volume comes out– not, this time, because I think I’ll need to, but because I think the series will deserve it.

Oh, and the cat’s back. I was a little worried at first; this book uses an animal as a framing device the same way that the first book did, but it’s an ibis and not the cat. No worries! The cat is back, it’s just not a POV character. Maybe the POV animal in the third book will be a crocodile. We can hope, right?

Pick it up.

#REVIEW: Enotria: The Last Song (PS5, 2024)

On By Luther M. SilerIn Reviews, video gamesLeave a comment

I wasn’t expecting to actually beat Enotria: The Last Song last night when I posted about needing to play video games, but beat it I did; I had beaten a late-game pair of bosses before putting the controller down the last time I had played, and the game made it clear quickly that the next place I was headed was going to be the game’s last destination. I’m going to jump straight to the chase and say this is a solid 7/10 as a game, with the caveat that a couple of the problems I had with it are potentially fixable.

The basics: Enotria is a Soulslike, which remains my current favorite genre of video game; these types of games are apparently never going to get old for me. The conceits with this one are as follows: 1) It’s sunny sometimes, and in fact one of the first things you’ll do is wander through a field of sunflowers, so it’s not quite as bleak as the genre usually gets; and 2) your builds are controlled by wearing different masks; the whole game is built around acting, and you’ll collect masks from boss enemies and mask shards from basic enemies that can eventually be built into masks. They basically take the place of your armor; if you put on a particular mask you take on the entire appearance of whatever you’re wearing the mask of. It’s pretty, there’s a lot of different weapons and magic to play with, the combat is solid; no complaints of any kind there, really.

Here’s the problem: the game starts by asking you to pick a difficulty level, which is the least-Soulslikey part of the whole thing– these games pick a difficulty, usually “brutal,” and you learn to adapt to it or you don’t. The two difficulty levels are “Story” and “Soulslike,” which … okay, “Story” difficulty is usually a shorthand for baby mode, but “Soulslike” sounds like hard mode, and the game doesn’t really give you any details, but a quick Google search made me think that “Story” was the base difficulty, so I went with that.(*)

Y’all, Story difficulty is crazy easy. There is a particular bridge at about the 2/3 part of the game that is broken in two places, and the jump is just a little bit harder than it looks like it should be– in a game with really no platforming to speak of, I almost wonder if the devs just missed how on-point you had to be to make the jump. I died more on those two bits of bridge than the entire rest of the game put together. No boss beat me more than twice, and I never once in the entire game died before recovering my stuff. I beat the final boss on my first try. There were bosses that I ran into by accident and low on heals and beat on my first try. Now, an easy Soulslike isn’t automatically a bad thing! The game’s still fun; there’s something to say about being a badass, obviously, and not every game has to involve beating your head against a wall. But I’d suggest if you’re used to these games, go with Soulslike mode to start.

Second, the game has a sort of paper-rock-scissors thing going with the elements. Enemies can be linked with certain elements, and if they are, they’re supposed to be immune to their element and weak to another. I say supposed to be because I never once found myself unable to hurt an enemy, no matter what weapons I was using. The elements all have Italian names and each element can proc a different effect if you get hit with enough of it, and those have different names too. Unlike most games, where, just for example, poison might slowly kill you and freeze might slow you down, the elemental effects have positive and negative side effects that, to be honest, I never bothered to memorize. The paper-rock-scissors thing is on the screen at all times and I never paid any attention to it. The game goes so far as to provide you with three different roles– effectively different builds that you can hot-swap between at will– with the idea that you might use each one to specialize in different elements. I never kept more than one active. There was no reason to.

It is, of course, entirely possible that this was because of Story mode, but … are you really gonna take out this big of a part of your gameplay for the kiddo mode in your game? Because it really seems like that’s what they did unless the whole thing is just broken from the jump. All I know is, I never paid attention to half of the subsystems the game uses. The game does have a New Game + mode, but I don’t know if that bumps you up to Soulslike difficulty or is just Story with spongier enemies or what. I might do a second run at some point to see what the other difficulty is like. I’d like to eventually platinum this, and I missed a bunch of story-related trophies on the first pass.

It’s probably worth pointing out that this is currently free through Playstation Plus, and it’s definitely worth recommending as a free game. Just start it at Soulslike, and hope that it forces you to learn the game’s systems a little bit better and doesn’t let you just go Big Hammer Goes Bonk or Fast Sword Goes Brrrrrr through the whole game. Or do that! Like I said, easy is fun sometimes.

(*) Do not allow yourself to be fooled; just because they called the difficulty “Story” does not mean that the story is going to make any sense(**). But you’re not playing these games for the story, are you? I hope not.

(**) Another missed opportunity; the game has a ton of little lore things you pick up all over the place, but unless you decide to invest the time to stop playing the game and read them– and I mean it when I say there are a ton of them– you’re not going to have any idea at all what the hell is going on.

#REVIEW: The Radiant Dark, by Alexandra Oliva

On By Luther M. SilerIn Reading, ReviewsLeave a comment

I have reached a point where I am getting a truly absurd number of books every month through book box services of one stripe or another, and every time I think I’m going to get my shit together and cull one or two of them, I discover a book like The Radiant Dark, which was not on my radar in any way before it showed up and caught my interest via, in this case, my Aardvark box. Alexandra Oliva has written a couple of other books before this, but she’s new to me, and anything that can consistently feed me new authors that I like is going to continue to get my attention and my money.

The Radiant Dark is part alternate history, part science fiction, and part family saga; it starts in 1980, and at first I thought I had managed to pick up what feels like the third or fourth book in the last month or so featuring a struggling young mother with a baby and a useless husband. And, well, it is that, for a little while, but it doesn’t stay that way for long. Very early in, President Carter announces that a signal emanating from a specific region of outer space has been conclusively proven to have intelligent alien origins, from an unknown exoplanet approximately eleven light-years away. And because of the distances involved, any message that gets sent back is going to take eleven years for the aliens to receive, and 22 years minimum for Earth to receive any sort of response. The book isn’t solely concerned with the communications, of course, but there have to be time skips to keep it from being a thousand pages long. Oliva also has a defter hand with her characters than you might think at the beginning of the book, and the relationship between Carol, her son Michael, and her daughter Rosanna (called Ro for most of the book) is the emotional center of the book. Carol’s husband quickly becomes her ex-husband, but he’s a complex character in his own right, and while it seems clear who the hero and who the goat is early on, it gets muddled up nicely in the fashion of most dysfunctional families pretty quickly. Ro in particular has a very strained relationship with her mother, and she will eventually become a mother on her own. I genuinely feel like even if they hadn’t had the first contact/science fiction side of this book, it would be well worth reading just because of the way it explores the family dynamics.

Ro turns out to be a world-class astronomer, and is one of the first people to decipher the second message the aliens send us, 22 years after the original beacon. She is snatched out of her Ph.D program by a world-renowned scientist who wants to use the knowledge the aliens have sent us to start looking for other potentially habitable planets and, possibly, other intelligent life– although the aliens make it clear that all they have been able to find so far is us. She presents it as a generational effort, something that she doesn’t plan to survive to see the fruits of. By the time the book ends in the 2030s, humanity has colonized the Moon and sent people to Mars, so obviously there’s some divergence from our own history, as you well might expect.

I was not expecting to enjoy this nearly as much as I did, and this is the rare book that I will recommend because I find the characters so compelling. I like good character work, of course, but it’s rarely at the forefront of my reasons for liking a book, especially one so suited to my interests as a first-contact science fiction novel. But I think it’s best to read this as a family saga with a side dish of sci-fi rather than the other way around; if you go into this solely as a sci-fi person, I think you’ll come out disappointed. It’s not much of a spoiler to say that the aliens do show up eventually, but don’t read the book waiting for that reveal. That’s not the book Oliva wanted to write. Go in with your expectations calibrated appropriately, though, and you’ll end up with a read that I think stands a pretty good chance of showing up on my end of the year list. Check it out.

#REVIEW: The Caretaker, by Marcus Kliewer

On By Luther M. SilerIn Reading, ReviewsLeave a comment

This is one of those books that you finish, put down, and then mutter “Fuuuuuck…” under your breath.

Marcus Kliewer has, I believe, written two books. I read his debut, We Used to Live Here, and reviewed it here. My review was a little on the mixed side; WUtLH features a really unreliable narrator, a literary trick I generally don’t get along with very well, and its genre is mindfuck. One thing that I’m noticing as I’m rereading the review, though, is that I finished the book in one sitting.

I also finished The Caretaker in one sitting, and I did not have “read an entire book cover to cover” on my to-do list for today. Now, granted, this isn’t a terribly long book, coming in under 300 pages and with a largish font on top of that, but I genuinely did not put it down once while I was reading it. This means that Marcus Kliewer has written two books, I have read them both, and I didn’t put either of them down while I was reading them.

That’s … really impressive.

The Caretaker is also a mindfuck, although not as intensely so as WUtLH. The main character, Macy Mullins, is a twenty-something and a bit of a fuck-up, with a doozy of an anxiety issue on top of that. She’s the parental figure for her younger sister Jenna, a seventeen-year-old with a penchant for casual shoplifting. Macy is broke and jobless, and the sisters are about to be evicted from their apartment when Macy happens to spot a want ad for a temporary caretaker position. She interviews and discovers that she’s being offered nine thousand dollars, a life-changing amount of money, for the simple task of three days of house-sitting. The house is old and isolated, buried deep in the wilderness off the coast of Oregon, but despite her sister’s reservations she jumps at it.

Oh, and there are some minor things you need to do while you’re house-sitting. No big deal. The former owner had some, uh, quirks, and maybe some OCD, and maybe a lot of OCD, and his wife promised him that as long as she lived in the house she’d keep up his little rituals that he thought literally kept the world safe. A promise is a promise, though, right? Here’s the list. Again, no big deal. Simple stuff.

You might not be surprised to learn that things don’t go well. Otherwise this isn’t that much of a book, right? Macy babysits the house and makes sure none of the lights turn on in the middle of the night. She makes a ton of money, buys a used car, and gets her and her sister back on track now that she can get to work. The end!

Nah.

Full disclosure: I got sucked directly into this book and it dragged me along at a breakneck pace until I was done with it, and it might be the kind of book I wake up tomorrow and find a dozen huge plot holes in. The three major book services I use for ratings– Amazon, Goodreads and Storygraph– all have it at under 4 stars, which isn’t alarming, necessarily, but it means the book isn’t exactly garnering universal acclaim. But oh, man, the ride it takes you on is great. It’s creepy as hell and the main character makes nothing but bad decisions from start to finish and if I could have found a way to cover my eyes and read the whole book through the cracks in my fingers I might have, except I haven’t found a way to turn pages or hold a book while I’m doing that. But I’m keeping a close eye on this Kliewer fellow from now on; I actually picked this one up from Aardvark without immediately realizing it was the We Used to Live Here guy. I will not be forgetting his name again.

Give it a read. Just make sure you have a few hours set aside before you do.

#REVIEW: Pragmata (PS5)

On By Luther M. SilerIn Parenting, Reviews, video gamesLeave a comment

Ooooofffffff.

I started Pragmata a little under a month ago, and when I did I called it the biggest Dad game since The Last of Us. I beat it tonight, and that opinion remains true; the basic plot of the game is that you end up stranded on the Moon (roll with it) and you end up rapidly adopting, more or less, an android girl who you name Diana. All of the enemies on the moon are robotic in nature (AI GONE WILD is a good-enough description of the wider plot) and Diana helps you throughout your mission by hacking your robot enemies so that you can blow them to pieces with guns. The basic game structure is not quite a Soulslike (die, and you just reappear at the hub) but it’s definitely Soulslike-adjacent; lots of customization of your equipment (no ability scores, though) which gives you a ton of flexibility for how you approach combat throughout the game. Mods can be applied to your suit, all of your guns can be upgraded, Diana’s hacks can be upgraded, and so on. There’s a hub you can return to that acts similar to the bonfires you find in Soulslikes, although it’s more of a hub base than anything else.

This hits right in my sweet spot, honestly; the different zones you can reach are separate and you can’t go in between them without going to the hub in between, but there’s hidden stuff to find everywhere and your inability to travel from zone A directly to zone D doesn’t end up being annoying at all. The exploration is great, and the combat is not like anything I’ve seen before. You’re essentially fighting as two characters as once; Hugh (the guy) controls like any main character in any shooter you’ve ever played, but Diana’s hacks require you to open up a grid and then navigate though it using the face buttons, hitting various nodes that power up the hack as you’re moving through. Successfully completing the hack does damage on its own and also opens the enemy’s armor up, allowing you to do damage with your guns.

I feel like that description’s unclear. Here’s what the hack interface looks like:

It’s important to realize that while time is slowed down, it’s still happening, so you will sometimes have to interrupt your hack to dodge away from an enemy attack, and there are mods that will allow you to start from where you left off if you get interrupted, by losing connection or getting hit. This makes combat really frenetic and super satisfying, especially once you gain the ability to overheat your enemies, which allows you to do critical attacks. And there’s another mod that makes critical attacks also damage nearby enemies, and … man, combat is fun in this game.

The technical aspects are all solid; graphics are pretty stellar and I didn’t encounter any bugs. I’ve talked about this before; so long as I can tell what I’m doing, I don’t really worry about graphics in video games any longer. Diana and Hugh’s animations and facial expressions are great and while the environments are kinda samey (you’re on a moon base, after all) they do manage to work in a forest level via some nanotech-related shenanigans. Certain items have audio cues that help you find them and the game doesn’t actually tell you to listen for the audio cues, which was a nice touch. Voice acting is great– any time a game has a little kid in it (Diana’s not human, but comes off as being eight or so) you could be in some serious trouble with voice acting, but it’s really solid here, even in the more heavy emotional scenes.

And … yeah. About that. The game didn’t make me cry, but it bloody well could have. I’m not spoiling anything; the ending doesn’t exactly come out of nowhere but it still managed to take me by surprise, if only because holy shit, I didn’t think they were really gonna do that.

My tendency toward heavy exploration and trying to find everything led to about a 20-hour play through on this one; you need two of them to platinum the game, which I don’t think I’m going to do, but I might. You could probably get done in 10-12 hours if you weren’t poking your head into every nook and cranny. Definitely check it out.

Read these four books

On By Luther M. SilerIn Reading, ReviewsLeave a comment

The thought of writing full reviews of all of these makes me tired, and it’s been a long day and my wife is out of town for the next eight days for work so I’m kinda crabby and tired already, and I’ve tried to write these for a week and not gotten anywhere. So we’re going to do this! I’m going to post four book covers! You should read those four books. If you want to know more about them, ask me in comments, and I’ll either respond in comments or write a full review of them this weekend sometime when I’m feeling more like a human being who can be engaged with in society.

At any rate, Canticle woke up my Religious Studies Brain, and after finishing it I immediately texted my friend with a doctorate in theology and insisted that she read it as soon as possible. This is historical fiction and is the only book on the list with no real genre elements, and God, it was so good. So so good.

I could have done without the romance angle in Weavingshaw, but everything else about it is so good that I can overlook it.

This was awesome, and one of the rare books that I wish was longer, especially for those of us who don’t really know anything about Moroccan culture. I wanted more story after The Thing happens, but The Thing doesn’t happen until very late in the book.

Absolutely brilliant, although I’m uncertain why Kay used his fictional Sarantium and didn’t just use Constantinople. I mean, there’s bits of magic and the supernatural here and there, so maybe that in and of itself is why, but I could have accepted a Byzantine Empire with that stuff. I have the sequel to this on my shelf already, though, and this is my first book by Guy Gavriel Kay, but I suspect I’m going to read a lot by him this year.