#REVIEW: A House of Dynamite (2025)

Two movies? In two days? Madness!

You may recall that last year I read a book called Nuclear War: A Scenario. I called it the scariest book I had ever read, and while I absolutely cannot say that I enjoyed it, it ended up at a pretty high position on my Best Books of the Year list at the end of the year.

Kathryn Bigelow’s A House of Dynamite is, technically, not a film adaptation of Nuclear War: A Scenario, or at least, if it is, it never claims it. That said, it may as well be: a single nuclear missile is launched from an unknown source (in NWAS, it’s immediately attributed to North Korea) toward what is eventually determined to be Chicago. The movie tells the story of the seventeen minutes between the detection of the launch and the impact of the missile three times from the perspective of three different groups of characters in the American government, all ending as the president makes his decision about what the US’s plan of retaliation will be. That decision is described by one character as “surrender or suicide,” and it’s not clear that there is really a whole lot of daylight between those two scenarios.

You might think that watching the same twenty minutes three times (the film’s runtime is just under two hours, so there’s not exactly a clock ticking in the corner for the entire movie) might be repetitive enough to drain some of the tension out of the film. For me, at least, it absolutely wasn’t, and the fact that you hear some of the same conversations three times over the course of the movie didn’t cut the drama at all. This might be partially attributable to my age– I think us ’80s kids are going to get hit harder by this movie than the generations before or after us, as the threat of dying by nuclear annihilation was something that was hanging over our heads for our entire childhood and we’ve internalized that very differently than people who didn’t go through that. But I had to go outside and mow the lawn after watching this movie just to burn off excess nervous energy, and I think it’s gonna have me fucked up for the rest of the day if not for longer than that.

I don’t have a ton to say about the technical aspects of the movie. The music is very effective, quietly echoing Jaws in the worst imaginable way and again plucking at the strings of the ’80s kids. The acting is as good as it needs to be with no really standout performances; the only actor in the film I was previously familiar with was Idris Elba, who plays the President as someone who never really thought he’d have to make the decisions he is faced with and allows just a trace of “Why me?” to come through his performance. Angel Reese has a cameo; I guess I’ve heard of her, but the movie’s not going to live or die on her playing herself for a couple of minutes.

Much like Nuclear War: A Scenario, I can’t really recommend this movie so much as say it’s very effective at what it wants to do and it’s up to you whether you want that in your brain or not. I wouldn’t spend a lot of time reading reviews; they’re very mixed, and I’m guessing that the film’s ending is primarily responsible for that. I’m not spoiling anything; for me, it ended in the best way it could, but clearly a whole lot of other people disagreed.

I think I’ll go mow the lawn again.

(ALSO: If you’re a Movie Person, please follow me on Letterboxd. I need people over there.)

On Mike Tyson, forgiveness, redemption, and pummeling Jake Paul into unconsciousness

I don’t like Mike Tyson. Mike Tyson is a rapist. I don’t like rapists.

Like a whole lot of people who generally don’t care about sports in general or boxing in particular, I’m planning on at least attempting to watch the Tyson/Paul fight tonight. Why attempting? Because who the fuck knows when the thing is going to start, and Tyson in his prime kind of specialized in blink-and-you’ll-miss-it-sorry-that-guy’s-dead-now fights that you could miss by going to the bathroom at the wrong time. I don’t really want to watch the entire undercard, which could be a couple of hours, so I’ll mostly be relying on the Internet to give me an idea when the actual main event itself is going to start.

I am, I admit, more than a little conflicted about it, and I’m mostly writing this post as a way of thinking out loud rather than making a unified and coherent argument. Generally when I find out someone I was previously a fan of has turned out to be any of many different varieties of sex pest, that guy is removed from my consciousness as thoroughly as I can. Neil Gaiman, Warren Ellis, and Bill Cosby, to pick two fairly recent examples and one not so recent, are all dead to me. To hell with all three of them. I don’t vote for politicians who are sex pests and in fact default whenever possible to voting for women precisely so that I don’t do it accidentally.

It is entirely possible that this entire post, and a lot of the “thinking” that I’ve been doing about it over the last few months, is about me searching for a way to justify watching this fight. To find a way that oh, this one doesn’t count. And maybe that’s all that’s going on. I’m not sure that that has to be a problem, to be honest! We already had a Netflix account; any tiny percentage of however much my wife spends a month on Netflix has already been earmarked to Tyson without my approval or consultation. I think I might be having a different conversation were this a pay-per-view type of event or something that Netflix was demanding a surcharge for. I am not a fan of Tyson’s; recognizing that he is either the best boxer or the second-best boxer who ever lived depending on how you feel about Muhammad Ali (Tyson has said multiple times that Ali would win if they were both in their prime) is merely stating a fact and not a fan’s opinion. Other than playing hours upon hours of Mike Tyson’s Punch-Out!! as a kid I’ve never engaged in any particular “fan” activities toward the guy. I don’t think he’s a good guy, and I don’t want to be like him, and I don’t want my kid to look up to him or want to be like him or think he’s a good guy.

What I want is to watch him beat the piss out of Jake Paul, a loathsome human being, and someone who is a loathsome human being now, as opposed to a rapist who went to jail for his crime, served his time, and for the most part has kept his nose clean since then, and who has definitely not been accused of any further sexual misconduct since leaving jail.

Just because I want to see him punch Jake Paul’s nose around to the back of his head doesn’t mean that I want to take part in literally anything else that he does. And, you must admit, Mike Tyson is kind of uniquely qualified to be the guy who punches Jake Paul’s jaw clean off of his fucking smarmy face. There is no one else who it would be more satisfying to watch do that. It is possibly true that this is because I can’t name any other boxers!(*) But still.

But Tyson also hasn’t done the kinds of things that we want perpetrators of sexual violence to do in order to obtain “redemption,” whatever exactly that thing is. There’s been no attempt, to my knowledge, of any attempt at restitution, or an apology, or even admission of guilt. And there may have been more than one victim, which wouldn’t be surprising at all. There’s also his whole relationship with Robin Givens, which (I don’t think?) involved sexual violence but certainly was abusive.

But again: did his time, has stayed out of trouble since then, and I’m not directly supporting him by watching this fight, and I think he sucks as a person, and and and and and I’m not sure any of it really matters because I so badly want to see Jake Paul beaten until he’s two-dimensional so maybe I’m just letting my standards slip this one time because these are kind of unique circumstances, I’m not perfect either, goddammit, and my wife’s watching it with me and she’s even a whole-ass woman! So there!

I’m gonna be so pissed if Paul wins.

(And, not that I’m the first person to say this, but I feel like it’s worth repeating: while he’s definitely going to make an asston of money with this fight, it’s not the best career move for Jake Paul, if we’re willing to call his boxing a “career.” If it’s a fair fight, he’s going to get the shit beaten out of him, and if he wins, half the audience (including me) will be screaming that the fight’s fixed and the other half will not be impressed because Tyson is nearly fucking 60 and the young strong guy is supposed to win a fight with a guy who is nearly sixty years old.)

(*) Okay, I can, and some of them might even still be alive, but none of them are as mean as Tyson. Watching George Foreman turn this guy into hamburger and then grill him up would simply not be as much fun, I’m sorry. Foreman is nice. Relatively speaking.

Anyway. Are you watching? Are you also morally conflicted about it, or at least pretending to be on the Internet so you can go do what you wanted to do in the first place?

Ooh, that’s an easy one

My friends’ lives are all falling apart, and if you read this and think I might be talking about you, rest assured that I probably am, but also be aware that I’m talking about at least three other people in addition to you. So guess what I plan to spend tonight thinking about?

I do not remember the last time I legitimately binged a season of a show. And I wasn’t even all that excited about this until seeing the trailer. But it looks like they’ve gotten everything absolutely right. I’mma just black out August 5 on my calendar, I think.

#REVIEW: Masters of the Universe: Revelation, Pt. 1

First, let us be clear about a couple of of things: I could not be more squarely in the demographic this show was aimed at if I tried. I am a geeky male, born in 1976, who was seven years old when Masters of the Universe premiered in 1983. My brother and I were both hugely into the show, so much so in fact that we refused to share our toys and you therefore need to check the bottoms of their feet to see which ones my mother colored in with a black Sharpie, which indicates that they belonged to me. I still have the vast majority of them; my son played with a bunch of them while he was growing up, too.

The second thing to be clear on is that there is literally nothing you could do to or with the He-Man franchise that would anger me. Yes, these toys were a big part of my childhood; yes, there are still plenty of things that were part of my childhood that I may have Opinions on(*); He-Man is simply not one of them. I will resent the Cubs for the rest of my life for the way their baseball games used to pre-empt my He-Man cartoons but there’s not a damn thing anyone can do with the franchise now that’s going to get me sucking my teeth and muttering at them. It’s just not possible.

(It’s also worth pointing out that Netflix has already surprised me by making me a huge fan of their She-Ra series, so I would have been remiss if I skipped out on this one. The huge success of She-Ra meant that trying out Revelation was practically mandatory.)

That said: this is about as good as I could have expected a Masters of the Universe continuation to be, I think, and having watched the five-episode Part One, I find that I’m still in for Part Two. It’s hard to write in depth about this without spoiling some things, but in general, folks die, and the show in general is a hell of a lot bleaker than I remember the cartoon ever being, but for the most part it’s all still there, right down to Evil-Lyn actually continuing to insist on being called Evil-Lyn for a good chunk of her screen time. There are fanboys yammering about how the female characters, particularly Teela, Lyn and another named Andra who was supposedly in a couple of episodes but who I don’t remember, are in the show too much; those are bad people and their opinions are to be disregarded with swiftness and prejudice. My biggest complaint? Sarah Michelle Gellar voices Teela, and while I was a big fan of Buffy the Vampire Slayer and am firmly used to thinking of Sarah as a badass, her voice doesn’t fit her character. Teela’s drawn big, and should have a deeper, brassier voice than Sarah’s. The performance is fine with my eyes closed, but it just didn’t fit the character for me, particularly since I know Sarah’s voice so well and she’s not really trying to mask how she sounds.

Everything else? Good stuff, or at least as much as it can be given that this is Masters of the Universe we’re talking about. Tri-Klops is the main villain, as the leader of a technology … church … thing that … worships? something called Motherboard? And there’s a Holy Sprocket, because … that’s a tech word? I guess?

It’s completely fucking ridiculous, but again: MotU, so … whatever, and I did find it interesting that it set up a bit of a split between the characters who are mostly tech-focused and the magic wielders. This has always been a series where anything goes, basically, so it was kind of cool that when Eternia’s magic starts draining away the tech-focused characters step up and try to take over.

Also, I liked Orko, for the first time … ever? And I can’t believe that I’m actually typing this, but there are some character bits between him and Evil-Lyn that were actually really interesting.

Don’t pay for Netflix for this or anything, but if there was any chance you were going to watch it, follow through on that impulse.

(*) I tossed this question out on Twitter earlier today, tagging my wife: what is the most ridiculous thing that I have strong opinions about? Like, they can do whatever they want to He-Man, and I think the last decade or so has fairly adequately displayed my flexibility regarding comic books and Star Wars. Is it the DC movies? Is the murderverse the thing I get the most fanboy-irrational about? Maybe. Any other possible contenders?

#REVIEW: She-Ra and the Princesses of Power, Season 5

We finally finished watching the final season of She-Ra and the Princesses of Power last night, and the show has joined a very exclusive list: television programs that I started watching with the first season and then stuck with through to their conclusion. In fact, Buffy the Vampire Slayer is probably the only one. I watched all of How I Met your Mother, but didn’t get into it until the second or third season and then went back and got caught up. Everything else I’ve eventually bailed on.

Here’s the thing about this program: I loved– absolutely loved— the first season. Seasons 2 and 3 (which were basically one season, broken in half) and Season 4 were all good, but I wasn’t apeshit about them enough to write posts.

Season 5 is the show’s best season, and the only one that is even close is the first season. I don’t want to get into a lot of details, because if you’ve not taken my word on this in the past you need to experience the series for yourself, but the way it resolves all of the story and emotional arcs from the rest of the series without feeling like it’s ever ticking off boxes and without any filler episodes in insanely impressive. It’s a remarkable achievement in television, and everyone involved should be incredibly proud of themselves. If you have Netflix, this is what you’re paying your money for. Look past the name of the show if the idea of watching She-Ra in the first place seems weird to you; it definitely felt weird to me at first, as someone who never really knew anything or much cared about the source material (and even the He-Man stuff was never anything other than pretty ridiculous,) believe me, you’re gonna get over it. It’ll be okay.

You’re going to love this program. It’s magnificent. Check it out.


6:11 PM, Monday, May 25: 1,657,441 confirmed cases and 98,034 deaths.

In which I watched The Witcher

When did I watch it? Wecently.

Shut up I get to have my fun.

I’m coming at this show from sort of a weird angle: I had not read any of the source material (but I ordered three of the novels after watching, and am about a fourth of the way through the first one right now) and I have played one of the three video games and didn’t like it very much. So it’s kind of difficult for me to explain why I jumped at watching the show, particularly since I’ve never really been a fan of Henry Cavill either.

tl;dr you should probably watch this if you’re into This Sort of Thing, but don’t pay for a Netflix account for it or anything like that.

Good Stuff:

  • The show mostly dispenses with the rampant sexism and PoC erasure of the game, at least– I don’t recall a single use of the C-word, which is everywhere in the game, and the cast is reasonably diverse;
  • Henry Cavill is having the time of his life playing a man whose only emotion is exasperated— Geralt of Rivia is so over all of this shit, all the time, and it’s hilarious; I never thought I’d use the word “adorable” to describe Cavill but it’s entirely accurate through most of the show;
  • Anya Chalotra as Yennifer of Vengerberg also does a fantastic job in what is probably the show’s best role. Yen is a complicated, meaty role, and she digs deep into this character;
  • The majority of the smaller roles are well-acted as well. I don’t know any actor in this program outside of Cavill himself and I don’t know where they found all these folks but they’re great. Definitely worth singling out are Joey Batey’s Jaskier and Jodhi May’s Queen Calanthe, who I want to get a show all on her own;
  • Fun fact about Jaskier: this is the character who in the games and the English novels is called Dandelion. Turns out jaskier is the Polish word for “buttercup,” and the books and games made the decision to render the character’s name as a slightly less feminine-sounding yellow flower in English, but the show just stuck with Jaskier, which in English scans perfectly well as a fantasy name;
  • Netflix went all out with budget and FX; there’s a suspect mask early in the series but in general the show looks really good, and it’s well-directed across the board, with good action scenes.

The not as good stuff:

  • I’m willing to be patient with Ciri’s story while she becomes the character I know from the third game, but she basically just runs around in the woods uselessly for the entire season. She’s getting Sansa’s character arc from GoT right now without the endless, twisted speculation about when she’s going to get raped, and we’re very much in the “young and whiny and mostly pointless” phase at the moment. Hopefully this gets better quick in the next season;
  • Costuming is generally pretty good, but two exceptions are Henry Cavill’s wigs and the Nilfgaardian’s utterly ridiculous, impractical, please-stab-me armor;
  • The show follows three timelines separated by at least several decades, and wants you to figure that out rather than making it clear, and while I don’t mind TV that rewards the viewer paying attention it’s not at all obvious what the show gains from making all the time-jumping effectively a background detail. They also hurt Yen’s storyline quite a bit with this; she goes from a novice to someone who has spent three decades as a royal advisor between the earliest storyline and the middle one, and those three decades change her character quite a bit– it would have been nice to see some of it;
  • It’s possible that Cavill’s bad wigs are a timeline hint, but even if they are– I think one of them might be blonder than the others– they’re still terrible;
  • Related to the timeline issue, the show isn’t great at explaining things in general, and my wife spent most of the season asking me questions I couldn’t answer with my limited background knowledge. You’re asked to take quite a bit on faith and I think the show works much better for people with deep background knowledge, but it’s hard to say, since I don’t have it. One of the best things about GoT was the opening sequence, which effortlessly laid out the entire map and let you know where everything was without wasting show time on it. This show could have used something along those lines. At least sprinkle some maps into the background somewhere.

So, yeah: if you’re one of the ten Netflix subscribers who hasn’t checked this out yet, you should probably think about it. If you don’t have Netflix and are a big fantasy person, maybe think about it. If you’re neither, give it a pass. I’m in for Season Two and at least the first of the books, but I’m not gonna lose any sleep waiting for it either.

Final classroom update

… seeing as how school starts tomorrow, for shit’s sake:

The room is basically done, at least on the decor front; there will probably be some more math-related stuff scattered about as the year goes on but what I’ve got is more than enough to get started with. I got the round table I wanted and brought in a single carrel desk, so I feel like the kids have plenty of options for where to sit. We’ll see how it goes; first teacher day is tomorrow and first day with the kids is Thursday. I plan on spending the first two days at least on procedures and getting-to-know-you stuff so no need to worry too much about lesson planning yet.

In other news, this is happening, and are you as excited as I am? Or as excited as I would be, if all of my available emotional energy wasn’t being sidetracked into other things right now? Because I totally feel like if I had any spoons left I’d be burning them on being super excited about this:

Creepy Children’s Programming Reviews: #SHERA AND THE PRINCESSES OF POWER

Y’all.

I had He-Man toys as a kid.  I grew up in the eighties; it was inevitable.  I didn’t really pay a hell of a lot of attention to She-Ra because … well, I was a boy.  And She-Ra was for girls.  I also watched the He-Man cartoon, and I have very detailed memories of being very angry with WGN because at some point or another they chose to commit the cardinal sin of pre-empting an episode of He-Man with a Cubs game.  

I don’t think I ever watched the She-Ra cartoon.  I remember that she said “For the honor of Greyskull” instead of “By the power of Greyskull,” but I think that’s cultural osmosis and not an actual memory.  I could not have told you the names of a single member of her supporting cast prior to this week.

Honestly, I only decided to watch the show because it seemed to be pissing off a bunch of whiny manbaby manchildren, and I like it when those people’s feelings are hurt.  If that makes me a bad person, I can live with it.  

I probably shouldn’t even make this part of the CCPR series, y’all, because I loved every second of this show.  The three of us watched the first two episodes together and we had to force our son to go to bed at his bedtime because he wanted to stay up and watch more.  We watched the other eleven episodes in two big gulps over the next couple of days.  This is absolutely 100% unequivocally the best show I’ve ever done one of these pieces on, and I’m only not calling it my favorite animated series of all time because I feel like the second I hit Publish on this piece I’ll remember what my favorite animated series really is and I’ll feel dumb.

I’m not gonna lie: a large portion of my affection for this show is somewhat political.  I love what this show is as much as how it is what it is.  But before I get into that, I want to be super clear about something: the show is hilarious and touching and action-packed and the voice acting is superb and even before we get into any of the representation issues it’s a great show.  My son loved it so much that he’s created his own characters inspired by the show and he’s been drawing comic books about them and creating statues of them in Minecraft all day.  My son does not love the show because of politics.  My son loves the show because it’s awesome.

To wit: when She-Ra first turns Swift Wind, her horse, into a … pegacorn?  Unisus?  Rainbow horned wing-beast thing, the horse’s reaction to its new wings and horn had all three of us laughing so hard we could barely breathe.  Sea Hawk’s insistence on setting his ships on fire was a running joke that never got any less funny.  The relationship between She-Ra and Catra– an invention of the new series, from my understanding– is complex and heartbreaking, especially for a show where friendship is such an important theme, and it feels real.  Adora’s fish-out-of-water reaction to … well, virtually everything after leaving the Horde is great.  I love even the minor characters, with Mermista, Entrapta and Scorpia being particular favorites. The animation style, which got a lot of unnecessary abuse, is exactly appropriate for the show, and the facial expressions are worthy of The Amazing World of Gumball.  It’s phenomenal, all the way through.

But yeah.  Let’s talk about the cast.  This is what She-Ra’s cast of characters used to look like:

I mean, the two on the outside are both purple…

This is what the cast of the new show looks like:

So straight off the jump we’re in a better place here.  The cast of She-Ra and the Princesses of Power is deliberately and intentionally diverse, both in the appearances of the characters and the actual voice cast.  Glimmer is actually kinda chubby, and Spinnerella is flat-out fat,and it’s never once remarked upon by any of the characters.  That’s just what they look like.  It’s heavy on women characters, as a show with the words Princesses of Power might be expected to be, but it’s not just a palette swap with typical cartoons, where the women have less agency and less characterization.  Bow may be the only male of the three principals with Adora and Glimmer, but he’s a solid character on his own right and his relationship with Sea Hawk is hilarious.

(A moment, please, to just appreciate the He-Man style of naming characters.  This show features a sorceress character called Castaspella, mercifully called “Casta” most of the time, and a character who throws nets whose name is Netossa.  And in case “Netossa” is too subtle for you, she actually explains it onscreen.  The character named Perfuma is once represented by some random object while the group is making a plan and she insists on being represented by a perfume bottle.  The names are ridiculous.)

And, oh, guys, it’s so gay.  So very very very very very very very gay.

This show is so gay it makes Queer Eye look like 19 Kids and Counting.

Bow wears a midriff with a heart on it.  At one point he needs to wear a tuxedo for a ball.  His tuxedo has a cummerbund on it.  He tears off the cummerbund so he can continue to rock his abs in his formalwear at the ball.  Which he attends with a girl, but oh my God his reaction when he realizes Sea Hawk is there.

The bad guys are literally wiped away by a giant rainbow wave of love in the final episode.

Spoiler alert, I guess.  I mean, if you didn’t know the good guys win at the end of the season.  You probably coulda guessed.  

Oh, and the goddamn horse ends up being a socialist.

You need to watch this show.  If that means you need to get Netflix, do it.  It’s great.  I can’t wait for the second season.  Neither can my seven-year-old son.  If my recommendation doesn’t work for you, take his.