#REVIEW: ESCAPING EXODUS, by Nicky Drayden

Nicky Drayden has written three books, and I have read all three and at least briefly discussed each of them here. Her first book, The Prey of Gods, ended up being too much for me, and I actually didn’t manage to finish it because of how completely nuts it was, although I think it’s due for a reread sometime soon regardless. Her second book, Temper, was a much more assured novel but still wasn’t quite a home run for me. The interesting thing about Drayden’s work is that she is very obviously a writer with an enormous amount of potential, and even though I didn’t finish her first book and didn’t exactly love the second she was still very much an author I was keeping an eye on and was going to continue to buy books from.

And, y’all, Escaping Exodus is the book I’ve been waiting for. I was sooooo right to keep watching Drayden; this book is the payoff, and will end up quite highly ranked on my end of the year list, which is coming in the next couple of weeks. Drayden continues with her firehose of ideas and her intensely weird fiction; this one is about a Juliet- and Juliet-esque love between an heiress to a matriarchy and someone who is effectively a manual laborer, only they’re also traveling through space in a living generation ship while they’re doing it. Throw in atypical family structures (everyone has multiple sets of parents and multiple spouses, of both genders, and blending “matrilines” is a big part of the politics of the book) and a fascinating bit at the end where we find out that there are other spaceships out there and that the colonies on those ships have evolved, and cared for their ships, very differently from the characters in this, and … man, this is really something special.

My only gripe is that the end doesn’t land quite as perfectly as I’d like; one storyline that I was quite interested in kind of gets disregarded in the last twenty pages or so, which was a bit of a disappointment, but overall this is the book I always felt like Drayden was going to write eventually and I’ve finally got. It’s just much more under control than her previous work; you got the idea in Temper to some extend and to quite a large extent in The Prey of Gods that her ideas just got away from her, and that feeling is gone from this. This novel is tight in a way her previous work hasn’t been, and you should all read it. God, 2019 has been a great year for books.

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