Go read THE EXPANSE

It seems like an awfully daunting task to actually review James S.A. Corey’s The Expanse series, so I’m just going to write a brief post about it and hopefully that will be enough to convince literally every single one of you to pick it up. I finally finished the 9th book last night after sitting on it for a little while (beginning it at the same time I was starting Elden Ring wasn’t a great decision) and now that I’m done with the series, I’m just kind of stunned at what an amazing accomplishment the entire series is.

I was kind of irritated to discover that Leviathan Falls, the final book of the series, was compared to A Song of Ice and Fire on the back cover, as if ASoIaF is the superior product that Expanse ought to be compared to. I’ve said this about other series before, but The Expanse is markedly better than ASoIaF, not the least because it’s actually finished, and we all know George is never, ever finishing that series. It is also better than That Other fantasy maxi-series you might have in mind, if for no other reason than the series, unbelievably, is nine books and, oh, 4500 pages long or so, and features almost no bloat. That’s kind of astounding, considering what has happened with nearly all of the long-term fantasy series on the market right now.

(Why am I not comparing it to other SF series? Because in a lot of ways there’s nothing to compare it to. Scalzi has done a bunch of books in his Old Man’s War series, but they’ve all been pitched as standalone, more or less, as opposed to having been deliberately structured as a nine-book series from the start. Kevin J. Anderson has his two Saga of Seven Suns series, the first of which was seven books and the second a trilogy, but I’m the only person I know who has read those and I never see anyone talking about them, plus the Corey collective is simply a better writer than Anderson. The closest SF analog may actually be Iain M. Banks’ Culture books, but … uh, I haven’t read those.)

But yeah: one way or another, this series feels like it was planned out, at least in the broad strokes, from the beginning, and while the scope of the series ends up enormous, the author(s) have been smart enough to keep the characters a fairly tight group, with a core of four main characters who are in every single book. Is this a plot armor situation? Maybe, but it never really feels like it, and frankly my two favorite characters in the series both died, so they’re entirely willing to kill characters when they feel like they need to. The status quo keeps sliding around, too; there’s a thirty-year time jump at one point, and there are at least two points in the series where they basically kick the legs out from under everything you thought you knew and remap the board from scratch. Alex, Naomi, Amos and Jim are the constants; everything else is up for grabs.

I know it’s a hell of a thing to tell everybody to go read a nine-book series, but if you’re a sci-fi fan at all and you haven’t picked these up yet, you really owe it to yourself, and the series is done(*) so there’s no longer any excuse. Go get ’em.

(*) There have been several novellas as well, which are going to be collected into a 10th book sometime next year, I think, but this story is definitely finished as of the last few pages of Leviathan Falls. The universe is still out there if they want to come back to it, but it’ll be something very, very different if they do.

The Top 15 New(*) Books I Read in 2021

It is December 30, and Adrian Tchaikovsky is just going to have to wait until next year if I happen to really love the book of his that I’m starting today. This is an interesting list to me for several reasons; several of these books are very much of the “I loved this but you really might not” type, as holy shit that was weird and awesome seems to have been a common thread for a lot of the books I really liked this year. Also, a handful of them weren’t on my shortlist, meaning that after I did my first pass on that I thought “Hey, where was book X?” and realized that at the time I read it I didn’t think it was going to be good enough to make the list at the end of the year and then it did a really good job of sticking around in my head. I read so many books that books I read early in the year are at a serious disadvantage, so it’s always neat when one creeps up on me.

Also, as I’m writing this right now I still don’t know what the #1 book is going to be, which is a sign of just how much I loved both of them. Don’t pay a ton of attention to the specific rankings until the top five or so, as usual, because if I put the list together tomorrow they might shift around a little bit.

As always, “new” means “new to me,” so although there are a number of 2021 releases on here and none of them are really old books, being read in 2021 was the requirement for inclusion, not being released.

Here are the lists from previous years:

And here we goooooooooooooo…

15. Black Water Sister, by Zen Cho. I have read several of Zen Cho’s books but I am pretty sure this is the first time she has appeared on this list; it’s the story of a Malaysian-American girl whose family returns to Malaysia after a series of financial setbacks and who immediately starts being visited by the ghost of her grandmother. While calling it autobiographical doesn’t really make any sense, as I’m pretty certain Zen Cho hasn’t experienced any ancestral hauntings, it’s clear that she’s drawing on her own experiences as a child of immigrants in this book, and as a result it feels more personal and intimate than a lot of her other work has. The supernatural influences don’t stop with the grandmother; Malaysian religion and Malaysian gods and an interesting (at least to me) take on Christianity are also a big part of the book, and there are enough twists and turns over the course of the narrative to keep the pages turning. Jess herself is a bit of an asshole, but having had some time to marinate on it I think it makes her feel more real. This is Cho’s best book by a decent margin, and she was already someone whose books were on my “buy automatically” list, so just start adding everything I talk about to your TBR right now.

14. The Death of Vivek Oji, by Akwaeke Emezi. So, uh, spoiler alert: Vivek Oji dies in this book. The title? Not a joke.

Nigerian author Akwaeke Emezi is a superb talent, and Death is a title that is a little difficult to talk about without spoiling plot details, as, well, you kinda already know Vivek is gone at the beginning of the book and so learning about what happened is the whole point. I don’t know that this is quite a mystery story except in the broadest possible outlines; it’s more of a story about a tragedy that happens to a family than anything else, and of Emezi’s three books that I’ve read (the other two being Freshwater and Pet) this is the most assured and emotional their writing has ever been. The book jumps around in time, telling the story of Vivek’s life as well as his death, and it’s yet another piece of evidence for my oft-repeated statements that if you like to read and you’re not regularly picking up books by Nigerian authors you are seriously missing out.

13. Sharks in the Time of Saviors, by Kawai Strong Washburn. This is the first book on the list that I would likely not have read were it not for #readaroundtheworld, and in fact I found it by sending a message to a friend of mine from high school who lives in Hawai’i now and asking her to recommend some books by native Hawaiian authors. This is another family story (another theme this year, as I look through the rest of the books) that starts when a seven year old boy falls off a boat and nearly drowns and is rescued by … sharks. Which, y’know, isn’t exactly typical. Then a friend blows part of his hand off with fireworks and the boy is able to heal him. Which, yeah, also not typical, and the narrative blasts off from there.

Most of the family members– three children and a mom, with Dad popping in for a chapter or two here and there– are point-of-view characters for some part of the narrative or another, as they go through their lives and move back and forth between the island and the mainland. This is a book about the weight of family expectations, and what happens to you when The Future is always something you thought you understood until it arrived differently than you expected.

12. You Sexy Thing, by Cat Rambo. Getting sent books for review consideration has developed into a thing that happens four or five times a year now, and while I got sent early copies of two of the books on this list, I don’t know that this book would have gotten onto my radar had I not had it sent to me for free. So it’s great that it was, because the book is awesome.

This is a book where describing the setting, and assuring you that the book lives up to the setting, should be sufficient to get you to read it. The copy on the back cover describes the book as “Great British Baking Show meets Farscape,” and that is perfectly sufficient in and of itself to get me to hand over my money. The characters are all (well, mostly) members of a military unit who have retired and opened a restaurant, and as the book opens they are eagerly anticipating a visit from a food critic who has the power to award them something called a Nikkelin Orb, and … yeah, at that point I was already in, and that’s before it’s revealed that the title of the book is the name of an intelligent bioship that the characters (sort of) steal, or things like the team’s explosives expert being a chimpanzee who only communicates via sign language, or the four-armed, eight-foot-tall head chef, or the hypersexual floating squid who also makes up part of the crew. With a setting and characters like this you barely need a story, but Rambo succeeds there as well, and while I’m not a hundred percent certain there are more books coming in this series, I really really want more.

11. The Meaning of Names, by Karen Gettert Shoemaker. I said in my original review of this book that I had really liked it but I wasn’t sure I ever wanted to read it again, and while that is still true the book has really stuck around in my head– this is one of those that wasn’t originally on my shortlist for this post but forced itself onto the list anyway.

Names is set in Nebraska during World War I, in a small German immigrant community. You may already be raising an eyebrow; if you suspect that a book about German-Americans during World War I might in some way be about nativist prejudice against those immigrants, well, you’d be right, and do you happen to remember what else happened in 1918? Oh, right, a fucking global pandemic involving a respiratory disease.

This book was written well before Covid became a thing, but it has a number of really uncomfortable parallels to everything going on today, and I’d actually love to sit down with Karen Gettert Shoemaker and have a conversation with her about having written this book that was about one thing when she wrote it and now reads like a satire on American society. Because everything going on right now involving Covid happens in the book– well, no horse paste, but the rest of it is spot-on– and … yeah. It’s hard to read. But it’s damn well done for all of that, and I had to include it on the list.

10. Barkskins, by Annie Proulx. Barkskins is another one that I originally didn’t intend to put on the list, and the third book so far that I wouldn’t have read were it not for the #readaroundtheworld project, this time for South Dakota. This is historical fiction, and insanely detailed and well-researched historical fiction, following the descendants of a seventeenth-century French indentured servant through over three hundred years of history. Part of it ends up being a history of colonialism, and part of it ends up being a (fictional) history of the logging company that the original character starts and one branch of the family keeps alive through the years. This is also very much a book about environmentalism; you can imagine that people who own a logging company might have a few ideas about what to do with trees, and the book addresses both the ideas of early white colonists that America’s forests were literally endless and inexhaustible and later attempts at conservation, and we end up with characters on both sides of that conversation. The conversation about conservation. The conservation conversation.

Oh, and because it’s a generational saga, Proulx doesn’t feel any need to be especially nice to her characters, because one way or another they’re gonna die, since the book has two hundred years and 500 pages left to go. So sometimes people have a nice interesting storyline going and then step on a nail and die of typhus a page later. God, I’m glad I live in an era with modern medicine.

9. African Samurai: The True Story of Yasuke, a Legendary Black Warrior in Feudal Japan, by Thomas Lockley and Geoffrey Girard. I read very little nonfiction this year compared to a typical year, and in fact as I’m sitting here I can’t come up with more than maybe one or two other nonfiction books from 2021. Even this one is lightly fictionalized, as Yasuke was definitely a real person and was, yes, an African samurai in sixteenth-century Japan, but the only way we know he existed is through some artwork and a series of letters from a Jesuit priest who lived in Japan at the time. Geoffrey Girard is a novelist and Thomas Lockley a historian, and I think the novelist might actually have written more of the book than the historian did, as we spend a lot of time inside Yasuke’s head and recounting day-to-day events in his life than the historical record might strictly be able to support. That said, this book also doubles as a biographical treatment of Oda Nobunaga, who was also real and also fascinating, and while it’s necessary to take specific claims with a grain of salt from time to time– we don’t know how Yasuke felt about discovering he was going to have servants in the house Nobunaga gave him, an anecdote that a couple of pages is devoted to– the book is truthy enough in the broad strokes, and it’s a fascinating read.

Just don’t expect Yasuke to have magical powers or to have his giant spirit bear attack you. That’s from video games, and it definitely didn’t really happen.

8. The Invisible Life of Addie LaRue, by V. E. Schwab. Another book that flirts with historical fiction without being historical fiction, Invisible Life starts several centuries ago in France and tells the story of Addie LaRue, an immortal woman who is cursed to not be remembered by anyone once they look away from her. While this type of lifestyle does have its advantages (it’s easy to steal from people if they literally don’t remember you exist once they lose sight of you) you can imagine that it also has massive drawbacks, and the occasional meal with the Actual Devil doesn’t do much to assuage the loneliness of being, effectively, unperceivable.

And then she meets someone who can remember seeing her, and everything changes, and the narrative takes off from there. This is, like Barkskins, a book that gets a lot of points for being something that I absolutely could never ever write, as the research alone for the book’s timeline must have been an immense amount of work, and Schwab handles it like someone who lived there. I want to take a particular moment to recommend this book to fans of Sandman, as LaRue’s story has certain commonalities with Hob Gadling’s, and he was one of my favorite Sandman characters, so chances are the similarities will hit others as well. I know book reviewers who have named this one their favorite book of all time, so expect it to make an impact.

7. The Thousand Crimes of Ming Tsu, by Tom Lin. Did I say historical fiction? How about a Chinese cowboy in the American West? How about lots of shooting and killing and crime, and a prophecy and a seer thrown in just for the hell of it?

Like, I’m done talking there, because much like the premise of You Sexy Thing, you’ve already decided if you’re going to read this book, and if you’re a good person you’ve decided to read it, unless you already read it back when I originally reviewed it. And if you’ve decided to read it you are correct, and if you have not decided to read it you are wrong, so make sure you’re on the right side of history here. Westerns starring Chinese cowboys should have people reaching for their credit cards and slamming them on the table, dammit. You’ve all seen TikTok. Like that.

This is Tom Lin’s debut, and I’m pretty certain that it’s a one-off, so who knows where he’s going to head with his next book, but you can rest assured I’m going to be reading it.

6. Bastard out of Carolina, by Dorothy Allison. This is the oldest book on the list, written in 1992, and was another book I read because of #readaroundtheworld, representing (see if you can guess) South Carolina. There’s a movie, too, which I haven’t seen, although my understanding is that it’s pretty good as well.

This is the only book on the list that I really feel needs a content warning if you’re going to read it; the main character, a young girl called Bone, is growing up fatherless and poor in a small town in South Carolina, and it is not an easy life, for her or any of her family members, particularly the women. Domestic violence and sexual assault are themes throughout the book, and there is at least one explicit rape scene.

It is a rough goddamn book to read, but it has well-earned its place in American literature and I’m really glad I read it. I can’t say I necessarily enjoyed the experience, but this is one of those books you should make sure to pick up anyway.

5. Nightbitch, by Rachel Yoder. This is a book where the main character abruptly turns into a dog halfway through and it’s not the weirdest book on the list. It’s definitely one of those “I loved this and you might not” books, though, and its deep and abiding strangeness is the best thing about it. The main character, referred to only as the Mother for half of the book and then as Nightbitch for the rest, is a suburban housewife, married to a man who spends most of his time out of town and is probably cheating, and she spends her day entertaining their toddler, a job that she does not respond to with joyous anticipation every day.

At all.

Frankly, she hates being a parent; hates the dead-eyed, joyless repetition of it all, hates the walks and the puréed food and the endless messes and the sleepless nights for both her and the child and the mindless fucking drudgery that any honest person will admit is part and parcel of raising, in particular, a toddler.

And then she, uh, turns into a dog for a while, and she convinces her kid to sleep without her at night by also being a doggy and sleeping in a kennel, and after that it gets kinda weird, and you should absolutely trust me and read it.

4. Vita Nostra, by Marina and Sergey Dyachenko. Okay, this is the weirdest book on the list, and I bought it because I was looking for books from Eastern Europe and from Ukraine specifically, and oh holy shit I don’t even really know how to describe it even now. I saw someone who described it as “Harry Potter, but written by Kafka,” and that’s maybe correct but I think it might be slightly more accurate if the author was the lovechild of Kafka and Lovecraft. The main character is a college-age girl who gets railroaded into college at a small school in an out-of-the-way town and begins studying, basically, eldritch horror, where absolutely nothing makes any sense at all and knowledge can’t be expressed in words and one of her assignments is to just memorize a list of nonsense words because it’s going to unlock her brain for something else and it is so fucked up and so incredibly Russian and at one point she has scales and wings just because that happens and oh my God you have to read it just so that I have someone to talk to about it. Defense Against the Dark Arts has nothing on the Special Technologies class. Nothing.

3. The Book of Unknown Americans, by Cristina Henríquez. Man, this one was really something special. The Book of Unknown Americans is set in an immigrant community– specifically, a single apartment complex inhabited by immigrants, some legal, some not, from all over Mexico and Central/South America– in Delaware. There are years where this book would have been #1 with a bullet, and it was one of the major highlights of #readaroundtheworld. It employs a rotating POV among ten or so different people of various ages, some born here, others who came as adults, and some who came as children, all Spanish-speaking but at a variety of levels of comfort with English and with American culture. The book is set in the early years of the Obama administration, and you might recall that the economy was not great during those years, so everyone is operating on a razor’s edge where losing a job or making a mistake could lead to homelessness, and the unique frustration of having been an educated, respected professional in one country who has to clean houses in America because your credentials don’t transfer and you don’t speak the language pervades the entire book. It also contains one of the sweetest love stories I’ve ever read, and even if the other characters’ stories weren’t great, the relationship between Maribel and Mayor would have gotten the book onto the list. This is a superb piece of work and absolutely everyone should read it.

Oh, and the ending is going to kill you. Maybe be ready for that.


I need y’all to understand that right now as I am typing this I am not a hundred percent convinced of the order of these last two books. One of them, if you’ve been around for a while, you can probably predict, one of them maybe you can’t. I will freely admit that I’m deciding on #1 because it makes a better story, and it would probably be most accurate to just have them tie, but they’re both absolutely outstanding and tomorrow I might rank them differently. Just FYI.


2. The House in the Cerulean Sea, by T.J. Klune. I will get into this more tomorrow, probably, or maybe even later today, but my initial post about this is my #1 post of 2021, and I have absolutely no idea why. It has literally gotten twenty times as many hits as my #2 post from this year. I have perhaps overused the word delightful in talking about this book, which is about love and found family and acceptance and optimism and taking risks for love and it was absolutely something I needed to read this year, but the simple fact is that delight is the #1 emotion I felt while I was reading it. House is about an orphanage for special children, and by “special” what I mean is that one of them is basically a gelatinous cube and another is the literal son of Satan, and the man who cares for them, and another man who is sent from the government organization that oversees the orphanages to make sure that the children are being treated well and are safe.

There is a reason that this is the only book on this list where I linked to my original piece about it, and I wrote about all of these books as I read them, and that is because of the inspiration for the book. Klune has been open about the idea that the germ of the novel came from his learning about Canada’s Residential Schools, which were absolutely horrible places, and has taken a lot of heat for that comment. The problem is that the book he has written is not about a residential school. He has taken something terrible and used it as inspiration for something that is lovely and life-affirming and beautiful, and it is an astonishingly good book. I’m not interested in arguing with someone who felt differently; your reactions to the book are your own. But I think they are objectively wrong on this one.

And, likely surprising no one, the #1 book on my list:

1. Jade Legacy, by Fonda Lee. To a certain extent, this was inevitable; Legacy is the third book of the Green Bone Saga trilogy, and the first book, Jade City, was my favorite book of 2018 and the second book, Jade War, was my favorite book of 2019.

Jade Legacy had a hell of a lot to live up to and a hell of a high bar to clear– sticking the landing on any story can be tough, sticking the landing on a trilogy where the second book was so good I compared it to The Godfather, Part II is even harder, and sticking the landing when you’ve decided to extend the third book over several decades as opposed to the tighter timeline of the first two books, meaning that your characters are going to age significantly and your world is going to change radically over the course of the book, is so rough I can’t even comprehend it. The fact that Fonda Lee not only managed to finish this thing but that she finished it while the world was falling apart is a towering achievement. Legacy is absolutely a worthy ending to what has become one of my favorite fantasy series of all time, vying with The Lord of the Rings and basically nothing else for that honor. It covers multiple generations and multiple continents and multiple families, and it’s about honor and death and colonialism and crime and violence and friendship and honor and yes I said honor already but it’s kind of a big thing and if you haven’t picked up this series yet after I’ve spent the last four years hollering about how good it is I don’t know why you’re even here.

(Oh, and I got it as an early ARC, which is probably the single best thing that happened to me this year; I cannot describe how excited I was when I got an email from Lee’s publicist asking me if I wanted an early copy of the book. Yes, I bought it anyway; I’d actually already preordered it when the ARC showed up, and I’ve even got another set of the trilogy that came out in a limited edition, meaning I have three copies of this book in my house.)

I cannot recommend this book any more highly. Yes, it and Cerulean Sea were very, very close this year, but Sea is a stand-alone and this is a capstone to an astonishingly good series of books. It is the best book I read this year.

Honorable Mention, in No Particular Order: The Necessary Beggar, by Susan Palwick; Island beneath the Sea, by Isabel Allende; Heartbreak Bay, by Rachel Caine; A Thousand Splendid Suns, by Khaled Hosseini; Persephone Station, by Stan Leicht; Requiem Moon, by C.T. Rwizi; The Book of Lost Saints, by Daniel José Older; Transcendent Kingdom, by Yaa Gyasi; The Searcher, by Tana French; The Witness for the Dead, by Katherine Addison; The Unquiet Earth, by Denise Giardina; Bump, by Matt Wallace; The Hidden Palace, by Helene Wecker; and The All-Consuming World by Cassandra Khaw.

#REVIEW:  You Sexy Thing, by Cat Rambo

A couple of disclaimers, provisos, quid pro quos, etcetera before I begin this piece: First, I was sent this as an ARC by the publisher in return for a good honest review, although now that I’ve read it I’m going to spend my own actual money and buy a copy. Second, although there is literally no chance that either of us remembers it, Cat Rambo and I have probably met! You see, Cat used to work at The Griffon, a gaming shop in downtown South Bend (the second oldest such place in America, as it turns out) and I have been a semiregular customer there for roughly thirty-five years. I’m not sure what years Cat worked there or how often they worked when that was their job, but it’s hard to imagine either being especially long-term without us crossing paths at least once or twice, and The Griffon being the store it is, that probably means we’ve had an actual conversation or two. This isn’t going to affect my review, of course– you’re about to find out that this book has “Luther will like this” baked into the premise, pun fully intended– but it’s interesting.

The premise of this book has been described as “Farscape meets The Great British Baking Show,” and for many of you– certainly for me– that description may be salient enough to immediately attract attention. I can’t see a sci-fi book compared to my favorite TV show (seriously) and not immediately be interested in reading it. And the comparison isn’t unreasonable, either; while the majority of the characters used to be part of the same military unit, they are all retired and run a restaurant at the beginning of the book, and they have found themselves in a position where they may be eligible to earn the restaurant something called a Nikkelin Orb, which had me giggling from the moment I first saw the phrase. (If the joke escapes you, Google “Michelin Star,” or you could just click the link, I guess.)

Anyway, all hell breaks loose, and their restaurant gets blown up, and they sort of steal an expensive, intelligent bioship which immediately decides it’s been for-real stolen and starts to fly them off to a prison planet so that it can turn them in for stealing it, and then they discover that the Empress appears to have frozen one of her heirs and mailed her to them, and then things get even weirder, if you can believe that. The crew includes a chimp with a taste for explosives who only communicates via sign language, a hypersexual, polyamorous squid-thing, their four-armed, eight-foot master chef, a pastry chef who as near as I can tell is a more selfish & predatory version of Big Bird, and two twin were-lions.

So the characters are great, and the way they interact is great, and the hints at wider worldbuilding from what parts of this world we get to see are fantastic (I want more books in this series, and I want them now,) and my only real gripe is actually that the book could have been maybe 50-75 pages longer, as some story points get kind of glossed over quickly, to the point where occasionally I had to stop and reread a page to make sure that what I thought had just happened had actually happened in, like, a sentence and not an entire chapter. Rambo manages to deftly balance a light, Douglas-Adamsesque comedic tone for decent chunks of the book with a villain who ends up pretty genuinely terrifying and some moments of real sadness and pathos. I just wanted more of it, and at 285 or so pages this is a pretty quick read. I feel like it wouldn’t have outstayed its welcome at 350-400 pages, but I’ll trade a shorter book for future sequels if I absolutely have to.

One way or another, this is definitely something I’m going to recommend, and I can easily imagine myself mentioning it again in a week and a half or so when I put my best-of list together for this year. Go check it out.

On gender and worldbuilding

This is not a review of Everina Maxwell’s Winter’s Orbit, or at least I don’t intend to tag it as one. That said, it’s as close as I’m going to come, and you’ll have a pretty good idea of what I thought about the book by the time I’m done writing anyway. And we should definitely take a moment and stare at that outstanding cover, which is the best thing about the book.

Also, note that the two silhouettes at the top are both pretty gender-neutral, as that’s gonna be a thing.

Let’s talk for a second about how we assign gender to people we haven’t met. Typically this is a thing that happens so fast as to be nearly automatic, to the point where if we aren’t able to immediately assign someone to “male” or “female” it’s immediately noticeable and, for a lot of people quite stressful. (I’m leaving the discussion of whether that’s okay aside, for the record.) But here’s what we do: a quick visual scan for secondary sexual characteristics, right? Prominent breasts, facial hair, hips, then things like clothes and hair length, and sometimes we’re in situations where one thing will trump another. I can’t be the only guy in the world who used to have long hair and has been addressed as “ma’am” by someone behind me who hadn’t seen my face yet, and not one of those people didn’t immediately change their mind and get apologetic the second I turned around and they saw my beard. Never-not-once did anyone think “Wow, that lady has a beard!” Similarly, as a fat guy, while I’m not exactly proud of this, the fact is I’ve dated women with smaller breasts than me. Nobody’s ever looked at my chest and decided I was a woman.

Transgender and nonbinary people have become a lot more broadly socially accepted in the last few years, and the notion of asking people what their pronouns are (or explicitly noting them in, say, an email signature, or a sticker on a name badge) has become something that people are much more likely to do now. This is what happens when those secondary sexual characteristics fail us; sometimes we misgender people, and people making their pronouns clear from the jump has become a good way to avoid making that mistake. There’s still no good way to visually identify someone as nonbinary, though, because people who are nonbinary may still initially scan as feminine or masculine (and people who do present as ambiguous aren’t always nonbinary) so if someone uses they/them as their pronouns (or anything, really, other than he/him/she/her) there’s no immediate way to find that out other than asking, if the person doesn’t do something to make it clear to other people.

In my Benevolence Archives, elves are nonbinary, to the point where displaying visible secondary sex characteristics is viewed as a birth defect. Elves use xe/xir as pronouns, and everyone just knows that, because that’s how elves work. How do elves reproduce? Dunno, I haven’t decided yet. But I decided early on in building the universe that each of the major races would approach gender roles and gender differences a little differently as a culture. For elves, it’s irrelevant. Other cultures range from dwarves, which are a strict matriarchy, to the strict patriarchy of the ogres, to the slightly softer gender role differences of gnomes and humans.

One more side path, and then I’ll circle back to Winter’s Orbit. Feel free to pop over to this post about Sarah Gailey’s novella Taste of Marrow real quick. In short, my main issue with Gailey’s book was one character, named Hero, who uses they/them pronouns, and it becomes very clear over the course of reading the book that Hero is not so much a character as a little game that Gailey is playing with their (Gailey also uses they/them pronouns, although I don’t think they were doing that when Marrow came out, which makes me wonder if I should go back and edit it) readers. Hero is never physically described at all, either by their clothing or their body, and Gailey goes so far as to make sure that Hero never has to talk to anyone other than the core group of characters so that there is never a situation where someone might meet them and guess at their gender. Making things somewhat more annoying is that the book is set 100 or so years ago, making everyone’s open acceptance of whatever is actually going on there slightly less realistic than the central story tenet of the book, which is cowboys riding hippos.

I’m happy to read books with trans or nonbinary characters. And this isn’t so much a complaint about “I don’t know what’s in this person’s pants!” as I have no idea at all what this character might look like, and that’s annoying. Give us something! Nonbinary characters shouldn’t be in your book just so that you can have one character that your audience is endlessly digging for clues about just to figure out how to picture them.

(This can be tricky, of course, and I’ve also read books that made sure you knew characters were trans by doing things like having scenes where a trans woman character more or less loudly announces I SHALL NOW GO URINATE WITH MY PENIS IN THE LADIES’ ROOM, which also sucks because it’s character development via bludgeon. I have a minor side character in BA who I have known was gay since the jump but it’s never made it on the page because I’ve not been able to come up with a way to make it not sound forced in. But that’s a separate conversation.)

So. This book.

Winter’s Orbit began in a way that caught my attention immediately. The book begins with the Emperor (note: male form of the word) summoning her grandson and commanding him to marry a man whose husband has just died, because it is essential that this bond of marriage between the two families be maintained. In going over the grandson’s qualifications for said marriage, he is described as “not gender-exclusive.”

As first five pages go … yeah, my attention was captured pretty quickly. And finding out a few pages later that the two main cultures in this book both identify gender by, effectively, clothing accessories was, if nothing else, not something I’d seen before. One planet, if I’m remembering correctly, identifies men with wooden jewelry and women with crystal jewelry, and if you’re not wearing either you’re nonbinary and use they/them. The other planet apparently uses knots in scarves as a gender identifier, to the point where one character doesn’t recognize a knot and has to be corrected by another when he misgenders someone.

At one point the main character is asked about his ancestry, and he names two “primaries,” and then says for the rest of his genetic mixture the person asking would have to go check his records, so while this is the only detail we get about childbearing (and there are no children whatsoever in the book) one can assume that giving birth is no longer something that half the population is expected to do.

You may already see my problem. In this book, use of “he” or “she” tells you absolutely nothing about what someone looks like, and not only that, there’s not any correlation between gender and societal role– the Emperor and at least one general are both “she,” for example, and suddenly “not gender-exclusive” makes more sense than “bisexual” might have, because in this world there’s no connection at all, as far as I can tell, between someone’s body and their gender. So this book is getting a lot of attention for gay representation, but there’s actually nothing to let us know that Kiem and Jainan both have penises, or more to the point, since they both identify as male, that there’s any concept of homosexuality that can be mapped to this world in the first place. In fact, having read the book, I think there are a couple of hints that Jainan has XX chromosomes and a body we’d call a woman’s; he is described several times as smaller than Kiem, has long hair, and– more telling– there is a scene where he takes his shirt off in front of Kiem and Kiem turns around to give him privacy, which seems slightly unlikely if there aren’t female-presenting breasts under that shirt.

The book explicitly talks about their skin color– both are shades of brown, with one darker than the other– and Jainan’s long hair comes up a couple of times, but other than that they are given no physical description at all. They actually have sex at one point in the book without the author giving any details about what they’re actually doing. I don’t expect this book, which is YA, to flirt with being porn or anything like that, but … come on.

For that matter, if you’re going to posit a world where physical characteristics don’t tell you anything about a person’s gender, relegating those to external pieces of jewelry or knots in scarves, for crying out loud, and where different genders don’t have any particular societal role … why are we still bothering in the first place? What, precisely, makes Kiem a “he” other than that the author is calling him that? What does “he” or “she” even mean in this world? Can Kiem change jewelry tomorrow and expect people to start calling him “she”? Is there any societal weight at all to one’s choice of gender? How does nonbinary even make sense as an option when your gender doesn’t actually, like, do anything? In our society, saying that you don’t buy into the male/female dichotomy has some implications. In a world where gender is meaningless, what does nonbinary mean?

How do you tell someone’s gender if that person is naked?

Do people with uteruses still get pregnant? Clearly this one character has tons of different contributors to his genetic makeup, but he’s royalty; is that true for commoners as well? If we’re still doing political marriages, does viability for producing offspring matter, or can any two people create a child?

The book gets into none of this, which I find immensely frustrating, because frankly the implications of this simple decision about how gender works are the single most interesting thing about the book to me. And that’s a damn shame, because if you’re going to make fiddling with gender a part of your worldbuilding, you owe it to your readers to explore the implications of what you’ve decided to do. And that’s before we have to carefully avoid giving any useful description of anyone in the book– it goes without saying that no one ever has facial hair, for example– so that your setup can even work.

I don’t think it’s asking for much to expect authors to put as much thought into their worldbuilding as the reader will within the first fifteen pages. I dunno; this piece is 1800 words or so long so maybe I’m displaying some sort of hangup on my part, but c’mon. Do better.

#REVIEW: Persephone Station, by Stina Leicht

Let me start with the tl;dr of this review: I really enjoyed the story of this book, but there are certain aspects of it that are going to make it flat-out unreadable for certain people, including my wife, so that’s kind of tempering my reaction to it and it’ll be really interesting to see how much of it sticks with me in a month or two.

One of the pull quotes on the back of this book describes it as Casablanca meets The Magnificent Seven meets The Mandalorian, and that’s … pretty astonishingly accurate, honestly, although it was a miss to choose The Magnificent Seven and not Seven Samurai, the movie Magnificent Seven was based on, since Seven Samurai is an Akira Kurosawa movie and the main spaceship in this movie is actually called the Kurosawa. If that mix of things– seedy bars, bounty hunters, big guns, combat mechs, corrupt government and law enforcement and a small team of people fighting back against an overwhelming force, plus aliens— appeals to you, then this book is going to be right the hell up your alley, and while I hadn’t actually seen that blurb when I bought the book, it would have immediately sold me a copy. That’s not up my alley. That’s my entire fucking alley, and this is a very Star Wars kind of science fiction, where we’re not worried about the science so much as it’s set in space and there are laser guns and giant mechs and AI and talking space ships and aliens. Honestly, it hit me at about the halfway point that this very easily could have been a Benevolence Archives story with a couple of minor setting tweaks. That’s a compliment, in case it’s not clear; anytime I read a book and think Damn, I wish I’d written this, it’s a good thing.

And all the main characters are women or nonbinary– yes, all of them; I don’t think there’s a single male in the book who gets more than a handful of lines– and not quite everybody is gay, I suppose, but a lot of them are, and it’s all delightful.

Except.

It occurs to me that it’s not impossible that what has happened here is that somebody fucked up and sent the ARC version of the story to the printers. Because there are parts of this book– published by an imprint of Simon & Schuster, mind you, not an indie title or a small press– that very clearly did not have the attention of an editor. There is the occasional hugely clunky sentence, the type that every author produces from time to time, where you accidentally switch tense or something halfway through, but you notice it during editing. There are misspelled words. There are misused homophones from time to time. There is the occasional word that is simply the wrong word, like that word doesn’t mean that and doesn’t belong in that sentence. It’s not constant– more like once every handful of chapters, although I remember at least one three-page run with multiple errors packed closely together– but it happens often enough that I’m really surprised this book came from a big press. And the book is 500 pages long, so “every handful of chapters” is still a good number of times. Stina Leicht isn’t famous enough to have gotten the Stephen King/George RR Martin treatment where the “editors” are barely doing a pass on her books and otherwise she can write whatever she likes. And the book’s not badly written— where it works, it really works, and these are the sorts of errors that nearly every manuscript is going to have from time to time, and the type of thing that I’m used to seeing in ARCs, which often aren’t final copy. But this is final copy, so somebody dropped the ball somewhere, and if you’re the type of person who is going to be knocked out of the book by that, you’ll want to stay away.

I am 100% in for more from this author in the future (and, to be clear, this isn’t her debut) and I would love to see more of these characters, but this is a one-shot as far as I know, and the story ends satisfyingly. But the bad editing is a thing, and it’ll be interesting to see whether I remember this better in six months for having really enjoyed the story or all the mistakes I noticed.