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I don’t know what to say about this one.

Now normally when I say something like that, it’s a bad sign. This isn’t that. The Nightward is a good book. But it is a good book in a very specific way, and the specific way it’s good makes it kinda hard to talk about. This is a book with lots of secrets, and lots of mysteries that may or may not be unraveled in the course of the text. In some ways it’s a very straightforward narrative and in some other ways I have absolutely no idea what the hell is going on.

Let me give you what I can: the basic narrative, as I said, is reasonably simple, and is spelled out pretty effectively on the cover: the two most prominent characters are Viella, the nine-year-old princess of the Queendom of Dun, and Luka, her bodyguard. Viella is only princess for a short time; there is a coup and her mother is killed, and the rest of the book is more or less about keeping her alive while the villains work various and sundry machinations in the background. Dun is one of six Queendoms– the book’s society is very matriarchal– and we see most of them for at least a little while over the course of the book.

(There’s a map at the beginning of the book. I probably should have paid more attention to the map. It’s that kind of book.)

Now, that doesn’t sound like much, I know. It’s R.S.A. Garcia’s worldbuilding that sets this book apart, though, and that’s part of what’s hard to talk about. There are queens everywhere and armies of badass women and pregnancy increases magical power to what appears to be a pretty substantial degree, and there are dragons and zombies and battle cats (which probably aren’t actually Battle Cat, but try and stop me) and then there’s a whole lot of other stuff going on that will make you go wait, what? and then you’ll start paying closer attention and there will be lots of hints, at first, and then later on outright blinking neon signs that Something Else Is Going On Here.

(The titular Nightward, by the way, is a book. It’s probably a spellbook of some sort, and the bad guys opening it was Definitely Bad. It … might not be a spellbook, though? Maybe.)

Do I know what the Something Else is? Nope. Not a bit.

And here’s the rub, right? I really liked this book, but it’s book one of a duology, and book two doesn’t come out until the end of 2025, and I kind of want to counsel you to put this on a wishlist and wait until book two comes out and then buy them both at once. Because I want it now, and the problem is I’m going to have read 150 books in between this one and the sequel and I’m gonna have to reread Book One anyway if I want to properly appreciate Book Two. And Garcia has an awful lot of plates spinning on poles right now, and not to mix metaphors or anything but I feel like sticking the landing properly on this is going to be challenging. If she pulls it off, this is going to be a truly remarkable series. If she doesn’t … well, you’re not going to be rereading Book One in the future if you didn’t like Book Two, right?

So. I five-starred this. I am very heavily anticipating the sequel, and I will preorder it the second I learn that it is available. And I want you to at least have it on your radar, but right now my recommendation is very much based on potential awesomeness, because there’s so much going on that’s not quite clear yet and I need a slightly clearer picture before I can start jumping up and down and waving this book over my head at people. Maybe hold off until late 2025, and then buy both of them at once. If you remember books better after a year than I do, jump in now, if only so I have someone to talk to about this. But definitely stick it in the back of your head, one way or another.

It’s possible that my review of this book is going to be slightly unfair. Rumor Has It is the third volume of Cat Rambo’s excellent Disco Space Opera series, which started with You Sexy Thing and continued with Devil’s Gun. It’s also the third volume that their publisher has been nice enough to send me an ARC of. Cat actually lives in South Bend, and they did a reading at my local Barnes and Noble last weekend, and unfortunately I didn’t find out about it until about an hour beforehand. I reviewed both of the first two books, and I’m a big fan of the series.

… which I thought was a trilogy, and I read the first 2/3 of Rumor Has It under that assumption, and only when I realized that there were not remotely enough pages left to wrap up the storyline did I Google around a bit and discover that nobody was calling it a trilogy. I currently have no idea how many books are planned in the series, as I can’t find that information anywhere; it’s possible that it’s meant to be open-ended. Ordinarily the idea that there was going to be more of something I liked is good news, but reading it with an ending in mind kinda screwed up my perception of the story. Also, while “the secret ingredient is intrigue” is a perfectly cromulent tagline for a book about a group of mercenaries turned interstellar restauranteurs, the secret ingredient is not intrigue. The secret ingredient is phone:

Every time and I mean every time I picked up the book, I heard Krieger’s voice in my head.

So here’s the thing: this book still has all of the strengths I talked about in my reviews of You Sexy Thing and Devil’s Gun. Rambo’s writing is punchy and funny, the characters are absolutely unforgettable, and the basic premise, elevator-pitched as Farscape meets The Great British Baking Show, is absolutely packed with ~~flavor~~ potential.

Unfortunately, it also has the weakness of the second book, which I referred to as “one of the most second-booky second books I’ve ever read.” The good bits are still good, but the overall story really isn’t advanced at all in Rumor Has It, and the book suffers from both being (remaining?) incomprehensible if you haven’t read the first two and it’s also quite wheel-spinny in a way that Devil’s Gun wasn’t. The characters spend the entire book at a single space station trying to drum up some money, and while that space station is cool, if you could have replaced the whole book with the ultra-rich owner of the intelligent bioship they’re riding around in simply cutting them a check, you have a bit of a problem. Some character arcs get advanced a bit, but what felt like the most important character storyline of the book ends up literally being nothing worth worrying about at the end. The big villain has now spent two entire books entirely offstage. I genuinely don’t even remember why they’re mad at him at this point.

(Okay, he sort of shows up. But not really, and going into further detail would be a spoiler, so I won’t do that.)

Anyway, what this leads to is that for the second book in a row I’m writing the phrase “It’s not a bad book, but …” about something I wanted to like more. Again, the strengths of the series are still here, and even if I don’t get sent an ARC I’m spending money on the fourth book. I’m invested, there’s no doubt about that, and it’s possible that had I realized that the series wasn’t coming to an end with this novel I’d have more positive feelings about it. But right now the entire book kind of feels like a subplot that went on for too long, and I’m really hoping the fourth book slaps the status quo around a little bit more. You Sexy Thing still retains my full-throated support, and you should pick this up if you’re into the series already, but know what you’re getting into before you start reading.