#Review: Ken Liu’s THE WALL OF STORMS

fjuhobw1qz0krg4vuqv2.jpgWhen I read the first book of Ken Liu’s Dandelion Dynasty last year, I had nothing but praise for it.  The setting, a (very) loose retelling of the Han dynasty with giant whales, magical books, airships, battle kites, and two-pupilled warlords, was like nothing I’d read before, and the entire thing was fantastically inventive and entertaining as hell.

I read the book in April, and between April and writing my Best Reads of the Year list at the end of the year I read several fairly cogent critiques of the book that led to it not holding up as well as I’d expected.  Chief among the complaints was the rather minimal role that women played in the text.  There were more, but that was the biggest one.

Well, Liu either took that to heart, or had already planned for women to take a much larger role in the sequel, The Wall of Storms.  One way or another, this book is stuffed with fascinating women characters.  Hell, if anything, the men get shortsighted, as one of the main male characters from the previous book is dead (although his influence is felt throughout) and the other is not as foregrounded in this as he was previously.  The book also shows why the series is called the Dandelion Dynasty, as Kuni Garu’s children move to the fore, and there are plenty of hints that the next book (I have no idea how many are planned for the series) will be moving down another generation again.

As a result, and because it doesn’t have to do the heavy lifting of creating the setting that Grace of Kings did, this book has a lot more room to breathe and stretch.  It’s longer than the first, which wasn’t a short book, and while this one clocks in at around 850 pages it’s somehow a fast read at that length.  And it introduces an entirely different culture, the Lyucu, who have antlered, fire-breathing dragons.

Garinafins are very cool, guys.

There’s also a great emphasis on scholarship and scientific advancement, particularly one great leap forward (pardon the pun) late in the book that allows the good guys a chance at victory in the book’s culminating conflict.  Many of the main characters are scholars, and when the book occasionally allows itself to delve into, say, garinafin biology, it’s done for a reason and isn’t as much of a wanky infodump as you might expect.  It’s true to the characters.

I loved this book, guys, and I loved it as much as I loved the first book.  This book doesn’t have the first book’s flaws, either.  I’m not sure yet whether it’s going to end up edging out The Girl with All the Gifts as the year’s best book, but I’ve got a month to let it marinate before I write that post.  Either way, you should be reading it, even if you were scared off a bit by the first book.

REVIEW: Ken Liu’s THE GRACE OF KINGS

18952341Ken Liu has had a hell of a year.  You may recall my review of Cixin Liu’s The Three-Body Problem, which I loved, and which I note seems to have grown in my estimation since I wrote the review.  Ken Liu, who is not related to Cixin Liu, translated that book, meaning he was at least partially responsible for (at the moment) my favorite science fiction book of the year.

And now he is solely responsible for my favorite fantasy book of the year.  His debut novel The Grace of Kings is a genuinely remarkable work, one of the most inventive and interesting fantasy stories I’ve read in years.  It is billed as Book One of The Dandelion Dynasty, but tells a complete enough story that it doesn’t feel like it needs a sequel to be complete.  This is a good thing; this is a weighty tome (640 pages) with a complicated list of characters, a map in the front that is absolutely critical to a clear understanding of what’s going on, and a timespan that covers at least several years and may actually stretch out to close to a couple of decades.  This book demands that you pay attention to it, but is crazily rewarding to those who do.

Liu calls the genre of the book “silkpunk,” meaning a fantasy-science fiction hybrid heavily infused with Chinese culture, but I’d say for all that the book is squarely in the fantasy genre anyway– it’s just fantasy featuring airships, battle kites (yes, battle kites,) giant mechanical whales, and a few other awesome things I won’t spoil here.

But it also has a main character who is eight feet tall and has two pupils in each of his eyes, who fights with a sword in one hand and a giant tetsubo in the other, a magic book, and a subplot involving the gods that is the only real hint that there are more books coming in this series.  My sole reservation is to point out that you really do need to pay attention while you’re reading, as the book is chockfull of characters with unfamiliar Chinese names and keeping them straight can be a bit of a challenge at times.  Other than that?  I loved this fucking book and you should buy it and read it right now.  If this isn’t still my favorite book of the year at the end of 2015 it will have been an outstanding year for reading.

Because I don’t have enough demands on my time right now

This is showing up at some point today.  Before it gets here I have to finish everything on SANCTUM, beat Bloodborne, clean the entire house, renovate the bathroom, and oh right finish the book I’m reading now.

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I, uh, don’t think I’m gonna make it.

Seriously, though, it’s been a while since I was looking forward to reading something as much as I am Grace of Kings.  Gun Machine, maybe?  Soooo psyched.

REVIEW: Cixin Liu’s THE THREE-BODY PROBLEM

51kxQMvzMeL._SY344_BO1,204,203,200_Here is my normal approach to starred reviews.  I admit that this is probably more generous than many, but I’m not worried about it.  For every guy like me who hands five-star reviews out to a third of the books he reads, there will be someone else who reserves them for books that should win awards.  It balances out.

  • A five-star book is not only a book that I really enjoyed, but (this is critical) a book that I will evangelize and recommend to others.
  • A four-star book is one that I enjoyed, but not necessarily enough to be evangelical about it.
  • A three-star book is a book that I finished.

I usually don’t review two-star or one-star books, because most of the time I didn’t finish them.  I have to hate a book to finish it if I don’t like it; generally I finish it with horrified fascination as the overriding emotion.  Sometimes I like a book on some levels but abhor it on others; sometimes I just like looking at a train wreck.

I just gave The Three-Body Problem five stars on Goodreads, despite having some reservations about it, and I want to take a minute to explain why.  The book was originally written in Chinese and translated into English by Ken Liu, who I understand is of no relation to Cixin Liu.  And therein lies the first problem: there is no way to read this and not immediately recognize that it’s a translated work.  This is no slight on Liu, who is clear in the translator’s note (there’s a translator’s note) that preserving the Chinese character of the book was a priority, and the book isn’t hard to read, but I feel like the “this was obviously not written in English” character of the text is going to turn some people off.  This is especially clear in dialogue; English speakers simply don’t talk like the characters in this novel.

(See what I mean?  Not complaints, not flaws.  Reservations.)

The plot of the book is occasionally slightly impenetrable, particularly the first 20% or so, which require some background knowledge of the Chinese Cultural Revolution in order to properly appreciate– or, at least, I assume it’s required, since I don’t have it and found the first part a big of a slog.  Once the book jumps forward into… now?  Near future? I’m not sure– it becomes much easier going.  I finished the book in about a day and a half, so it couldn’t have been that rough.

The other thing?  The science. My favorite book of last year was Andy Weir’s The Martian, which I recommended enthusiastically to everyone, with the caveat that the book would involve math and chemistry and you should be prepared for that.  Half of the characters in The Three-Body Problem are physicists.  There’s a whole bit toward the end that is all about unfolding a proton from 11-dimensional space down to 2-dimensional space so that it can be turned into a supercomputer.  They fail to do it right twice.  That happens.

I am also not quite sure that Cixin Liu has ever played a computer game.  I won’t go into that particular gripe any more than that sentence, but there’s a lot of stuff going on with a VR game and it’s… weird.

But here’s the thing: this book?  It’s inventive as hell.  There are aliens.  They’re coming for us.  And they don’t get anywhere near us during the first book, which is part one of a trilogy.  And the whole thing is just as clever as hell in a whole lot of ways and I can’t wait to read the second book even though there were parts of it I don’t like and I’m going to have to be real careful about who I recommend it to.

So I’m calling that five stars.  Your mileage may vary, I suppose, but you should check the book out anyway.