Today is super exciting. It is Friday, and yet I am home with my wife and son, who I get to spend an entire day with, and none of the three of us have to go to work or school! Friday is always one of my days off, the boy is out because his school is doing parent/teacher conferences today (ours was last night; I was gratified to learn that, insofar as such things exist at my kid’s school, he’s in the high reading group) and my wife took the day off because my wife never takes days off and as it turns out if she doesn’t take every Friday off for the rest of the year she’s going to lose a lot of vacation days for no good reason. So we’re all home! I got up and had a cup of coffee and now I don’t need to hustle to get to work!
Anyway, I’ve been reading a lot in the last couple of days and there are more books I want you to know about:
First, let’s talk about Corey J. White’s Killing Gravity, a book billed as book one of the “Voidwitch Saga,” which is awesome because my main takeaway from this little novella is that I want a lot more of it. Tor has absolutely been killing it with their novella imprint; these are short books but I have most of a bookshelf dedicated to them already and I’m getting to the point where if I find out a new one is out I buy it instantly without further investigation. I’ve never done that with an imprint before.
Anyway, Killing Gravity is compared to Firefly on the cover but I don’t find that to be an especially apt comparison; I think for most people what they look for in a Firefly lookalike is the sense of humor and this book is emphatically not funny. It’s a 160-page exercise in tone and badassery and gene modification and bioimplants and psychic assassins and shadowy corporations and lots and lots of psychokinetic murder and oh there’s also sort of a flying squirrel? But it’s not funny. That’s not a complaint; most books don’t have to be funny to be good, but you do have to be funny to remind someone of Firefly. The prose is a particular standout here; this is one of those books where it’s so distinctively written that it almost doesn’t matter what it’s about– the writing is that good– but it’s an awesome setting and a cool story too and I really want to see more of it. (EDIT: March of 2018!)
The second book I just read this morning, and will almost certainly take you less than an hour to get through cover to cover. You Have the Right to Remain Innocent isn’t so much a good book as an important one.
The premise of the book’s pretty damn straightforward, and the author isn’t especially subtle about making the point over and over again: don’t talk to cops. Don’t talk to cops, don’t talk to cops, don’t talk to cops. Don’t talk to cops if you’re innocent, don’t talk to cops if you’re guilty, don’t talk to cops at all unless you have your lawyer sitting right next to you, in which case your lawyer will tell you not to talk to the cops, or unless you’re telling the cops clearly and unambiguously that you will say not one word until that lawyer is sitting next to you.
Sounds pretty simple, right? That’s not really a book all by itself, but this is America and folks need to be constantly reminded of simple shit like this, so the book is full of examples of the cops and prosecutors fucking innocent people over who were stupid enough to “head down to the station to get things cleared up” and ended up in jail for crimes they didn’t commit.
Don’t talk to cops. If that statement isn’t obvious to you, read the book a couple of times until it sinks in.