BALREMESH print edition coming soon!

They keep rejecting the cover; I think I’ve finally got everything sorted after moving damn near every element on it about a millimeter in the last revision.  It’s still available in ebook format for 99 cents but if you’re a print person… maybe next weekend?  Soon, at any rate.

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Want some free stuff?

I’ve not written anything in the last few days, mostly because my options were “paralyzing anger” and “more paralyzing anger.”  Today upgraded everything to “so angry I can’t breathe,” and rather than indulge myself in that at the moment I’m just going to put a bunch of my books up for free.  I’ve done a Star Wars Day promotion pretty much every year since my first book came out; I completely flaked on it this time.  Let’s fix that.

Tomorrow and Saturday only, all four of my books will be free on Amazon.  I don’t think I’ve done all four at the same time before.  Check them out:

The Benevolence Archives, Vol. 1
The Sanctum of the Sphere: Vol. 2 of the Benevolence Archives
Skylights
Searching for Malumba: Why Teaching is Terrible, and Why we Do It Anyway

It’s Cyber Monday!

Okay, technically it’s Sunday night, but this will be up all day Monday and it’s already 7:40, so y’all will live.

You were planning on spending money at Amazon today, right?  Sure you were.  How about buying some books?  Click here to go straight to my author page, or on either of the following links to go to the pages for my books:

All of my books are available in print or as ebooks.  Buy one for yourself and one for a friend!

 

On audiobooks

the-dispatcher.jpgI have always suspected that I would not like audiobooks.  There are a number of reasons for this; chief among them are the facts that I read way, way faster than anyone could ever read out loud and don’t have the patience to wait for someone else to take four or five times as long to read something as I would, and the fact that I really enjoy the physicality of reading.  I have drawn this distinction between my wife and I a few times in this space, I think; we both enjoy reading, but I like books.  I have thousands of them.  I think she’d be content with an e-reader for everything for the rest of her life if it weren’t for the fact that I buy so many books that there’s always something for her to read.  I generally only read ebooks if I’m traveling (which doesn’t happen very often) or if I have no other choice, such as when my indie author friends have released new books.  Even then I prefer to get their stuff in print if I have the chance.

All that said, I’ve never actually tried to listen to an audiobook.  Enter John Scalzi.  Scalzi is one of my favorite authors, probably in the top five, and is also a guy who has served as a major influence on my own style.  I get everything he releases immediately, no questions asked, and I’ve never not liked one of his books.

John just released a new novella solely as an audiobook.  There’s a print version coming eventually, but for now, if you want to read The Dispatcher, you have to get the audiobook. At first that sounded kinda shitty, at least for me– John can do what he wants with his work, obviously, but that doesn’t mean that I have to like it– and then I found out that Audible.com was letting everyone download the book for free.  So I did.  And I started listening to it in the car this morning, on my way to work.  A one-way trip to work is 20, maybe 25 minutes, so I figure that’s a decent chunk of time to digest a bit of an audiobook.  That said, the entire thing is about two hours and ten minutes long– even round-trip, that’s several days of driving.  I’m in, like, Chapter Three.

Well, after day one, I still don’t like audiobooks.  In fact, weirdly, I’m finding that I don’t like the book, which I’ve never said about a Scalzi work before, and I’m trying to suss out whether it’s the book itself that’s bad or whether I dislike the format itself so much that it’s bleeding over into the actual story.  Zachary Quinto seems fine as a narrator, I suppose, but what’s getting me is that he’s clearly reading a book as opposed to telling a story, and it all feels really unnatural.  I just discovered that there’s an option to double the speed he’s reading at, and I’m going to enable that tomorrow and see if it helps things.  Because right now, this experiment is a failure.

Do you listen to a lot of audiobooks?  Do you read a lot of John Scalzi?  If so, wanna download this thing right quick and tell me if I’m nuts or not?

Birthday sale!

I’m 40!  Buy stuff:

In which that went well

IMG_4024.JPGToday was my first day as a Real Boy on the sales floor, and I did pretty damn well for myself, I think– just under $5000 in sales.  I spent all day joshing back and forth with our sales leader that I was aiming at him, and I thought I had caught him with what would have been the store’s last sale of the day, only to find out that the customer had talked with him about what she bought on a previous visit and there was a quote in the system already.  From the guy I was chasing, meaning that he beat me by whatever amount he was ahead plus the stuff I just sold.  If it had been my sale, I’d have caught him.

Curses!

On the plus side, I came home to birthday steak and birthday baked potatoes and birthday cherry pie, so all is right in the world.


Speaking of my birthday: my birthday sale starts tomorrow!  Beginning late tonight, Searching for Malumba will be free for the next five days.  In addition, The Sanctum of the Sphere and Skylights will be $2.99, on sale from their usual $4.95 price point.  The Benevolence Archives, Vol. 1 remains $.99 at Amazon, although you can get it for free from Smashwords if you like.  The sale prices will be good for a week, and there will be a post up in the morning to remind you.  Sale!  Buy buy buy!

Or, y’know, give me a birthday present and buy them in paperback at full price.  That works too.  🙂

Some book news

cropped-img_3273.jpgAll of my books other than Searching for Malumba have been re-submitted to Smashwords, and should be available there soon and propagating to the various other online bookstores soon afterwards.  Malumba comes off of Kindle Select in late July and will be popping back up everywhere soon after that.  This marks the third time, I think, that I’ve gone back and forth from “Amazon exclusivity” to “available everywhere,” and I will obviously let you know the next time I change my mind again.

What’s made the difference?  Mostly that my books aren’t selling for shit on Amazon right now anyway, and so there’s no good reason not to broaden the number of places they can sell poorly at.  🙂  I feel like I’ve done enough free giveaways over the last six months or so of Amazon exclusivity that I’m reaching a saturation point with people I currently reach who might download them, so it’s time to spread my reach out again and see how well that works for me.  At least BA Vol 1 will be showing up on OpenBooks again, and it is, notably, once again permanently free on Smashwords and the Smashwords affiliates if you haven’t checked it out yet.

Also: I’ve hinted around a bit at this, but it’s official now: I have a cover artist in the early stages of working on the cover for Tales from the Benevolence Archives, and the characters will be on the cover.  I am so fucking stoked for this that I don’t even know what to do about it.  Who’s the artist?  His name is Jamie Noble Frier.  This guy.  I cannot wait to see what his early sketches of Brazel and Rhundi look like; we’ll see how much he’s willing to let me post of the early stuff.

I, uh, guess I ought to go work on getting the book finished now.  🙂

GUEST POST: The Future of Publishing – Science Fiction Today, by @CompGeeksDavid

Dudes the wedding still isn’t for FOUR HOURS.  This day is too damn long.


One of the ongoing series of posts on my blog, Comparative Geeks, we call Science Fiction Today – where we take a current real-world issue, largely ignore its current real-world situation, and consider it from the future. From the perspective of science fiction. Some problems have some iconic Science Fiction solutions, some are more obscure, and sometimes we’re left asking if readers have some suggestions. Still, it rarely fails that an issue has been considered through the lens of the future: usually with both a positive outcome, and a negative.

In planning blog posts, at some point I left myself a note with the idea for “Science Fiction Today – Publishing.” I’m sure it made sense to me at the time, but looking back, I’m not sure I can think of a lot of examples that really change how we think about publishing. Why is that, you think?

Well, for one thing, most science fiction is printed, in books or in magazines (or for most of the classics, first in magazines and then books). In anthologies. In comic books. They’re printed, published, physical things. A lot of science fiction in other media is adaptations of these printed works, and the universes that aren’t – like your Star Wars and Star Trek – have huge book collections backing them up as well.

So for the writer, imagining the future, I could see how it would be hard to imagine their own role in a wildly different format or style. Because it also changes the role of your reader. Changes what the activity they might be doing is. It changes how they found or purchased or are consuming your book.

Still, there were examples – such as the tablet-looking pads that they read from in Star Trek. Not really far-off as a concept from e-readers of today, with the Cloud Library of today being the ship’s database of materials. Of course, Picard being old-fashioned and archaeology minded, he still read physical books too…

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But counter-point to an example of a different format like that, there are plenty of examples where there are still physical books. Maybe the most vivid in my mind is Fahrenheit 451, and the “firemen” who burn books – something that would be incredibly difficult to do today. Or there’s the modern classic Doctor Who two-parter set in The Library, a whole planet that is a library. It has a database of all the books ever written, it’s true – but it also has physical copies.

When I was looking through post ideas, trying to think of what I could write to guest post here for Luther, I came across this post prompt and thought that this was a perfect one. Because self-published authors like Luther are changing the face, changing the future, of what publishing looks like – in ways that I think science fiction has still not caught up to.

On the one hand, you have this whole new world of digital books, many of which have never seen a print edition. You have digital copies of print books, competing with themselves in some respects. You have digital comics, with subscription services letting you read older comics as they get digitized. Amazon has a digital library too, of books that Prime subscribers can read for free. And plenty of self-published books are available for free – joining a great deal of writing going on for free online as well, like webcomics and fan fiction.

Other media are changing their output as well. Take movies – very few bigger-name movies are skipping their traditional home, movie theaters (one of the best examples being Luther’s beloved Snowpiercer). And increasingly, when we buy something on disc, we find ourselves getting Blu-Ray/DVD/Digital Copy packs – they’re covering all their bases. Rather than compete between the formats, charging to give you all of them. And things keep changing on the subscription availability model for movies and TV – the studios don’t want things to always be available to people.

Not really a lot of innovation and change there, and still not easy for just anyone to break into. No, if you want to see that in the video arts, something like YouTube is the place for that – a format that has completely left any idea of “publishing” behind, and has done away with a lot of the middle-men.

So really, not a good comparison to book publishing. No, that’s still its own thing, and the idea that everyone has a story inside of them seems not only to be true, but to be something that now anyone could potentially tap into. That their story could be written, be self-published, and even be read! And if not a full story, well, blogs and other sites have been taking a big chunk out of newspaper and magazine publishing.

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Consumerism itself is changing through all of this, and so too might our science fiction ideas about consumerism. Maybe we might actually be moving in the direction of Star Trek, with its society without want – after all, they read books on a Kindle like we do. Or maybe we’ll just end up amassing more stuff than we know what to do with – like my growing collection of e-books I haven’t read. Either way, I’m having trouble thinking of what the final outcome might truly look like in a science-fiction story.

So with that, I open up the comments to you: what do you think the future of publishing looks like? How are we going to be reading – and being read – in the future? How will people find and find out about things to read? Let me know your thoughts in the comments below!

You can find David for the time being on Comparative Geeks (moving soon!), or on Twitter @CompGeeksDavid.