GUEST POST: A MAGIC TRICK, by James Wylder

It’s Saturday!  Hopefully I made a lot of money yesterday, because this convention was insanely expensive.  Anyway, James Wylder’s our guest poster today.  Have a story!  You like stories, don’t you?  


This is a brand new short story set in the 10,000 Dawns universe. Its a fun, and continuing, series of sci-fi tales, so if you like it you can find more of it at jameswylder.com/10kd.
Thanks to Luther for letting me write this guest post! See you at C2E2 if you’re there. -James Wylder

A Magic Trick
by James Wylder

 

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Artwork by Annie Zhu

We’d burned through seven fuel cells just trying to turn our ship off to save power, a fact which I was trying very hard not to yell at the Captain about. The captain still wore her old coat from when she was in the Centro Marines, a long blue thing with a red tech-shoulderpad, and was finally moving to inspect our cargo as the Wind Fish clung to the side of the asteroid we’d finally landed on. Captain Nichols was smoking, which made her not only a bad role model for children, but also a danger to all of us since she could cause our ship to blow up accidentally at any time. I respected her a lot.

Nichols opened the first crate, and sifted through some generic supplies before lazily throwing the lid back on, then moved to the next which was filled with gold bars. Finally she opened the third crate, which wasn’t actually the last crate, but spoilers: it’s the important one. Inside was a gray box, maybe the size of a thick copy of one of those books that’s too long for me to pay attention to like “War and Peace” or “Jane Eyre.” It had a standard data cord port on one side of it, and the letter “A” painted on a different side. Not printed, hand painted. I didn’t even know how to hand write a letter A if you paid me and put a gun to my head for maximum motivation, but Mars had been doing weird stuff since their revolution.

Desi nudged me in the shoulder, “That’s how we’re making bank this trip, you know.” I squinted at the box. It looked more boring than that French book I’d tried to read about the guy eating a piece of cake.

“What is it?” She shrugged.

“Some sort of Martian computer program, military grade. Its supposed to be worth a fortune, or at least that’s what our sources tell us. The Index is willing to pay heavily to get one of these things, the Librarian wants it for something special. Or, at least that’s what the rumors say. He might just not want other people to have it.” Either made sense, really. Captain Nichols spun the box around in her hands, puffing away.

“Don’t we like, hate the Index?” I asked.

“Well sure, but they’re offering enough money in this case the Olympian Senate agreed to let us take it on. They get a cut, of course.”

“Of course.”

“Should we plug it in, see if it works?” Jackson asked. Nichols’ cigarette flopped down in her lip.

“Are you crazy? This is a military AI system. You plug this thing  in there’s no telling the havoc it will cause.” Jackson looked at the box wearily. She looked at the thing like it was a spirit trapped in a magical ward of salt and bones. From what I knew about these things, she wasn’t even that wrong. Then again I didn’t actually know that much. We were cave-women in space.

“Megan,”she said to me, “get back to the cockpit and check if we’re being tracked.” I yawned, nodded, and started walking over there. I think she still wanted me to salute, but this wasn’t the military. The Valkyries were the best pirates in the solar system, along with every other group that called themselves the best pirates in the solar system, so it was a big tie. I’d joined up at fifteen, mainly because I couldn’t stand school. Living on Titan is frankly better than 90% of the Rim, since we have a corrupt poor government as opposed to no government, but schooling there is so boring. I had to read so many big novels, just because it was the cheapest lesson plan data package our teacher could get. Now I was twenty, and whether or not ship life suited me, I was doing it. There were just the five of us on the Wind Fish, me, the Cap, Desi, Jackson, and Elodie. Elodie was just on here on loan till we got a new mechanic cause our regular one had turned a proton redirector the wrong way and blown herself up leaving only her shoes and socks up the ankles.

Jackson had taken the shoes.

I slid the door to the cockpit open, rubbing my eyes with the other hand, and slid it back shut, only to turn and see a teenage girl spinning around in the pilot’s chair, with a towering cyborg standing next to her. Naturally, this was unexpected. My first thought was “Stowaways!” But that was impossible: there wasn’t any cargo, and we’d stripped the ship down to the barest weight we could before launch. The cockpit only had one way in and out, and the door made enough noise that any of us would have heard someone sneak in regardless. They had appeared inside the ship out of nowhere. There was no way they could get have gotten in, mass simply popping into unoccupied space like a rabbit out of a hat.

“Graelyn, could you stop spinning?” The cyborg asked, “It’s giving me a headache.” The girl stopped, and glanced over at me, grinning.

“We’ve got company.” She said. The cyborg turned, and jovially waved. He had no visible skin, just an outer carapace made of what looked like video screens that curved around his form. He also wore a blue trenchcoat, and what looked like one of those old Admiral’s hats you see in Napoleonic War Dramas. The girl was wearing high top sneakers, a matching blue skirt and blazer,and a white shirt and black tie. She had a pin of a cat, and one of a half-sun, half moon on her lapel.

“What the hell.” I said.

“Shh.” Graelyn said. “I’m Graelyn Scythes, this is–”

“Archimedes Von Ahnerabe.”

“And we’re here to stop you from dying.”

“And take your stuff.”

“Well, I was going to leave that part off till later.” My jaw was loose, and I wished I had a cigarette like the Captain now just so I could let it drop out of my mouth dramatically.

“CAP!” I yelled, and the crew stormed up behind me. The door slid open, and the four of them stood with weapons drawn. The Cap had a gun, as did Jackson, Desi had a vibro-Ax, and Elodie had grabbed a large wrench. Her purple clothes were still stained with grease from the engine room. The girl in the chair sighed, and raised her hands.

“I surrender.” She said with more than a hint of boredom. Arch was just watching her, and she raised her eyebrows and tucked in her lips and he raised his hands to.

“How’d you get on my ship?” The Captain demanded.

“We cut our way in.”

“We’d get signaled if there was a hull breach.”

“Would you get signaled if there was a stealth ship coming in on an attack vector, like, presently?” The Captain leveled the gun.

“Yours?”

“Oh not at all. We just want the box. Turns out the people you stole it from aren’t too happy about it though…” The Cap gestured at us to keep our weapons on the pair, and ran to a console, she fiddled with some equipment.

“Nothing on scanners…” She adjusted a few things. “Shit. The girl’s right, the ship’s bouncing data back at us to tell us it isn’t there, but the timing’s off a fraction of a second.” Cap slammed her fist on the console, which was totally unnecessary.

“Elodie, how long till you can get us up in the air?” I tried really hard to not correct her on the ship not being able to get into “the air” in deep space. Elodie blew out a breath.

“Not before they reach us.” The girl in the chair kicked her legs.

“So let’s make a deal. I save you from the Martians, you let me keep the box.” The Captain’s eyes bulged, she was furious.

“That box is worth more than your life.”

“Is it worth more than yours? Martians aren’t exactly kind towards thieves of high grade military tech. I’ll let you decide. No rush.” The time till the Martian ship intercepted us ticked down on a monitor dramatically. They stared off. Graelyn smirked. The Captain conceded.

“Fine. What do you need to do?” Graelyn hopped up.

“You guys just stay in here, I’ll do to the rest.” She slid out of the chair, and Arch followed her. Closing the door, they covered up the window by hanging Arch’s hat on it. There was a noise, and then nothing. When we finally decided to open the door, the cargo hold was empty.

“I don’t understand.” Jackson sputtered, as the sound of the Martian ship docking with us clanged through the hull.

 

The Martian Captain, who corrected us into saying they were from “Geru Ghara” not Mars every time they said the word, led two squads of Martian troops into the hold. A group of troops held us at gunpoint, while the rest searched the ship, opening every panel. I’d just tidied a lot of those panels, so it was a bit frustrating, like someone dumping out your trash on the floor after they entered your house.
“This is an unusual ship.” The Martian captain finally said. Her left eyebrow had a thick scar through it. She wore all black, aside from a red scarf and a red tech-shoulderpad. Her long coat also had red and yellow stenciling, but I wasn’t sure that counted. You don’t get off for wearing a shirt with tiny green frog on it on St. Patrick’s Day after all.

“Its an old Centro Sleeper Ship. They used to send them throughout the system before drives got fast enough it wasn’t necessary, you’d freeze the crew and-”

“Yes, I know how they worked. But this is a stealth model.”

“There are more of them in service still than you’d think on the Rim, they don’t break down. I heard the Van Winkle and the Red King are both still–”

“Yes, yes… That’s not what I wondered.” The Martian captain pulled up a hologram on a handheld projector. Ironically, it was still branded with a “Centro Systems” Logo.

“This ship was tracked after it assaulted a Geru Gharian cargo vessel, stealing its most valuable cargo.” Our Captain shrugged.

“Clearly, it was a different Sleeper Ship.” The Martian Captain nodded, and put the hologram away.

“Did you fight in the war for Geru Gharian Independance, Captain Nichols?”

“The giant blue coat gave it away, huh?”

“Quite. So you served Centro?”

“If you think you’re going to trump up some charges on me just because I fought for Centro Systems, you’ve got another thing coming. After how the war ended I couldn’t keep fighting for them, so I came out here on the rim making an honest living hauling cargo.” Well, that was all true aside from the honest cargo bit, and the honest living bit. The Martian Captain’s eyes looked distant.

“I can respect that. Geru Ghara had hoped we’d all be able to work together after the war ended…”

“Clearly the Rim’s idea’s of independence are different than Mars’.”

“Geru Ghara.” She said, more faintly. “The war is past us now.”

“Is it?”

“Yes. There’s no way you could have unloaded all of this cargo. Your ship has no way to drop or vent its cargo hold into vacuum without killing the crew. A terrible and massively unsafe design flaw, certainly, but it proves you’re innocent. I’d watch out Captain, someone is trying to sully your good name.”

“Captain Hara.” A man yelled from the other side of the ship. “We have Centro ships inbound, we need to take off immediately.” Hara looked down at the five of them.

“It’s been a pleasure. I wish you all the best, and I hope you find the freedom you seek.” She gestured with her hand, and her troops shuffled back into their ship as quickly as they’d barged in. I hurried up, and ran to the scanners, watching them flee from the group of much larger Centro vessels on their tail. Spoilers, they got away. Good for them. Annoyingly for us, a Centro ship split off to check us out.

I won’t bore you, it went about the same.

 

That wasn’t the end of it though. If it had been, I might have been able to square it all away with excuses, like only hearing half a joke and assuming it would have been funny. But, as we got the ship ready, we all headed into either the engine room or the cockpit and as I opened the door into the cargo hold after getting pre-flight ready, all the boxes but one were back. You know which one was gone. I called for the rest of the crew, and we marveled for a moment, running our hands along what felt like a magic trick.

“Look, there’s a note.” Elodie said, and we ran over.

“Have fun stealing stuff, see you in the future. Love, Dawn.”

“Who the hell is Dawn?” Jackson asked.

“More what what the hell is it.” I added. The Captain took the note and pocketed it.

“We didn’t get the prize, but we still have a small fortune in other supplies here. Let’s get it back to base.”

“We’re gunna burn a powerpack just lifting off of this rock, you’ll be spending that small fortune in powerpacks just from this trip alone.” I said, and instantly regretted it. The Captain’s face lit up red, then softened, and she laughed.

“That’s life on the Rim, Megan. Get used to it.” And walked off.

I stood stunned, “I was born here! Cap, Cap! I was actually born here you know? You’re the one who moved here!” But no one was listening. There was work to be done now, and the stars were beckoning for us once again. I got a cup of coffee, and got to work.

 

I began to power the ship up to lift us off, burning up a powerpack, and felt her breath on my cheek. She was leaning over the back of my chair, her tie hanging down onto my shoulder.

“It’s not like anyone will believe you,” Graelyn said, “so do you want to know how we did it?” I nodded, not turning around. I half wondered if she’d slit my throat.

“There’s another you, in another life, who did this same thing. And another one, and another one. And I can cut between the air you breathe, and step through into those worlds, through time, through space, through your existence. I’ve seen this dawn before. We’re inter-reality travellers, Dawn. We’re here and there.” The hair on the back of my neck stood up.”

“You’re being really creepy.”

“Oh, uh, sorry.” She said awkwardly, as if she hadn’t realized standing behind someone whispering in their ear after sneaking up on them was creepy. I spun around in the chair in time to catch a flash of white light, and what looked like a white disk shrinking into nothing. I wasn’t sure if I’d dreamed that, or what, but my top concern was more important than any sort of cosmological bullcrap.

Graelyn Scythes had stolen my coffee.

#C2E2 Photos: Day 1

Zzzzzz…..  Some of these could probably stand to be cropped a bit; blech.  I’m tired.

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My booth babe.IMG_3431

THIS DUDE.  Holy shit.  That gatling gun swings into position and SPINS.  IMG_3432

I think Matt might be Kylo Ren.IMG_3433IMG_3434

The second recipient of the THIS GUY HOLY SHIT award.  That shield’s a home build.  He let me hold it.  It’s actually made of steel, it’s HEAVY AS HELL and he is an absolute goddamn warrior for lugging that thing around with him all day.  For ART.IMG_3435

Because sometimes Batman gets text messages too.IMG_3436

Sadly, Mojo Jojo wasn’t doing the voice.IMG_3437IMG_3438

I saw a lot of people dressed as the Joker– white, black, Asian, Hispanic, male, female, at least one person who was a guy dressed as a female Joker.  This is not a guy dressed as the Joker.  I think this ACTUALLY IS the Joker, and he had both of us THOROUGHLY creeped out by the time he left the booth.  I wish to hell I’d gotten video of him– just the way he was MOVING, and the constant giggling.  Holy shit.  Like, Daniel Day-Lewis levels of method acting.

EDIT: he’s in this videoIMG_3439

I didn’t get to talk to these two for very long but they were both awesome.  Saw several Lokis, but this was the only Thor.  IMG_3440

And the most adorable cosplayer of the day.IMG_3441

And the most delicious cosplayer of the day. God, I miss Pockets.

Somehow, I got no pictures of Deadpools.  There were SO MANY DEADPOOLS.  I will fix this tomorrow.

GUEST POST: Diana Gordon on SPIRITED AWAY

Still in Chicago, obviously, since the con actually starts today.  You’re gonna come see me, right?  I’m in Booth 228.  Awaiting your arrival.

Come to Butt-head.

Up today: Diana Gordon of Part Time Monster.  


spiritedaway1Fifteen years ago (July 2001), Studio Ghibli and Hiyao Miyazaki released Spirited Away, an animated feature-length fantasy that would become one of the most successful Japanese films of all time, winning national and international awards and smashing box office records.

I watched the film for the first time as a double-feature. A dear friend had been absolutely insistent that I watch some of Miyazaki’s work, and so one rainy afternoon we decided to watch Howl’s Moving Castle (2004) and Spirited Away. (Would that all rainy afternoon plans were so pleasant.) Howl’s Moving Castle works as an adaptation of the Diana Wynne Jones book of the same title, but the story for Spirited Away was a wholly original one.

And it is captivating. The whole business is a bit surreal—maybe more than a bit, really. (It’s often compared to Alice’s Adventures in Wonderland; Lewis Carroll’s 1865 story and Miyazaki’s film can both be read as texts coming of age stories and suggest ambivalence about girlhood. Both stories were also inspired by real girls—Carroll’s text was written after he told the story to Alice Liddell, and Miyazaki has stated that his inspiration for Spirited Away was that he wanted to make a film for a young girl who was a family friend.)

spiritedaway2Ten year old Chihiro and her parents are moving to a new home when they take a wrong turn, arriving at what looks like an abandoned amusement park. Chihiro’s father wants to explore the place, so the two of them and Chihiro’s mother climb out of their car. The animation and setting here are fantastic. The dilapidated and broken amusement park is suggestive of so many things—rampant and broken consumer capitalism, the boundary between childhood and adulthood, the conflict between traditional Japanese culture and Westernization, etc.

All is not what it seems in this place, of course. Chihiro’s parents stop to eat, but Chihiro herself has gone another way, where she discovers an old Japanese-style bathhouse. She’s warned by a young boy named Haku that she is now in the spirit world, and must get out before sunset. But when Chihiro finds her parents again to hurry them out, she discovers that they’ve been changed into pigs and that her way home has been blocked.

spiritedaway3And as night falls, all manner of spirits and creatures make their way to the bathhouse. Chihiro finds Haku again, who advises her to demand a job in the bathhouse from Kamaji, the boiler-man, so that she can stay. Kamaji apprentices Chihiro to Lin, another of the bathhouse employees, and she is taken to Yubaba—the mistress of the bathhouse. Unlike everyone else in the bathhouse, Yubaba dresses in Western clothing, and her rooms are furnished in European style. She is completely out of keeping with the traditional minimalism of the place, and her greed is part of what makes her such a formidable opponent for Chihiro.

Yubaba symbolically and literally strips Chihiro of her identity when she replaces her name with “Sen.” Later, Haku warns Chihiro against forgetting her old name. This, he says, his how Yubaba controls and keeps her servants.

spiritedaway4Chihiro then sets off to work in the bathhouse. The place is a maze of corruption and greed, and many of the other employees are rude to Chihiro because she is a human. At the bathhouse, she encounters a creature called No-Face, who wreaks havoc in the bathhouse when he starts giving out fools gold and then eating the other customers. No-Face grows larger and more monstrous as he consumes more of the customers, and only Chihiro can calm him. No-Face is eventually made to regurgitate the creatures he has eaten and leave the bathhouse.

Chihiro also has to save Haku, who has been poisoned by a magic seal he stole from Yubaba’s twin sister, by going to Zeniba’s home and apologizing for him. For Haku’s part, he wakes to discover that Chihiro’s love was strong enough to break the curse, and he finds her at Zeniba’s home. On their return journey, Chihiro remembers who Haku actually is; he is the spirit of the Kohaku River, and he is free again once Chihiro names him. Haku’s story is not just a reminder how the power of names in this spirit world but of ways that pollution and the destruction of nature affects that spirit world, as the Kohaku River was lost to urban development.

spititedaway5Likewise, as Chihiro’s journey draws to a close, she must recognize her parents. Yubaba sets Chihiro in front of a drove of pigs and gives her the task of recognizing her parents in order to gain their freedom. Yubaba’s trick, though, is that she has left Chihiro’s parents elsewhere. But Chihiro susses this out rather quickly, so she is able to win her freedom. Haku leads her back to the entrance, where Chihiro’s parents are waiting for her but do not remember what has happened. Chihiro, of course, remembers all. She’s not confused by the dust and leaves covering their car or the other markers of time, because she recognizes what has happened.

And so, as is often the case in children’s fantasy literature, Chihiro returns to the real world at the story’s end. She comes home to her family. Her place. To live the rest of her life. But during her journey, she has had the chance for true agency—not being looked after by her parents in a situation with the direst of possible consequences. And that agency has changed Chihiro. Even if she has all along had the courage, smarts, and loyalty to take on a witch (or two) and save those she loved, it is only in the doing that she is able to recognize that.

And damn, I love to watch it happen.

***

Diana is a nerd, a bookworm, a feminist, and a social media junkie. She is a freelance writer and researcher and the administrator of the blog Part Time Monster. You can follow her on Twitter @parttimemonster or find her on Facebook at facebook.com/parttimemonster. She lives in New Orleans with her son, her husband, and one very energetic terrier.

#C2E2 pictures: day 0

I am too tired to properly provide context.  I trust you can figure most of this out.  If not, check Twitter for details.  🙂

   
    
    
      

   
I don’t know why some of them are sideways, either.

GUEST POST: The X-Files Revival: The Very Disappointing and the Good

I’m running guest posts while I’m in Chicago at C2E2.  I’ll probably be posting anyway, but just in case– heck, as this one is posting, I’m still in town.  My friend Natacha Guyot gets the first one.  


x-files-art-featuredTo say I was looking forward to the new season of the X-Files, my all-time favorite TV show, would be an understatement. I had high hopes for it, as for the most part I enjoyed all seasons and movies, though the most recent one didn’t live up to my expectations.

I liked the first and last episodes of this tenth season most. The four in the middle, I am still wondering why they made them for the most part. I have nothing against the return of the monster of the week approach, but those “middle” episodes didn’t do it for me.

10.02 ‘Founder’s mutation’ and 10.04 ‘Home Again’ were the closest to old school monster of the week kind, but I found them slightly disappointing and visually gore for the sake of it. Now there were similar aspects in older episodes, but not to this point. When I went to see Deadpool, I felt that it was less gory than the new X-Files, which was weird.

10.03 ‘Mulder and Scully Meet the Were Monster’ was beyond disappointing and atrocious to watch. I generally don’t care for “funny” or parodic episodes, but this one tops every other episode of that kind I had to put up with. It felt like wasted time from start to finish. I didn’t find it smart or witty, but simply horrible and poor writing.

10.05 ‘Babylon’ wasn’t much better and the overall case didn’t feel X-Files-ish at all. The doppelgangers new agents seemed very forced as well (though these two eventually grew up on me in the season finale). While these agents being somewhat similar to Mulder and Scully in dynamic, the trait was too forced, and hindered their introduction and early development. As for the whole section of what I dub “Mulder goes Californication style”, I just shook my head. If I wanted to watch Californication, I’d watch it, not X-Files.

10.01 ‘My Struggle’ and 10.06 ‘My Struggle II’ were my favorite and the season finale actually reconciled me with the newest episodes, as I watched it quite reluctantly at first. They did a great job approaching the mythology of the show that has been developed since day one. It also ended with a cliffhanger that makes me hope we get another season (or movie) because I want more answers! It is sad though that they wasted so much episode time in between those episodes, as the finale would have benefited from being a two part instead of a single one.

All the returning actors did a great job (as well as some of the new additions) and I am grateful we got to see Skinner and Reyes again but more screen time for both would have been great. Duchovny and Anderson showed that they can still do an amazing job as Mulder and Scully, though I wish they had had more scenes together. While it made sense to have them do their own thing in most of the finale (as it happened before in earlier seasons), other episodes could have had them interact more, regardless of the status of their personal relationship.

I like how Mulder’s and Scully’s son was brought up in several moments of the narrative and I am curious to see what they may do about him in a next season, as he should prove pivotal. I loved seeing Scully use her medical abilities a lot again, though one element peeved me. I was surprised to see her faith be of so little importance as she loses her mother in 10.04 ‘Home Again’. I understand it is extremely hard for her, but the writers seemed to mostly “forget” about this intricate part of the character, which annoyed me.

Overall, this season has been disappointing, in terms of number of episodes I have like. Yet, I still am hoping for more X-Files and am crossing fingers that the writers get it together and go back to what makes the show fascinating to me.

***

Natacha Guyot is a French author, scholar and public speaker. She works on Science Fiction, Transmedia, Gender Studies, Children Media and Fan Studies. She is a feminist, a fangirl, a bookworm, a vidder, a gamer and a cat lover.

Her released titles include A Galaxy of Possibilities: Representation and Storytelling in Star Wars (New Revised Edition), and Clairvoyance Chronicles – Volume One.

Come see me at #C2E2!

C2E216-DGP-ProstetnicPublications-1280x444

I’m leaving tomorrow morning for the Chicago Comic & Entertainment Expo, at McCormick Place, where I’ll be doing my best to make at least a moderate amount of money in booth 228!  The hours for the sales floor are long– 10 to 7 on Friday and Saturday, and I think 10 to 5 on Sunday– so there’s plenty of time to go do whatever else people do at huge conventions and still come see me!

I expect to spend today rushing around like a maniac getting 10,000 last-minute things done, so it’s going to be quiet around here.  I have guest posters lined up for the next five days, but y’all know me; the chances that I won’t be posting at least something while I’m at the con are slim.

See you in Chicago!

Some bullet-pointed nonsense

bullet_bill_101393.jpgA few things for y’all:

  • My teaching memoir Searching for Malumba: Why Teaching is Terrible… and Why we Do It Anyway is gonna be free for the next couple days.  Go grab a copy.
  • I am not, I think, going to the pool today.  I felt great last night until around bedtime, when every muscle in my body realized at once that they’d been used.  I’m still achy as hell from the waist up, and lifting my arms above my head is kinda dicey.  We’ll do every other day until we don’t feel like we have to.  Should take a week or two.
  • Note that that last point should not be taken as complaining.  This is good pain.  I earned it and I intend to enjoy it, I just don’t want to go make it worse.
  • I expect Hillary to win big in Mississippi today and somewhat less big in Michigan.  I’ve said this before; Sanders’ campaign is over, he just hasn’t realized it yet.  Saying things like “White people don’t know what it’s like to be poor” at debates really isn’t going to help him very much.
  • Next week, we have Ohio, Florida and Illinois all on the same day, and Hillary will win all three.  Sanders’ people are still pretending that the calendar gets better for him after March 22.  They are right, but the contest will be decided for all but the most deluded of his fans by then.  His big wins this weekend (three of four states!) closed the delegate gap between him and Clinton by one percent.  It’s over.
  • I’ll repeat this again, too:  I’d like him to keep pushing her to the left, so I won’t be bothered too much if he refuses to admit how math works, although it’ll probably get on my nerves from time to time.
  • One way or another the Republican race will continue to be an embarrassing clusterfuck.
  • I may have to start doing Walking Dead recaps again after yesterday’s episode.  I’m beginning to think it’s possible that they’re just going to kill the entire damn cast at the end of this season and then just let Fear take over the timeslot for good.
  • It’s gorgeous and wonderful and warm outside for the second day in a row, so I fully expect fourteen inches of snow by Saturday.
  • C2E2 is coming!!! Who’s gonna come see me at booth 228 in Chicago????

Help me decide if I’m mad

The book on the left is from the first mass printing of THE SANCTUM OF THE SPHERE.  The one on the right is from the second, which arrived yesterday, twenty days before C2E2.  You may need to click to get a better idea of the magnitude of the difference:

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This is the original digital image that both files were printed from.  NOTHING was changed in between printing one and printing two:

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I already thought that the first printing was way too orange.  The second printing is substantially oranger than the first.

Gripe at CreateSpace, knowing that I probably don’t have time to be certain that a replacement will show up before the convention?  See if I can quietly find another printer before the next time I need to worry about this?  Or suck it up and don’t worry about it?

For whatever it’s worth, my wife, who has seen the books in person, says that it doesn’t look that bad.

(ALSO: I’m not complaining at all about this part, but I find it entertaining:  the entire order, a total of 126 books stretching across all four of my titles, arrived in the last three days.  It is still listed as “in production” at CreateSpace.  In other words, they haven’t even updated to say that it’s shipped, and it’s all here.)