I gotta move out of this neighborhood

(That’s a BB King song)

Today was fucking awful.

We had … I dunno, six fights in the building today?  Let’s say six, it was close to that one way or another.  One kid caught what I think is probably the worst ass-whipping I’ve ever seen short of Rodney King.  I hope to hell the other kid is in jail right now.  I don’t know why they don’t take you to jail when you attack someone at school; school is the only place you can just beat the shit out of someone and then expect to go home afterwards like nothing happened.  This kid should be in jail.  He should be there until he turns 18, frankly.  But he’s not, because he attacked someone at school and not out on the street.  

Go ahead; there’s six plus years of damn near daily blog posts around here.  Hell, the running average is probably still more than one a day.  I wrote a whole-ass book about teaching that you can look through too if you like.  See if you can find another post where this kid needs to be in jail for what he just did is the topic.  I can’t think of one.  That rough of a day.

And I do not have a hard job, guys.  I really don’t.  There’s a lot of moving parts but I don’t have a hard job, not compared to what everyone else in the building is doing.  And today was damn near too much for me anyway.  I don’t know how the hell any of these people get up and go to work every day.  I do know that there’s no way in hell I return to this building next year.  Not if my life depended on it.  Which means I get to start jobhunting again.  There’s a chance to do the same job just in some other school but for various reasons (which I’ll probably get into eventually, but not now) is not as likely as I’d like it to be, so the best move is to start looking for alternatives now.  Because I can’t be in a place with this rotted a culture any longer.  I’ve never worked in a school this bad.  Not even close.  And I’ll make it to June, but I need to be gone after that, and if something good turns up before then I’ll jump ship.  I’ll be burning this bridge for the last time, but I think it needs to be done.

(Then again, for fun, especially if you know me in the real world, think back over my life since graduating in high school and count the good decisions.  Other than marrying my wife, there aren’t as many as I used to think there are.  I’m actually not very good at this being an adult nonsense.  I remember when I thought I was good at stuff; it was a while ago.)

And tomorrow I’ll get up and do it all over again.  Six more days with the kids and then I get a couple of weeks off.  I can manage this, I think.  I don’t have much of a choice, one way or another.

In which post titles are really hard sometimes

My wife and son both had Friday off so I took it off as well, and the three of us have mostly lazed around all weekend, which is not something I’m going to complain about.  We went to the zoo on Friday– and I strongly recommend going to the zoo on a Friday afternoon when a rainy morning and a weekday means that not many other people are out and about.

Which is fine.  Because for the most part the world spent all last week going to hell– even beyond the obvious stuff in Washington, which I just don’t have the fucking energy to even talk about.  Wednesday night, one of my co-workers at the furniture store died.  He was in Indianapolis for his cousin’s funeral, which was enough of a shitshow to begin with, staying at his sister’s.  He went to sleep and didn’t wake up the next morning.  He was thirty-one fucking years old, and I doubt the cousin whose funeral he was in town for was much older.

Nobody is supposed to die in their fucking sleep at 31.

His roommate also works at the store.  He told me the other night that the last thing Griff said to him was that at least his grandmother, who passed away all of a couple of months ago, wasn’t alive to have to attend the funeral of one of her grandkids.  And now she’d have to go to two.

I can’t pretend we were super close.  We were co-workers.  I liked the guy quite a bit.  But his funeral is tomorrow in Evansville and I’m not going, because I already have to be in Indianapolis for a conference from Wednesday through Friday and the con on Saturday and I just can’t squeeze in a ten-hour round trip drive today and tomorrow.  But it’s got me fucked up anyway.

This post wasn’t supposed to be about Griffin.  I meant to talk about video games a bit; I’m still trying to beat Dark Souls 2 (getting closer, especially if I decide it’s okay to ignore the DLC) and I haven’t played Spider-Man in like three weeks because I got abruptly tired of it like a day after my initial impressions post.  The combat consistently annoys me and I’m not convinced it’ll get better.  I’ll probably bring the PS4 with me to Indianapolis, though, so I’ll have time to play when I’m not at the conference.

I dunno.  I got too much fucking serious in the world right now.  For right now gabbling about video games is where my head’s at.  At least I thought it was.

#REVIEW: Swan Song, by Robert McCammon

71ro-tXRGcLVery early on in Robert McCammon’s terrible book Swan Song the words “information computer” are used to refer to… a computer.  The phrase is used by either the President of the United States or one of his close associates, as it is used during a scene in the Situations Room, which I thought was just called the Situation Room, but maybe things were different in the 1980s.

I was initially inclined to cut him a break.  The book was written in 1987, after all, and that was a while ago. Computers weren’t in super-common usage, right, so a redundant phrase like “information computer” might have been something somebody said, I dunno.

Then somebody gets asked for their “computer number” later on, and it’s just like an ID number or something, and a third computer is described as being used to keep track of dates when people entered and exited a certain building, a task much more suited for a notebook.

I should not have cut him a break, as “computers” would only be the first item entered into a very long list of things that Robert McCammon does not really understand.  And I only made it through a bit more than 300 of this book’s nearly nine hundred and fifty pages of garbage before checking out and putting the book on a shelf, never to be touched again.

The basic premise: World War III starts in the first fifty pages or so, as the Russians and the Americans and who the hell knows who else fires all of their nukes at each other, obliterating basically everything.  The war happens because of Reasons, basically; McCammon starts in media res because what he wants is a book where everybody is dead.

The book is nine hundred and fifty fucking pages long, people, and fully half of that is dedicated to describing what people or things look like.  The rest of it is dedicated to getting basic matters of fact, logic, narrative consistency or physics wrong.  Two brief examples:

EXAMPLE PRIMUS!  The President is a character for the first little part of the book.  I thought he was actually rather interesting, as it’s clear right away that he feels (rightfully!) that he’s in way over his head and has no way how to prevent the terrible catastrophe that’s coming.  That’s neat!  Too bad that a few dozen pages later he’s killed when a flying bus destroys Air Force One, which isn’t called Air Force One even though that’s what the President’s plane has been called since the 1950s.

You may be wondering if you read the phrase “a flying bus destroys Air Force One” correctly.  Yes.  You did.  A nuclear explosion somewhere sends a bus flying so far and so high that it hits and destroys Air Force One, but without the nuclear explosion itself affecting the plane.

EXAMPLE SECUNDUS!  Several characters who survived the initial bombardment of New York City by being underground at the time are attempting to escape Manhattan through the Holland Tunnel.  Radiation, by the way, is something that McCammon will have other characters talk about incessantly but wandering around Manhattan after it has been hit by several nuclear weapons is no problem.  The Holland Tunnel is ankle-deep in water at the entrance.  The characters are able to walk through it to escape.  The water never rises above waist level.

So, two things about that:  1) the tunnel is, well, a tunnel, which goes under a river, which means that if it is ankle deep in water at the entrance the part that is actually under a river is going to be completely fucking submerged.  Also, the tunnel is completely full of burned bodies and smashed cars despite having been basically the safest place imaginable during the bombardment.  It’s clear that McCammon wants us to think the damage is caused by the bombs and not, say, panicking drivers, by the way, so he doesn’t get that out.

Ah, fuck it, let’s do an EXAMPLE TERTIUS! that will explain why I put the book down.  Two of the survivors are a kid who is plainly and obviously a psychopath and his one-handed nutjob Vietnam vet mentor, both of whom escaped from a gun nut survivalist mountain compound that was basically being used as a timeshare for other gun nuts by the Vietnam dude.  Don’t ask.  A pair of people, a man and a woman, are walking toward the Salt Lake in Utah– a useful source of perfectly drinkable and not poisonous at all water, where it is logical that many people would gather after a nuclear apocalypse.

The nutjob and the psycho kid pop out from where they have concealed themselves under dirt trapdoors like fucking human spiders and slit the man’s throat.  It is not clear how long they have been under there waiting.  Many other dirt-people also pop out of their own dirt trapdoor things and begin offering the man and the boy money for the woman.  The woman, who several weeks after a nuclear apocalypse is wearing a number of diamond and pearl necklaces, a thin T-shirt that reads “Rich Bitch,” no bra and, as it will be revealed later, no underwear either, offers herself sexually to the boy to avoid being gangraped.  This is OK because the book helpfully lets us know that the man of the pair used to help her out by being her pimp.  There are loving, detailed descriptions of her nipples.

Also, the nutjob spends a lengthy monologue ranting crazily about how the people in the cool camp nearby with supplies and such won’t let him into the camp, which is why he has to live as a dirt-person, and then transitions seamlessly into screeching about how no one can keep him from getting what he wants, as if he has not just described someone preventing him from getting him what he wants.

Nope.  Done here, thanks.  Bye, book.  I found out later, reading other bad reviews, that there is a 7-year jump later in the book, because sure, why not.  This is easily the worst book I read this year– the bits I describe are only the lowlights of the first 300 pages; there are examples at least once a chapter of something that makes no Goddamn sense at all.  Don’t read this, ever, and shun anyone who says they liked it or it was good.

It’s coming, I promise

I was going to write the Star Wars review tonight, but instead we went to my kid’s Christmas pageant.  The highlight of the Christmas pageant was the kid who pissed himself on the risers right there in front of God and everybody, no doubt ensuring a lifetime phobia of performing in public.

Expect that review tomorrow.

In which I waste a whole bunch of my time: a #review of IRON FIST

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I have said this before, both on this blog and elsewhere: if you are ever compelled, as a writer in any medium, to create a scenario where your characters are complaining about how dumb your plot is, it is probably time to stop and think very carefully about what you are doing.  If you are writing a show called Iron Fist, about a man whose job it is to be the Iron Fist, and the very first line a character says upon meeting him is “You are the worst Iron Fist ever,” you may be doing something wrong.  It is possible to write a good story about a hero who is terrible at being a hero.  But if you do that, then that’s what your story needs to be about.  You can’t have a hero who is terrible at being a hero and have your story be about something else.  The fact that he or she is terrible is going to take center stage and ruin everything else.

Enter Iron Fist, whose writers clearly do not read my blog.  This post is unnecessary in a whole lot of ways; it took me a while to get through all thirteen episodes– mostly because, again, the show’s awful– and everyone who binged it right away has already weighed in on how bad it is.  They’re all right.  But maybe there’s someone out there who isn’t attuned to the geek press all that much, but reads me for some reason.  Someone who might be saved.

Please don’t watch this show.

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And this doofy shit is the main reason why.  Now, let’s be clear about a few things:  there was a lot of fooferal when the show hadn’t quite come out yet about the fact that Marvel cast a white guy as Iron Fist instead of racebending the character and casting an Asian person instead.  I am sympathetic to those concerns, to say the least.  But even if you’re going to cast a white guy as Iron Fist, because the comic book character is white, Finn Jones is just about the worst possible choice to play the role.  He is awful; awful in every way, he is written to be awful, and the man himself does nothing to corral or channel(*) his character’s intrinsic awfulness.  There is nothing Finn Jones does in this show at any point that is convincing.  He cannot do kung fu, he cannot emote beyond an infantile shaking rage, he absolutely cannot spout anything even vaguely resembling Buddhist philosophy (and I choose the word “resembling” quite deliberately) without sounding like a hipster doofus, and he never once comes off as heroic.  Iron Fist is a sulky hipster doofus with PTSD and all the emotional stability of a ten-year-old.  He is awful.

So is every other white man on the show, by the way.  The show can’t have anyone keep a personality or a set of motivations straight for more than an episode at a time, and there are never ever ever any consequences for anyone’s actions, to the point where there are giant holes blown in one character’s dojo’s ceiling at one point so that machine-gun ninjas can drop through (don’t ask) and those giant holes and broken windows and such are never mentioned again.  Characters display magical powers in one episode and then forget they have them.  Characters are killed, thrown into fish tanks in someone’s home, then never mentioned again.

You could cut every white male character completely out of the show and nothing of any significance would change, at all.  They are, all of them, awful.

Let’s talk about these three:
tmg-article_default_mobileMadame_Gao.jpgI’m having a hell of a time getting the HTML to cooperate, so forgive me, but these three are the only thing that makes the show even vaguely watchable.  Jessica Henwick, who plays Colleen Wing, should have been playing Dani Rand.  Or, alternatively, you could grab this drunken-master badass here– his name is Lewis Tan and he actually auditioned for the park– and have him play Danny Rand.  Between the two of them they are responsible for 100% of the interesting fight scenes in the show.  Every single one.  They are also both maxresdefault.jpgbetter actors than Finn Jones. Wai Ching Ho also returns as Madame Gao, and she’s amazing for every second she’s on screen even if her character’s motivations (and abilities) are more than a little bit of a mess.  The fact that the show had these three people in it and more or less ignored them so that Jones could whine about how tough it is to be white and immensely wealthy and oh also one of the best martial artists in the world but MY PARENTS ARE DEAAADD!!!!
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It’s terrible.  But I think I said that.  I think the only thing that could redeem it is if I watched it again, liveblogged every episode, and then turned it into a chapbook to sell on Amazon and made a million dollars.

(*) So, Iron Fist’s powers come from channeling the power of his “chi” into his fist, making it Like Unto a Thing of Iron, as the comic books used to say all the time and the TV show never does.  TV Danny can’t do that.  I have quite a few Iron Fist comic books, and even more where Iron Fist isn’t the main character but shows up, and I swear to you that Finn Jones does more wanking about his chi in this thirteen hours of show than Iron Fist has done in his entire forty-year history as a comic book character previous to the show coming up.  Comic book Danny Rand’s powers just work, basically whenever he wants them to.  TV Danny Rand’s chi must be balanced, charged, recharged, harnessed, centered, purified, unblocked, hell, every verb in the English language gets applied to Danny’s chi at some point or another; I’m surprised he never has to Smurf the fucking thing.  And hearing him talk about it never stops being ridiculous.  Mostly his powers just don’t work, and mostly his powers don’t work because, in one way or another, he’s an embarrassment to his order and to his job.  He’s the worst Iron Fist ever.  Really.

I hated this damn show.