An experiment

So.  Uh.  The first day of school was today, and Open House and the first teacher day were yesterday, and Aretha fucking Franklin died today, and all of those things are sort of rattling around in my head and clamoring for my attention and demanding to be blogged about, and those are probably coming, don’t get me wrong, but instead?  This:

Every so often I get asked about whether I’ve got my books available on audio, and I have to say no.  And that’s always sort of stuck in my craw, and a couple of times I’ve tried to get auditions at Audible and not really gotten anywhere– I got a few submissions for Benevolence Archives, Vol. 1 when I tried it the first time, and I think I was probably being a bit too picky about the voice, and at any rate right now I have no one knocking down my door to record my books for me.

But I’ve got this professional-quality microphone right here on my desk, not being used often enough for the money I spent for it, and so screw it, I recorded one of the stories from Balremesh and other stories myself, and I don’t know a thing about audio or audiobooks so maybe you give this a listen and let me know if it sucks or not?  Be as brutal as you like; I’ve got no ego about it.  If I suck, I’d like to be stopped from doing it again.  🙂

(One thing, tho: there is going to be a volume difference between the introduction and the actual story.  I didn’t necessarily put it there on purpose, but once I realized it was there I left it in because I wasn’t sure if people would prefer one recording level over another and I figured that might be useful data.  So if you have a preference, or if one is way too loud or way too quiet, let me know.)

ALSO:  If you were one of my Patrons, you’d have had access to this for a couple of weeks now!  Wanna join the coolest group of Patrons on the planet?  You can, for just a buck a month!

On Patreon

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BEFORE WE GET STARTED: I’m taking a shot at Audible and audiobooks again at the moment; Skylights is currently open for auditions over there.  Are you an audiobook narrator?  Do you want to share revenue 50/50 with me on audio?  Go audition!

I got asked in comments a few days ago if I’d ever considered launching a Patreon.  And the answer is yeah, I have, and until really recently all such considerations were brief and unsystematic at best. I’ve been thinking about the idea a little harder lately and …

… well, I’m probably still not doing a Patreon, but I’m thinking about it a little bit harder.

Here’s the thing, right?  My books sell for crap.  It is true that there are a lot of other books out there that sell even worse than mine, but they sell for crap.  Balremesh and other stories and Tales: The Benevolence Archives, Vol. 3 have been out for months and probably haven’t sold fifty copies yet between the two of them.  A month with a half-dozen digital sales is a good month.  I do okay when I’m selling physical copies to people who are right in front of me, but the fact is the books aren’t moving online.

Well, okay, you say, but there are people who have bought all of those books and don’t have any more to buy right now.  Maybe they might like to have a way to support you in the meantime?

Well, okay.  First, being completely honest (none of this is to elicit sympathy,) I’m not convinced there are all that many of those people, and a lot of them are relatives, and a good chunk of those who aren’t are not, shall we say, Patreon’s typical demographic.

The other problem, of course, is what I can do for my Patrons, were I to actually acquire any.  To wit: in case it’s not clear, I write fiction sporadically at best, and I write slow.  I’m working on a short story right now for an open submissions window that is going to close for good in two weeks.  I have been working on that five thousand word story, a story that essentially sprung into my head fully written from the moment I had the idea, for something like six weeks.  I might get another 400-500 words of it written today.  I might not.  And I know which way I’d bet, were I betting.  It’s an open question as to whether I’ll get it done in time.  I have two more weeks for three thousand words more.

Most authors I’m aware of don’t use a monthly auto-pay model, they use a send me money when I create something and then you can have it sort of model.  But I sell entire books online for a damn dollar; are there people who will send me a dollar every time I send them a 5000 word short story?  Okay, what if it was a 500 word microfiction?  What if it was shorter than that?  How many of those might I be able to crank out in a month?

So, yeah, let’s try an experiment: Would you be willing to support me, at whatever minimal level you want, were I to create a Patreon?  What sorts of reward tiers might be interesting?

I mean, if I don’t get any comments here, before I’ve even created the thing, it sort of answers my question, right?

More on audiobooks

UnknownI have The Benevolence Archives, Vol. 1 set up for auditions on Audible, if anyone out there fancies themselves a narrator.  I’ve actually already received one audition for it, which surprised me. The guy had a wonderful voice, but his timing didn’t feel right for this book.  I could listen to dude read nonfiction all day, though.

I will probably have all three books up by the end of the week, because it looks like it’s possible to do them as a straight revenue share– in other words, I wrote the thing, someone else records it, and we split the royalties when the audiobook sells.  Right now I think I’d prefer to do it that way than “buy” a narrator– after all, I don’t make any money off my books if they don’t sell either.  (If you’re a narrator, and that bothers you, let me know, because I haven’t really thought through the ethics of this.  Each of us getting a cut of the royalties seems fair to me, though.)

A reasonably serious question

Where are y’all at on audiobooks?  Do you listen to them frequently?  More or less than regular books?  If any of my work existed as an audiobook, would that make you more likely to purchase it?

Indie authors, do any of you have audio versions of your books?  How did you create them?  Was it worth it?

I am not an audiobook person.  But I also like new markets.  Trying to figure out how many of y’all are into these things.