In which I saw SEE

So it turns out that if you buy an iPhone nowadays you get a free year’s subscription to Apple TV+, a service I’m not fully certain that I knew existed until discovering that I had a free year’s subscription to it. And it also turns out that if your brother and sister-in-law are spending the night at your house and the boy has been put to bed and you stare at each other long enough, you’ll end up watching that new Jason Momoa show that all of you have vaguely heard of but nobody really knows anything about. Because Jason Momoa is really, really pretty, and it doesn’t matter much what he’s actually in so long as you get to look at him while he’s in it.

(Jason Momoa is one of a very small number of exceptions to my otherwise lifelong heterosexuality. He’s my goddamn imaginary boyfriend and I dare any of you to make a thing out of it.)

Here are some good things about See, which has had four episodes released, and which I have watched two episodes of:

  • It is well-acted. Not only is Jason Momoa in it, but another main character is played by Alfre Woodard, who I would watch reading a phone book. All of the characters are compelling and interesting.
  • It is absolutely god damned gorgeous to watch. Lay aside my Momoasexuality; I don’t know where this show is filmed, but I want to live there, and the people who designed the sets and found the locations deserve whatever the highest awards in their fields are, preferably more than once. This is one of the most beautifully-shot TV series I’ve ever seen, and I don’t know what the budget is for it but I suspect it’s an awful lot.
  • It is well-directed across the board and when it wants to be it is wonderfully spooky. A character called the Shadow is introduced in the second episode and the way the Shadow moves and is filmed is a fucking masterclass in creating suspense out of basically nothing at all; she literally just walks around or stands in a corner and she’s the creepiest damn thing I’ve ever seen.

Here is the less good thing about See:

  • It may have the single most ludicrous premise of any entertainment product I’ve ever encountered, and I am the person whose review of Snowpiercer is literally the number one result on the Internet when you search for the words “Snowpiercer stupid” on Google. It is bone-shakingly, astonishingly, unbelievably, paralyzingly dumb on a huge number of levels, and the fact that it manages to be compelling enough that I’m probably going to watch at least another episode or two is a fucking miracle and a testament to the three items above.

Here’s the premise of the program, which is a distant future post-apocalyptic fantasy show: a virus wiped out all but two million people and blinded literally everyone who was left. All future descendants of those people were also born blind. Now, “centuries” (it doesn’t say how many) later, one man has been born with sight and impregnated a woman with twins, and the twins have also been born able to see.

The show is far enough in the future that there are no remnants of human society left– everything is broad expanses of wilderness, with no ruined buildings or rusted cars or anything like that, although we have seen one (1) pile of tires and there appear to be enough plastic water bottles left that a guy is able to make a point of using three a day to send messages down a river in a scheme that is so stupid that I refuse to describe it here. There is a dam left that appears to provide a small amount of hydroelectric power to the people who live near it, and there is at least one working record player and one copy of Lou Reed’s Perfect Day available on vinyl so that a lady can masturbate to it while she prays.

Yeah, that’s what I said. This woman is supposedly a queen and she “has to pray” twice in two episodes and both of them involve orgasms and one of them is juuuuust a little rapey. Where the show is not stupid it is absolutely batshit nuts. This is one of those places.

It is far enough in the future that the very concept of vision has been reduced to a heretical idea that nobody really believes in any longer, but clothes are still dyed and one weird religious thing features everybody in matching black robes and jesus my worldbuilding questions about clothing alone could take up another thousand words. Needless to say, while I’ve only watched two hours of programming and there is plenty of time to get deeper into worldbuilding later, these folks have no manufacturing, no agriculture, they cannot hunt because no one on Earth can convince me that a society of blind people can capture enough meat to stay alive, and their technology level appears to be firmly set right around Hollywood Viking, except with guide ropes stretched everywhere.

(Writing has evolved into a sort of Aztec quipu thing, with lots of knotted ropes that people “read” with their fingers, and the big religious ritual scene has huge knotted ropes hanging from the wall, which is a cool way to approach scripture, but there are no children anywhere other than the two infants, which makes me wonder about how education works.)

There is a big battle scene between Jason Momoa’s village and the “Witchfinders,” who introduce all sorts of questions on their own, and it’s fascinatingly shot but if you’re already wondering how you tell who is on your side when you’re at war and everyone is blind, you shouldn’t expect great things in the answer. There are also occasional little hints about some characters having what boil down to supernatural senses of hearing and smell, and possibly a touch of magic scattered here and there, but they haven’t gotten into that much.

Oh, and Jason Momoa kills a bear. Just before he kills the bear he is carrying two babies around with him on a tray. That’s not a joke or an exaggeration. He drops the tray when the bear attacks him, but the babies are still on the tray when he finds them again after the bear gets killed.

So, like, if you happen to have Apple TV+, which I suspect not many of you do, I think you should watch this, because I want to have some people I can talk to about it, but get a beer and some popcorn first and be prepared to mock the hell out of it when you’re not in awe at the scenery or the direction. I’m committed to watching the four episodes that are out now, and we’ll see how long I stick to it once episodes are weekly.

On the new newness

After several years where I was reliably getting a new phone every single year and basically coming to terms with the fact that I’d become That Guy, I waited three full cellphone generations– from the iPhone 7+ I’ve been carrying around forever to today– to upgrade my phone, and finally caved and came home with an iPhone 11 Pro Max in the Midnight Green color. I told myself I was going to wait until I could walk into the store and walk out with a phone, and that happened today. What ended up getting me to jump was the massive improvement in the cameras– I’m super psyched about getting to play with the new triple-camera setup, and the damn phone is gorgeous, to the point where for the first time I’m getting a clear case. It’s currently in my bedroom transferring all of my settings and apps and photos from the original phone, a process that was originally projected to take two hours, then 24 minutes, so I figured I had time to come out into the living room and write a blog post before going back and checking on it.

This was a long and interesting week; I was out of my classroom for two days at that rarest of beasts, a really interesting professional development opportunity, and I had parent-teacher conferences Wednesday night, which was the busiest I’ve ever been at PTCs– I had a line out my door for two hours and fifteen minutes– and then I had a parent-teacher conference for my own son on Thursday. Today most the kids actually had a recess as a little reward for surviving the first quarter, and a dozen or so of them organized an honest-to-God, flag-waving-and-chanting impromptu gay pride parade (!!!) on the soccer field. This is the first year of my career where I’ve had more than one or two kids who were conspicuously and un-selfconsciously out of the closet– there are a lot of 8th graders in my building who are somewhere on the QUILTBAG spectrum and don’t seem to give a damn who knows it.

A genuine oddity: they exist alongside the rather large contingent of more typical 8th-grade straight boys who enjoy nothing more than ceaselessly calling each other gay, and yet I have never once— and I’m watching, God damn it– seen any anti-gay bullying of any of the actual gay kids, and there are at least two boys in the 8th grade who are gay at twenty feet, if you know what I mean. I’ve never seen anyone call either of them names, even the kids who are quickest to toss “gay” at any of their straight friends.

So there may be several posts this weekend, is what I’m getting at, depending on whether I decide I want to talk about these things more. The training, at least, will probably get a post tomorrow or Sunday.

In which something works the way it’s supposed to

My biggest sin as an educator– other than my cynicism, anxiety, various and sundry mental issues, and recent conviction that society will not be around long enough for an education to actually help any of my current students in any meaningful way– is that I am terrible at parent contact. I’m good at email, but a lot of my parents don’t use email and it can be difficult to collect email addresses that work via any method other than brute force. I despise calling parents on the phone to complain to them about their kids. Absolutely hate it, and I’ll do anything to avoid doing it– including just continuing to put up with shitty behavior when it’s possible that calling home might actually help. Does it always? Of course not, and unfortunately the kids with the most issues most frequently come with parents who aren’t going to help me out. Not always, but frequently.

Yesterday was rough as hell. Everybody in the building was in a bad damn mood all day, and every single one of my classes was substantially more poorly-behaved than usual. I sent more kids to the office yesterday alone than I have for the entire first, what, four weeks of the year combined, including three from my seventh hour class, which is far and away my roughest group, to the point where the other five barely even register in comparison.

My principal emailed me and asked me– ha, asked, he says– to contact the parents of the three and let them know what had happened. Which I dutifully did, hating every second of it, but for two of the three I had a decent conversation with a parent and the third I left a detailed message.

Today was a better day across the board, and there was a notable improvement in behavior from all three of yesterday’s miscreants. And I should point out, to be fair, that two of the three are rarely problems, and in fact those two often help to rein in the third, who is more prone to having issues. They just didn’t yesterday, and each of them being dismissed from the room one at a time did not help things. But, point is: today all three gave me no trouble at all. So not only did the two parents I spoke to talk to their kids in a meaningful way, but apparently so did the third, based only on the voicemail message.

I pulled them aside at the end of the day and gave them the option of a second phone call today, one passing on that today featured good behavior, and all three of the boys seemed pretty excited by the idea and said I should do it. Which meant that I got the exquisite and fairly rare pleasure of calling three parents in a row– because this time the voicemail parent answered the phone– and savoring that first moment where they’re pissed off because if I’ve called two days in a row it must be because somebody fucked up and then giving them good news instead.

It’s not something I get to do often, but I enjoy it quite a lot when I do.

In which I recommend something problematic: on THE BOYS

Trigger warning. For, like, everything. If you’re the type of person who has been helped by a trigger warning in the past, don’t bother reading this post and avoid this show like the plague.

Let’s get some stuff out of the way right away about the first season of The Boys, the Amazon Prime adaptation of the Garth Ennis and Darick Robertson “What if superheroes were all fucked-up assholes?” comic series of the same name:

  • Not one but two male characters’ prime motivation is to avenge the death of, respectively, a girlfriend and a wife. The girlfriend is fridged within fifteen minutes or so of the start of the first episode.
  • While the lone female member of the “good guys,” such as they are, is never actually referred to as The Female as she is in the comics, she never talks.
  • This is an insanely graphically violent show; at one point an infant is used as a weapon. Multiple people are murdered with– not by— a baby. That is not a joke. That’s a thing that happens.
  • While it doesn’t happen on screen, and in fact it’s toned down from what happens in the comics (“toned down from the comics” is a recurring theme) the main female character is raped in her first episode.

There is, in other words, a lot of lazy, sexist writing in this program, particularly in the initial episode. And I would not for a second get on the case of anyone who looked at those four bullet points and went “Nope, not for me.” Honestly, had I not been familiar with the comic series from when it came out, I probably wouldn’t have made it past the first episode either. But I was curious about how they were going to adapt the series (12 graphic novels, so not at all a small amount of source material) to television.

And here’s the thing: all of the stuff in those bullet points is in the comics, and in general this is a pretty loose adaptation of the source material. All of the decisions that the television producers made– every change that they introduced– kind of blunt the bullshitty edges of what happened in the comics. They certainly don’t turn away from how over the top The Boys was, but this isn’t Game of Thrones, where they took a series with a bunch of sexism and rape and decided the best thing to do with it was to add more sexism and rape. And the show is independent enough from the comics that by the end of the first season I have no idea where they’re planning on going with it next season. That, for me, is always a win for an adaptation.

Here’s some more good news: the acting, across the board, is absolutely phenomenal, and one of the cool things about having a show where damn near every character is a deranged mess of a human being is that it gives every actor something to really dig into with their character. Karl Urban’s Billy Butcher and Antony Starr as the Homelander are particular standouts– I don’t know what sorts of acting awards someone on this program might be eligible for, but Starr in particular needs to be up for something for this role. Chace Crawford’s portrayal of The Deep is also worth mentioning– although, as the rapist mentioned above, the fact that he sort of gets a redemption arc, or is at least eventually portrayed as a sympathetic character complete with his own sexual assault, is also … skeevy.

And the thing is, everybody is fucked up in this show. All of them. There are no characters without some damage to them in The Boys, and there are no underwritten roles, either– even The Character Previously Known As The Female has some interesting moments, and watching the cast inhabit this world is tremendously compelling– and that, to me, is more than enough to make overlooking the more troublesome and lazy aspects of the show and its premise possible. Plus, again for me personally, I first read these books when they came out in 2006 and so nothing about the problematic aspects of the story is new. Which, I think, might make me a bit more likely to look past them than some other people.

Your mileage, obviously, may vary. And with Amazon Prime at $99 a year I’m not about to tell you to subscribe in order to watch this. But if you already were, and you were on the fence about the show? Definitely give it a couple of episodes and see if it grabs you.

On my other kid

Pictured: not my kid, my kid

I just dug through a month’s worth of posts from five years ago to determine that, probably because she was a minor at the time and isn’t actually my kid, I didn’t mention that a former student stayed in my house overnight before the last Washington D.C. trip I chaperoned way back in the day. Technically she probably shouldn’t have been on the trip, but she’d signed up before moving to Arizona and I literally had her mom assign me temporary legal custody of her and just didn’t tell anybody about it.

I took a picture of her sitting on my couch, and I remember posting it to Facebook with a caption something along the lines of “Why is this in my house?,” which entertained a number of her other teachers who I was friends with at the time.

She is 19 now, and is back in town again, and I picked her up at the airport last night, and she’ll probably be here tonight too before spending the rest of the week with other family and friends. And last night, as we were driving back from the airport, she got a text message from one of her friends directing us to visit her at her job at Arby’s. The friend is also a former student.

So were two other employees at that Arby’s, including another kid who had been on that same DC trip. All four of them were in the same class, which was hands-down the best group of kids I ever had. And I had them twice, first in 6th grade and then when they were 8th graders. So it happened that I, a grown man less than a month from his 43rd birthday, found myself in an Arby’s at 10:15 on a Friday night, after the lobby had closed, at least nominally hanging out with four nineteen-year-olds, three of whom were at least technically at work (and one the manager) and none of whom seemed to think it was remotely weird that 1) I was there in the first place or 2) I was the person who had been assigned the duty of picking this kid up at the airport, a job that one might think would have gone to, like, actual family, but we all have our priorities where they should be apparently.

And I spent about twenty minutes bouncing back and forth between this is at least a little creepy and hey, Hacienda is right across the street, do you guys want to go over there for a while after you get off work? Because age difference or not this really was a great group of kids and it turns out they have not gotten less interesting as they’ve aged into young adulthood.

And I’m just gonna leave that thought there, because I’m not sure I have anything else to add to it, but yeah: last night was kind of surreal.

(About the picture: the boy didn’t remember her from her last visit, which wasn’t surprising, but as soon as he discovered she was wearing Psyduck socks she became his favorite person ever.)

On explaining gay people to your presumably straight kids

This just happened.

THE SCENE: We are watching the final episode of Season 2 of She-Ra. It is revealed that a character (no spoilers) has two dads.

THE BOY: Two dads?

MY WIFE: Yep.

ME: It happens.

THE BOY: Oh, okay.

End scene.

Creepy Children’s Programming Reviews: #SHERA AND THE PRINCESSES OF POWER

Y’all.

I had He-Man toys as a kid.  I grew up in the eighties; it was inevitable.  I didn’t really pay a hell of a lot of attention to She-Ra because … well, I was a boy.  And She-Ra was for girls.  I also watched the He-Man cartoon, and I have very detailed memories of being very angry with WGN because at some point or another they chose to commit the cardinal sin of pre-empting an episode of He-Man with a Cubs game.  

I don’t think I ever watched the She-Ra cartoon.  I remember that she said “For the honor of Greyskull” instead of “By the power of Greyskull,” but I think that’s cultural osmosis and not an actual memory.  I could not have told you the names of a single member of her supporting cast prior to this week.

Honestly, I only decided to watch the show because it seemed to be pissing off a bunch of whiny manbaby manchildren, and I like it when those people’s feelings are hurt.  If that makes me a bad person, I can live with it.  

I probably shouldn’t even make this part of the CCPR series, y’all, because I loved every second of this show.  The three of us watched the first two episodes together and we had to force our son to go to bed at his bedtime because he wanted to stay up and watch more.  We watched the other eleven episodes in two big gulps over the next couple of days.  This is absolutely 100% unequivocally the best show I’ve ever done one of these pieces on, and I’m only not calling it my favorite animated series of all time because I feel like the second I hit Publish on this piece I’ll remember what my favorite animated series really is and I’ll feel dumb.

I’m not gonna lie: a large portion of my affection for this show is somewhat political.  I love what this show is as much as how it is what it is.  But before I get into that, I want to be super clear about something: the show is hilarious and touching and action-packed and the voice acting is superb and even before we get into any of the representation issues it’s a great show.  My son loved it so much that he’s created his own characters inspired by the show and he’s been drawing comic books about them and creating statues of them in Minecraft all day.  My son does not love the show because of politics.  My son loves the show because it’s awesome.

To wit: when She-Ra first turns Swift Wind, her horse, into a … pegacorn?  Unisus?  Rainbow horned wing-beast thing, the horse’s reaction to its new wings and horn had all three of us laughing so hard we could barely breathe.  Sea Hawk’s insistence on setting his ships on fire was a running joke that never got any less funny.  The relationship between She-Ra and Catra– an invention of the new series, from my understanding– is complex and heartbreaking, especially for a show where friendship is such an important theme, and it feels real.  Adora’s fish-out-of-water reaction to … well, virtually everything after leaving the Horde is great.  I love even the minor characters, with Mermista, Entrapta and Scorpia being particular favorites. The animation style, which got a lot of unnecessary abuse, is exactly appropriate for the show, and the facial expressions are worthy of The Amazing World of Gumball.  It’s phenomenal, all the way through.

But yeah.  Let’s talk about the cast.  This is what She-Ra’s cast of characters used to look like:

I mean, the two on the outside are both purple…

This is what the cast of the new show looks like:

So straight off the jump we’re in a better place here.  The cast of She-Ra and the Princesses of Power is deliberately and intentionally diverse, both in the appearances of the characters and the actual voice cast.  Glimmer is actually kinda chubby, and Spinnerella is flat-out fat,and it’s never once remarked upon by any of the characters.  That’s just what they look like.  It’s heavy on women characters, as a show with the words Princesses of Power might be expected to be, but it’s not just a palette swap with typical cartoons, where the women have less agency and less characterization.  Bow may be the only male of the three principals with Adora and Glimmer, but he’s a solid character on his own right and his relationship with Sea Hawk is hilarious.

(A moment, please, to just appreciate the He-Man style of naming characters.  This show features a sorceress character called Castaspella, mercifully called “Casta” most of the time, and a character who throws nets whose name is Netossa.  And in case “Netossa” is too subtle for you, she actually explains it onscreen.  The character named Perfuma is once represented by some random object while the group is making a plan and she insists on being represented by a perfume bottle.  The names are ridiculous.)

And, oh, guys, it’s so gay.  So very very very very very very very gay.

This show is so gay it makes Queer Eye look like 19 Kids and Counting.

Bow wears a midriff with a heart on it.  At one point he needs to wear a tuxedo for a ball.  His tuxedo has a cummerbund on it.  He tears off the cummerbund so he can continue to rock his abs in his formalwear at the ball.  Which he attends with a girl, but oh my God his reaction when he realizes Sea Hawk is there.

The bad guys are literally wiped away by a giant rainbow wave of love in the final episode.

Spoiler alert, I guess.  I mean, if you didn’t know the good guys win at the end of the season.  You probably coulda guessed.  

Oh, and the goddamn horse ends up being a socialist.

You need to watch this show.  If that means you need to get Netflix, do it.  It’s great.  I can’t wait for the second season.  Neither can my seven-year-old son.  If my recommendation doesn’t work for you, take his.

Creepy Children’s Programming Reviews: THE DAY MY BUTT WENT PSYCHO

TheDayMyButtWentPsychoProfile.jpg

So the boy has figured out how to use the Netflix app on his (my) iPad, meaning that he no longer really watches “TV” in the classic sense, ie, on an actual television.  He’s also become a bit less likely to get religion about a show for weeks at a time.  The New Hotness might last only a few days now before he moves onto something else.  Also, because he’s watching on a personal device, what he’s watching requires a bit more direct monitoring than the TV, which gets shoved into my brain if I’m in the room whether I want to or not.

A couple of weeks ago I’m sitting in my recliner, probably reading or something, and he’s on the couch watching some damn thing on the iPad.  After a few minutes, I realize that the word butt has floated into my earballs just a bit more than random chance might otherwise suggest, and I start paying attention.   And the word butt continues to fly from the iPad.

“Boy, what the hell are you watching?”

“The Day my Butt went Psycho,” he says.

“What’s it really called?” I say.

This confuses him.  At any rate, he’s telling the truth, and The Day My Butt Went Psycho is an actual fucking show, made by Canadians and Australians, no less, two peoples who I thought had more sense than this, and based on an actual book.  Although it doesn’t appear to be actually about a particular day, or anyone’s particular butt going psycho.  No, this show’s actually the weirdest post-apocalyptic fantasy in television history:

Butts!  Always one step behind.  Years ago, butts rose up to overthrow humanity.  People fought back!  And now an uneasy peace remains, as the world waits for the next great buttfighter!

Here, there, everywhere, 
Butts are loose but we don’t care
I’m teaming up with my butt
Cheek for cheek, an awesome pair
We’ve got the same DNA
Kicking butt in every waaaaay
Zach and Deuce forever!

I…

I have so many questions.  How many years ago did this happen?  Decades?  Just a couple of years?  Has Zach’s butt Deuce always been detatched, or as the show implies, did it happen when he was a teenager?  Are children born with their butts detatched?  Can butts reproduce on their own without human assistance?  Do butts automatically match their humans in gender?  How the hell does pooping and digestion in general work now? Do butts need to eat?

What the merry fuck is buttfighting?  Why is the world waiting for a buttfighter, and how will a buttfighter help with the “uneasy peace” between people and butts?  Zach and Deuce are best friends; are they unusual in this respect?  Do most people not get along with their butts?  How does that work?  What happens to the people whose butts were killed during the Great Butt Uprising?  What happens to the butts whose people were killed during the Great Butt Uprising?  Have animals also lost their butts?  What about other living things who possess a digestive system and a means of excretion but do not, precisely speaking, have what we would call a “butt”?

What exactly is a butt, anyway?

I need to know the answers to these questions.  But without, like, watching the show or anything, because I just cannot handle this number of butt-related puns, with episodes like Butt I’m a Cheerleader and Jurassic Fart and Game of Porcelain Thrones and My God Just Kill Me and maybe I made up that last one.

This show is not telling the stories I want to hear.  I need worldbuilding here, people!  Exposition!  When are the prequels coming out?  I must know about the uprising.

God help me.

God help us all.