I bought 59 albums in 2025, way off of last year’s pace, which was admittedly kind of insane. Here’s the list, and then I’ll talk specifically about a few of them. This isn’t a “best of” list by any means, just some albums I find interesting.

And yes, “bought” is the right word, as I generally don’t stream music. I played around with Spotify for a bit this year and then cancelled it when they started showing ads for ICE, and I currently have a Tidal account that I’m not really using.

Let’s start with the band of the year, an award that isn’t even meaningful enough to be rendered in capital letters and which I spent no time thinking about prior to writing this sentence:

In the absence of a new Pearl Jam album this year (and I got one last year, so I can’t complain) a new Counting Crows album is about the best thing I could have asked for– and I not only got that, I got a tour, which I had tickets to. I saw two concerts this year, both in the same venue in Indianapolis; Weird Al was the other one. The Crows have still absolutely got it. There are other bands from my era that are still making music and touring, but … not all of them should be, if you know what I mean, and I think you do.

I’m only picking Problematic because the cover has his face on it, but Norman Sann was absolutely my big discovery in hiphop this year. Dude is phenomenally talented and he’s also a huge geek without really letting it take over his music– like, he’ll drop a reference to Baraka from Mortal Kombat into the middle of a verse, but Nerd Rap is a genre all to itself and this, I think, is not that. I picked up five full-length albums by this guy this year and I very much am impatiently anticipating more.

(Goes and looks, discovers a sixth album came out in September!)

So make that an even 60 for the year, then.

The Sinners soundtrack sparked a sudden and fairly intense interest in streaming Irish rage music, which has cooled a bit, but I’d never really listened to the Dropkick Murphys before this year and I should have started before now. For the People, their latest release, and The Warrior’s Code from 2005 got the most plays. I’ll pick up the rest of their catalog sooner or later but haven’t done it just yet.

I think this is the second time Olivia Rodrigo has shown up on one of these things. I still have issues with how the adults around her handled her first album, but she’s an adult now and she dropped a live album on us late in the year. Live pop isn’t completely my thing– I will never get completely used to the idea of singing over your own voice as a backup track– but there’s a ton of energy in this recording and Robert Smith randomly showing up for a couple of duets in front of a very young crowd who appears to have no idea who the hell he is is a nice touch.

Finally, I just picked up the deluxe edition of Mad Season’s Above last week, and it’s long enough that I haven’t even listened to the whole thing yet, but it’s a Goddamned crime that I had never heard of this album until recently. Do you know who Mad Season is? They released one album– this one– in 1995. They’re a supergroup: Layne Staley from Alice In Chains, Mike McCready from Pearl Jam, Barrett Martin from Screaming Trees on drums, and John Baker Saunders from The Walkabouts. The album is fifteen meaty tracks (the shortest is 4:11, and two are over seven minutes) and one of the very few concerts they did. I’m just now starting to listen to the concert. It’s a remarkable fucking project and I’m pissed that I didn’t completely internalize it in 1995 when I should have.

What did you listen to this year?