It hit us sometime this week that we hadn’t even considered the idea that our son might want to join us at the Pearl Jam Dark Matter Theatrical Experience. He didn’t, and he wouldn’t have enjoyed it, but it got me briefly looking at tickets again, which entertained me greatly. Our showing, the sole one available when the email went out from Ten Club in the first place, was nearly sold out, with only a few stray seats available. Ironically, one of them ended up being next to us, so the boy would have had a place to sit while he was simultaneously bored out of his mind and paralyzed by loud.

At some point they’d added a second screening and not told anyone. That one was happening at 8:45 PM, and it had sold about eight seats, which entertained me, as it suggested that a) everyone who wanted seats had bought them for the first show, and b) the vast majority of Pearl Jam fans are roughly my age, their late forties if not older, and had absolutely no interest in going to an 8:45 PM anything on a goddamned Tuesday.

I didn’t take the picture above– I snagged it from Reddit– but it gives you a pretty good idea of how the thing went. I am provisionally very happy with the album, more than I thought I’d be, and as a music lover the notion of sitting in the dark in a theater with a good sound system (critical, it turns out, and apparently some of the theaters weren’t well-chosen, but ours was fine) and listening to a new album by a band I love for the first time is pretty Goddamned appealing.

Unfortunately, the second listen, the one with the “mesmerizing visuals,” was a little half-assed. They put the lyrics on the screen, which was nice, as if you know PJ you’re already aware of how close to impossible Eddie can be to decipher on an early listen, but the visuals themselves basically amounted to a different high-res, movie-screen-sized screen saver for each song. They weren’t particularly thematically linked and they weren’t, like, in time with the music or reacting to it or anything. And for some reason the lyrics weren’t there for half of one of the later songs, for no clear reason. This appears to have been the print and not somehow the result of our theater, as there were other gripes about it on Reddit.

The point was the music, though, and again, I’m a big fan of the album. I’ll talk about it more once I’ve had a chance to listen to it at home– and, while I’m griping, it wouldn’t have killed them to put the name of the damn song up in the corner of the screen during the second listen, either– but it’s solid, and possibly their best work since Avocado. We’ll see.