GOD DAMMIT RUSSIA

From the “mad bastards out of their damn minds” files. Don’t click unless you… hell, just don’t click.

Saturday blogwanking and math nerdery

Screen Shot 2014-03-22 at 11.44.09 AMWARNING: In case it wasn’t obvious from the headline, this post is going to be mostly inside baseball and nonsense.  I know there are a few people who will still read it because you’ve posted similar things lately, but oh who am I kidding EVERYONE READ MY NERDY BLOG MATH POST RIGHT NOW.

Ahem.

I’ve cut back pretty substantially on care and feeding of the blog for the last week or two, and even more so since Tuesday when my wife had her foot surgery and I became responsible for All the Things around the house.  (Note: Not complaining.  I’m about to leave her one-legged and alone with the boy for four days while I ponce off to DC for a while.  Merely stating facts.)  A couple of my more regular blogbuddies have posted recently about traffic trends and other things like that on their sites and it got me interested in pulling together something similar for mine.

So.  Some facts:

  • The blog was born on June 4th of last year.  I’ve been blogging since 2004 with varying degrees of regularity but was mostly living over at Xanga (pours out liquor) before moving over here.
  • I currently have approximately(*) 2,364 Followers.
  • The single best day for traffic had either 725 or 708 page views .(**)
  • Until February, which only missed the mark by less than 100 page views, every month has had more traffic than the month before it.  This month will not reach February’s traffic either; I’ll get to why in a bit.
  • Excluding the last couple of weeks, an average day generally reaches around 160 unique visitors and around 450 page views.   Over 500 is not uncommon; I’ve broken 600 three or four times, and 700 only the once.
  • March and February, my two best months, were just short of thirteen thousand page views and around 3200 unique visitors.
  • This will be my 452nd post.  READ THEM ALL, RIGHT NOW.

Until recently, especially since I’ve gotten so busy that just finding time to put up a post has been difficult, I was averaging two or three posts a day (one of which, usually, would be a picture) and was also trying to find some time each day to go look through keywords and read other blogs.  I tend to spread a lot of Likes around; they absolutely help in driving traffic to my website and plus it gives me a chance to find other good bloggers, which is fun.  My theory is that the Likes are what is responsible for a lot of the traffic and certainly the (to me, at least) large number of followers.  Lately I’ve not been posting as much and generally when I have it’s been later in the evening, and so I’ve not gotten nearly as much traffic.  The floor seems to be around 130-140 page views for any day when I actually post; it’s very rarely lower than that.  I seem to have a core readership right now of around eighty people who are going to visit the site every single day no matter what; that said, I don’t think looking at blogs through the site reader functionality on WordPress actually counts as a hit, so it may actually be more than that.

Interesting fact: while pure views and visitors are down, attention to individual posts doesn’t seem to have wavered– I’m still getting around 25 Likes and a handful of comments for everything I post regardless of overall traffic, which tells me that there really are a group of regulars around here.  (Love ya!)

What seems to work:

  • Post every day.  The “sweet spots” for a new post generating a lot of traffic seem to be around noon, around 3 PM, and around 7 at night.  Sometimes early-morning posts will catch a lot of attention too but that seems to be more dependent on the day of the week.
  • Read and comment on other blogs.  LOTS of people seem to like to click through on their Likes to see who left them.  I don’t generally do that unless one of those tiny icons catches my eye but lots of folks do.
  • Occasionally find an excuse to leave a blog link on other high-traffic websites.  I found a reason to link to a post I did as comment #6 on one of John Scalzi’s posts and it brought me hundreds of page views. I try not to do this too often (I figure if he notices, that’s probably bad) but  it works.
  • A wee bit of luck doesn’t hurt.
  • Practically the only reason I still have a Facebook account (and I still haven’t figured out what to do with Luther Siler’s, which you can Like here if you want) is because several of my RL friends use it to click through to blog posts.  I get generally 10-15 clickthroughs a day.  That said, I’m also fairly certain that some of my friends have blocked me (note: I don’t mind) because of the fact that I post almost nothing but links to my blog posts now.

What doesn’t seem to matter:

  • Twitter.  I’ve had three or four retweets of blog links by Twitter accounts with ten thousand or more followers; once by someone with over twenty.  I’ve never had more than five hits from Twitter in a single day.  No one clicks on links on Twitter.  That said, I still like it for other reasons, but it’s not driving meaningful traffic to the blog that I can see.

Anyway.  Does any of that count as interesting or useful?  I hope so.

(*) Why “approximately”?  Because WordPress doesn’t seem to know how to count.  I’m curious to see if other people have noticed this phenomenon– I will get six or seven notifications in a row that someone has followed my blog and that they’re my 2012th follower, or my 2013th, or my 2011th, and then all the sudden a few days later it’ll spend a day or two telling me that people are number 2035 or 2036 or 2037, with no numbers in between.  I know I don’t get notified about every follower but it’s weird that it can’t keep the count straight.  Also odd: nothing I’ve ever done has caused the number to go down.  I feel like at some point someone has to have unsubscribed, right?  Has anyone else noticed this phenomenon?

(**) I swear it was 725 for a month and then it inexplicably dropped to 708.  No idea what happened.

REBLOG: Standardized Tests Tell Nothing

Reblogging this from Curmudgucation, a blog name I wish I’d come up with myself:


Standardized Tests Tell Nothing

Testy stuff experts could discuss all of the following in scholarly type terms, and God bless them for that. But let me try to explain in more ordinary English why standardized tests must fail, have failed, will always fail. There’s one simple truth that the masters of test-driven accountability must wrestle with, and yet fail to even acknowledge:

It is not possible to know what is in another person’s head.

We cannot know, with a perfect degree of certainty, what another person knows. Here’s why.

Knowledge is not a block of amber.

First, what we call knowledge is plastic and elastic.

Last night I could not for the life of me come up with the name of a guy I went to school with. This morning I know it.

Forty years ago, I “knew” Spanish (although probably not well enough to converse with a native speaker). Today I can read a bunch, understand a little, speak barely any.

I know more when I am rested, excited and interested. I know less when I am tired, frustrated, angry or bored. This is also more true by a factor of several hundred if we are talking about any one of my various skill sets.

In short, my “knowledge” is not a block of immutable amber sitting in constant and unvarying form just waiting for someone to whip out their tape measure and measure it. Measuring knowledge is a little more like trying to measure a cloud with a t-square.

We aren’t measuring what we’re measuring.

We cannot literally measure what is going on in a student’s head (at least, not yet). We can only measure how well the student completes certain tasks. The trick– and it is a huge, huge, immensely difficult trick– is to design tasks that could only be completed by somebody with the desired piece of knowledge.

A task is as simple as a multiple choice question or an in-depth paper. Same rules apply. I must design a task that could only be completed by somebody who knows the difference between red and blue. Or I must design a task that could only be completed by somebody who actually read and understood all of The Sun Also Rises.

We get this wrong all the time. All. The. Time. We ask a question to check for understanding in class, but we ask it in such a tone of voice that students with a good ear can tell what the answer is supposed to be. We think we have measured knowledge of the concept. We have actually measured the ability to come up with the correct answer for the question.

All we can ever measure, EVER, is how well the student completed the task.

Performance tasks are complicated as hell.

I have been a jazz trombonist my whole adult life. You could say that I “know”many songs– let’s pick “All of Me.” Can we measure how well I know the song by listening to me perform it?

Let’s see. I’m a trombone guy, so I rarely play the melody, though I probably could. But I’m a jazz guy, so I won’t play it straight. And how I play it will depend on a variety of factors. How are the other guys in the band playing tonight? Do I have a good thing going with the drummer tonight, or are our heads in different places? Is the crowd attentive and responsive? Did I have a good day? Am I rested? Have I played this song a lot lately, or not so much? Have I ever played with this band before– do I know their particular arrangement of the song? Is this a more modern group, because I’m a traditional (dixie) jazz player and if you start getting all Miles on me, I’ll be lost. Is my horn in good shape, or is the slide sticking?

I could go on for another fifty questions, but you get the idea. My performance of a relatively simple task that you intended to use to measure my knowledge of “All of Me” is contingent on a zillion other things above and beyond my knowledge of “All of Me.”

And you know what else? Because I’m a half-decent player, if all those other factors are going my way, I’ll be able to make you think I know the song even if I’ve never heard it before in my life.

If you sit there with a note-by-note rubric of how you think I’m supposed to play the song, or a rubric given to you to use, because even though you’re tone-deaf and rhythm-impaired, with rubric in hand you should be able to make an objective assessment– it’s hopeless. Your attempt to read the song library in my head is a miserable failure. You could have found out just as much by flipping a coin. You need to be knowledgeably yourself– you need to know music, the song, the style, in order to make a judgment about whether I know what I’m doing or not.

You can’t slice up a brain.

Recognizing that performance tasks are complicated and bubble tests aren’t, standardized test seemed designed to rule out as many factors as possible.

In PA, we’re big fans of questions that ask students to define a word based on context alone. For these questions, we provide a selection that uses an obscure meaning of an otherwise familiar word, so that we can test students’ context clue skills by making all other sources of knowledge counter-productive.

Standardized tests are loaded with “trick” questions, which I of course am forbidden to reveal, because part of the artificial nature of these tasks is that they must be handled with no preparation and within a short timespan.But here’s a hypothetical that I think comes close.

We’ll show a small child three pictures (since they are taken from the National Bad Test Clip Art directory, there’s yet another hurdle to get over). We show a picture of a house, a tent and a cave. We ask the child which is a picture of a dirt home. But only the picture of the house has a sign that says, “Home Sweet Home” over the door. Want to guess which picture a six-year-old will pick? We’re going to say the child who picked the cave failed to show understanding of the word “dirt.” I’d say the test writers failed to design an assessment that will tell them whether the child knows the meaning of the word “dirt” or not.

Likewise, reading selections for standardized tests are usually chosen from The Grand Collection of Boring Material That No Live Human Being Would Ever Choose To Read. I can only assume that the reasoning here is that we want to see how well students read when they are not engaged at all. If you’re reading something profoundly boring, then only your reading skills are involved, and no factors related to actual human engagement.

These are performance task strategies that require the student to only use one slice of brain while ignoring all other slices, an approach to problem solving that is used nowhere, ever, by actual real human beings.

False Positives, Too

The smartest students learn to game the system, which invariably means figuring out how to complete the task without worrying about what the task pretends to measure. For instance, for many performance tasks for a reading unit, Sparknotes will provide just as much info as the students need. Do you pull worksheets and unit quizzes from the internet? Then your students know the real task at hand is “Find Mr. Bogswaller’s internet source for answer keys.”

Students learn how to read teachers, how to  divine expectations, what tricks to expect and how to generally beat the system by providing the answers to the test without possessing the knowledge that the test is supposed to test for.

The Mother of all Measure

Tasks, whether bubble tests or complex papers, may assess for any number of things from students’s cleverness to how well-rested they are. But they almost always test one thing above all others-

Is the student any good at thinking like the person who designed the task?

Our students do Study Island (an internet-based tutorial program) in math classes here. They may or may not learn much math on the island, but they definitely learn to think the same way the program writers think.

When we talk about factors like the colossal cultural bias of the SAT, we’re talking about the fact that the well-off children of college-educated parents have an edge in thinking along the same lines as the well-off college-educated writers of the test.

You can be an idiot, but still be good at following the thoughty paths of People in Charge. You can be enormously knowledgeable and fail miserably at thinking like the person who’s testing you.

And the Father of all Measure 

Do I care to bother? When you try to measure me, do I feel even the slightest urge to co-operate?

Standardized tests are a joke

For all these reasons, standardized tests are a waste of everybody’s time. They cannot measure the things they claim to measure any better than tea leaves or rice thrown on the floor.

People in the testing industry have spent so much time convincing themselves that aspects of human intelligence can be measured (and then using their own measurements of measurement to create self-justifying prophecies) that they’ve lost fact of that simple fact:

You cannot know what’s in another person’s head

What goes on in my head is the last boundary I have that you cannot cross. I can lie to you. I can fake it. I can use one skill to substitute for another (like that kid in class who can barely read but remembers every word you say). Or I may not be up to the task for any number of reasons.

Standardized test fans are like people who measure the circumference of a branch from the end of a tree limb and declare they now have an exact picture of the whole forest. There are many questions I want to ask (in a very loud voice that might somewhat resemble screaming) of testmakers, but the most fundamental one is, “How can you possibly imagine that we are learning anything at all useful from the results of this test?”

Today’s highlights

  • sleepThe boy starting to scream literally the second I got him out of his crib and barely stopping at all until I dropped him off at daycare, at which point he didn’t want me to leave;
  • Because of said tantrumspalooza, being twenty minutes late to work (also had to drop off the wife) despite getting up earlier in anticipation of everything taking longer;
  • Riding the elevator from the wife’s office down to the wrong floor in the parking garage and being briefly, massively confused about where my car had teleported to;
  • First and second hour actually went OK.  Don’t tell anybody, but third and fourth hour is slowly becoming my trouble class.
  • Writing up a thirteen-year-old girl in fourth hour for drawing a reasonably realistic erect penis on a carefully-folded piece of paper and deepthroating it in front of several other kids in that room;
  • Finding out that I’m getting a new kid in said third and fourth hour class on Monday.  He was first referred for psychiatric treatment for his issues with violence when he was… wait for it… three and a half years old.  Oh, joy.
  • Numerous hurried investigations of various instances of massive bus drama during seventh hour;
  • Realizing that I totally forgot about a really important meeting with my assistant principal yesterday, and furthermore hadn’t done a couple of things I was supposed to have done for said meeting;
  • ANOTHER Friday afternoon PAT meeting that was supposed to end at four and I got up and walked out of at 4:30; remind me to never do this again;
  • Being delayed to a rather ridiculous extent in picking the boy up at day care;
  • The first 2/3 of bath time being another crabby toddler cage fight, and once that was done getting to have another fight with him about getting out of the tub after that last, pleasant 1/3;
  • Just now realizing that the two quesadillas I made myself for dinner are seriously not going to be enough and have I mentioned how quickly I can transition from not hungry at all to ragey, weak and trembling since I had my gallbladder out?  Because that is happening right now.
  • Which means that this is very likely all the posting you’re getting today.

One utterly ridiculous thing and one… not.

Furry_Pop__Rudolph_by_CaseyLJonesI’ve been thinking about Christmas carols.

Shut up.

I’ve been thinking about Christmas carols, and I’ve decided that Rudolph the Red-Nosed Reindeer is bullshit.  It’s either the most condescending Christmas carol of all time or it’s even more of an asshole to Rudolph than the other reindeer were.

You know Dasher and Dancer and Prancer and Vixen, Comet and Cupid and Donner and Blitzen…

Why the hell do I know these assholes?  Prancer ain’t never done nothing for nobody.  All Donner did was inspire a bunch of cannibals.  And the less said about that slut Vixen the better.  But, sure, OK, I know the reindeer.

But do you recall the most famous reindeer of all?

What?

Back up here.  We’ve just established that I know all of the asshole reindeer, the ones who never saved Christmas and were all, Damn, it’s foggy, guess those kids just get to cry tomorrow morning then.  How the hell do I know about Blitzen and I don’t know about Rudolph?  What, do you think I’m a moron?  That’s like knowing Pavel Podkolzin’s jersey number and never having heard of Michael Jordan.  Yes I know about Rudolph.

Shit.  It’s like the song’s making fun of you.  Either that or it’s all a giant piss-take on Rudolph and calling him “the most famous reindeer of all” is supposed to make him feel bad or something.  This song is a jerk.


We had a field trip today; took the kids to see Bully, which the corporation is screening for every seventh-grader in the district.  I am not going to go on my normal bullying rant, but I did not like this movie very much.  I would not have thought that the subject of bullying really deserved the fair-and-balanced treatment, but Christ, this thing makes Michael Moore look sober and evenhanded.  They have either staged a large portion of their film or found the worst school district in America to film their documentary in.

Furthermore, they appear to have found the worst school administrator in American history to serve as their whipping child for the “SCHOOLS DON’ DO NOTHIN'” portion of the film.  She is literally unbelievable, as in I do not believe that she is real, or if she is, she is such a victim of editing that I can’t believe she hasn’t killed herself in shame by now.  And one of the five-or-so kids spotlighted in the film is brutalized so thoroughly while the camera is running that my reaction was not to feel sorry for him but to doubt the veracity of the entire film.  You know why?  Motherfuckers act different when cameras are pointing at them.  If you’re a bus driver and you know there is a camera filming a documentary about bullying on your bus, maybe you don’t let eight or nine kids do a dog pile on the kid with the obvious birth defects while you’re driving them home?  There’s no hidden camera nonsense going on here; the cameras are clearly handheld, by a person, and quite obviously pointed directly at this particular student, and everyone’s still beating the shit out of him, all the time, and absolutely no one is doing anything about it.

No.  I don’t buy this, not at all.  I’m sorry.  And if this isn’t staged, then the filmmakers are monsters for not doing anything about it themselves and letting this kid get brutalized so they can make their fucking movie.  Your entire damn movie is about how kids are killing themselves because they’re so viciously bullied that they can’t take life anymore and you’re literally filming it happening because your movie is more important than this kid’s life?

Fuck you.

Two more things, somewhat unrelated:  first, a frustrating thing about this film is that it provides no answers whatsoever at any point to what to do about bullying in schools.  Nothing.  Not a single damn thing.  And, incidentally, the role of religion is completely ignored.  I know why the gay girl in fucking Oklahoma is getting bullied, guys!  These fuckers think Jesus told them to!  This isn’t complicated!  The film’s main purpose is to get you really sad over dead kids– not, in itself, a difficult task– and then to wave hands about how schools should do something and… well, shit, we only had funding for an hour and forty-five minutes.  What should we do?  Stop bullying!  How should we do that?

Crickets.

Second thing:  Again, I’m convinced that at least portions of the bits with… Alex, I think?  Adam?  were staged, and if they weren’t, well, refer to the few paragraphs above.  And this is going to sound like I’m victim-blaming here.  I’m not.  I am, however, really angry with Adam-or-Alex’s parents.  It becomes abundantly clear at about the 2/3 mark of the film that Adam-or-Alex thinks that at least some of the kids who are picking on him and beating him up every day are his friends.  There’s a point early in the movie where a kid says something terrible to him and walks away.  Adam-or-Alex’s reaction is to follow that kid.

The boy was born months premature, and has obvious developmental issues literally written all over his face.  He seems very sweet and intelligent but he is also plainly and clearly Not Quite Right and regardless of the rightness of the matter it is apparent from the second you lay eyes on the boy that he is going to get picked on in his life.

Maybe, just maybe, you as parents need to recognize that your kid’s going to have some challenges in life, and try and find a way to equip him with the social skills necessary to deal with them?  I have no trouble believing that this kid’s school is a buzz saw, and it’s a particularly poorly-planned one at that; he’s maybe in seventh grade and there is one point where a hulking older kid who has got to be a senior in high school is literally threatening to cut off his face with a knife on the bus, while the cameraperson sits by and quietly records the whole thing and the bus driver merrily drives along.  What the fuck these two are doing on the same bus is incomprehensible.

The interaction with the two began when the boy looked at the older kid and said “You’re my buddy, right?”

The school’s fucked, right?  I get that.  I understand.  But the school is not the only thing that’s fucked up here.  I blame his parents for tossing him into an abattoir when he is clearly not socially or emotionally capable of dealing with the kids around him.  It was abundantly clear to me that a big part of Adam-or-Alex’s problem was that he didn’t have the social skills necessary to even recognize when he was in danger, much less avoid or minimize situations likely to put him in said danger.

Maybe do a little bit less screaming about how other people should protect your kid and, y’know, protect your kid.

Bah.

(Also completely absent from the film?  The parents of even one of the bullies.  Or, really, more than a sentence or two of dialogue from any of the kids themselves.)

On discomfort with entertainment

AZ1XOjJCAAAgir_.jpg_largeLemme tell you an uncomfortable story.  I don’t particularly like this story but it’s relevant so I’m gonna.

It is, oh, probably late 1998 sometime.  I’m in my first quarter as a grad student at the University of Chicago.  There are a lot of things I was good at in college; going to parties was never really one of them.  It is odd, therefore, that I am at a party right now, and furthermore a party full of people who I only barely know, as our program has only just started, and– wonder among wonders– I am having fun.  Quite a bit of fun, as it turns out, as several other people at the party have turned out to be huge fans of late eighties and nineties-era hiphop, and it is blaring on the stereo as our story begins.  I am sitting next to another guy who has also just started at U of C and is loosely in the same Divinity school program I am; I haven’t talked to him in many years, but I suspect he is either a college professor or a stylite now.

(EDIT:  Looked him up.  College professor.)

We are having a grand old time.  Pimpin’ ain’t easy by Big Daddy Kane comes on the rotation.  We both have the song memorized.  We are rapping.  There is nothing better than Divinity School students rapping, by the way.

Do you happen to know this song?  You may know where I’m headed right now.  I need to emphasize this:  we are being loud.  It’s a loud party, mind you, but we’re on our third or fourth song in a row at this point and whoever is choosing the music is clearly egging us along.

We hit this verse:

I see trim and I bag it, take it home and rag it
The Big Daddy law is anti-faggot

There was not actually a needle scratch at that time, and the party did not actually come to a screeching, silent halt.  That said, the beat drops away for the words “anti-faggot,” so they’re especially pronounced and hard to miss.  But the two of us stopped, as what we had just said hit both of us at the same time, just in time for the next few lines of the song:

That means no homosexuality;
What’s in my pants’ll make you see reality
And if you wanna see a smooth black Casanova — BEND OVAH!

“My God, that’s terrible,” one of us said.  I think it was me.

That was fifteen years ago (Jesus!) and I’m still more than a little ashamed of it.

Relevant:  the hostess of the party was the first out lesbian (first “out” person of any gender, actually) who I’d ever called a friend*.  I’m going to say this now without any idea of whether it’s actually true, but it was my perception at the time: IU had had a decent-sized gay community, but there was an unofficial “gay dorm” at IU and while I had known a couple of gay people through class I didn’t hang out with any of them.  Alicia and I were talking about working-class lesbian bars during our first conversation, so the atmosphere was a trifle different at U of C.

(* 24 HOURS LATER EDIT: this is not true; I had at least one good friend who identified as gay in college. I had forgotten because the last I checked she was dating a guy. But in college she was definitely at least mostly into girls.)

Also relevant:  I’m pretty sure it was her music collection we were listening to.  There’s a small chance she’ll read this, as we’re Facebook friends; she can correct me if she wants. I don’t remember paying any particular social penalty for what happened– I’m pretty sure she and the other guy are still friends, and no one appeared to get mad at us.  But it stuck with me anyway.

Here’s what got me thinking about this story, and yes, I’m using Scalzi to generate a post again.  I’ve talked several times around here about where my personal lines are on what sorts of entertainment and what sorts of businesses I’ll support with my money.  But John’s focus on what “problematic” (his word) artifacts you have enjoyed got me thinking. This isn’t about refusing to see Mel Gibson movies or eat at Chick-Fil-A; it’s about stuff that I know is fucked up and I like anyway.  I can’t really listen to Big Daddy Kane anymore because the subject matter gets to me.  But I can’t stop myself from rapping along if, say, something comes up on random play– and I should point out that It’s a Big Daddy Thing and Long Live the Kane remain on my hard drive, along with no doubt any amount of other problematic rap songs, a lot of which don’t have “It was 1989!” to excuse them any longer.

I dunno.  I don’t play them around other people and I won’t be letting my son listen to them.  I don’t– well, not often– deliberately choose to listen to them.  But it ain’t like it would be difficult to hit delete and I haven’t done that yet either.

The last time I read The Lord of the Rings I did it with a particular eye toward looking for racism.  I know that Tolkien catches a lot of abuse for the racism in his books and having read them a thousand times I find it overblown.  One of my other favorite authors, on the other hand, is H. P. Lovecraft, who was undeniably a big ole’ racist and I love his stories anyway.  Then again, they’re both dead, and they’ve both been dead a long time; long enough that if I’d used extra Os in the first long there nobody would criticize me for it.  Does that excuse them?  Does it excuse me?

I dunno.  I hope so?

(Also: While a lot of the music I was listening to in late elementary and middle school and high school and since then was horrifyingly homophobic and sexist, I feel compelled to point out that I was eating up the anti-white/Afrocentric stuff just as much as everything else.  Professor Griff got a lot of rotation from me back then, along with X-Clan and a few others.  So I didn’t necessarily shy away from stuff that was critiquing me.  I don’t know what that says about me or if it’s relevant but I may as well throw it in.  I would not be the person I am today if I hadn’t started listening to Boogie Down Productions in fifth grade.  Hiphop, for whatever it’s worth, is baked into my soul in a lot of ways.  That includes both the good stuff and the bad.)

(Also also: the most recent example of liking problematic things?  True Detective, clearly, which was, to put it charitably, unkind to its female characters and utterly dismissive toward people of color.  I recognize these things, will not argue with people who disliked the show because of them, and loved the show regardless.  Which is an expression of my own privilege, granted.  I’m recognizing it, admit it, and… don’t really know what to do about it, if indeed I even need to.)

On adapting

impin-aint-easy-tryion-memeDecided to take another day home with the wife; she was perfectly happy to go it alone today– and she’s planning on going back to work tomorrow– but I really didn’t like the idea of leaving her by herself all day.  I have to duck out this afternoon for a meeting I can’t miss but will be home with her most of the day.

That said, she’s asleep right now– I didn’t bother going back to bed after taking the boy to day care– so I have some time to write.  Most of my writing around here is done 1) in between getting home from school and her bringing Kenny home from day care and 2) during bath time.  Both of those times are going to cease to exist during the next couple of weeks, as she recovers from her surgery and I take over delivery and pickup from day care and bath time at night.  Time to blog is therefore going to seriously be at a premium, so if I go dark for a bit over the next few weeks, don’t assume I’ve lost interest.  Despite the name of the blog, I actually do have a few real-life examples of demands on my time.  🙂

(Disappointing fact: none of the pictures I find when I Google “Stay at home dad” are funny.  Uses Tyrion meme instead.)

Anyway.

I’d like to make a claim here, and I’m genuinely interested in people’s reactions to it:  The Walking Dead is the most successful adaptation of a story from one medium to another medium ever.   Furthermore, it owes much of its greatness to the fact that it is absolutely fearless about changing, ignoring, or adding to the source material as much as it damn well pleases.  It has taken the setting and many of the characters, but it has added characters as necessary, ignored others, and played all sorts of merry hell with who it has chosen to kill off and who it has kept alive.

I have spent most of the last couple of days trying to come up with a way for me to more precisely define that without saying something that boils down to “but I liiiiike it” and I’m having difficulty with it.  Part of the problem is that Walking Dead is in a lot of ways in a very unique position as far as adaptations go:

  • As a comic book series, it is ongoing.  There are therefore new stories getting added all the time to pull from, and not a single novel or trilogy or whatever to draw from.
  • It is the work of a single creator, or a small handful of creators if we include Charlie Adlard and Tony Harris and a few other artists along with series writer Robert Kirkman.
  • Related, but not exactly the same thing as, point 1:  While Kirkman may be working toward an ending that he’s already got in his head, as a comic series Walking Dead is sort of expected to run on until he’s tired of it.  We’re therefore spared the Game of Thrones disaster scenario where the actress playing the nine-year-old is going to be thirty before he gets around to writing the ending.  And because the Walking Dead TV series established from practically the first two or three episodes that they weren’t interested in slavishly following the comic book series (Shane died six issues into the comic book’s run) they’re not going to have anyone mad at them for Screwing Up Kirkman’s Ending.

Here’s the interesting thing:  I read a lot of stuff online about The Walking Dead; the half-hour or so past a new episode is silent time in my house, as both my wife and I jump online to read reviews and commentary and shit like that about the show we just watched. You know what I never see when I’m doing that?  “Waaah the show is ruining the comic book!”

I mean, it’s probably out there, the Internet being what it is, but I literally can’t remember a single example of it happening, whereas you see it all over the place with any other kind of adaptation.  And, don’t get me wrong, I’ve done it myself plenty of times; to pick two quick and prominent examples I won’t see the two Hobbit sequels because the first film was an abomination, and I never saw whatever the hell the two later Chris Nolan Batman movies were called because those movies should have been called Sword-swingin’ Rodent-Costume Ninja Dude and not Batman.  

(Avoids rant about how fucking awful Batman Begins was.)

Here’s the thing:  interestingly, it’s their fearlessness about making changes in canon that makes The Walking Dead so interesting to me as a television program.  (Spoilers abound for the next few sentences, but mostly older ones.)  Shane gets to live two full seasons when he died almost immediately in the books.  Rick kills Shane instead of Carl doing it.  Judith survives the prison, and Lori’s death is completely different from the books, including Carl having to kill Lori.  While I have all sorts of issues with how the Sophia storyline from the second season got handled, and Season 2 is the show’s worst by a long shot, it needs to be pointed out that Sophia is still alive in the comic books.  Michonne’s interactions with the Governor are very different.   Carol’s entire arc is different, and she’s dead in the comics.  The final confrontation with the Governor is different.  Rick still has both of his hands.  Merle and Daryl Dixon, for shit’s sake, are complete inventions of the TV series.  I could go on for much, much longer, including a discussion of how what happened in the last episode was way better than what happened in the comics, but I think you get the idea.

Meanwhile, the new Fantastic Four movie has made The Human Torch black and the Internet is aflame– heh– with idiocy.  I don’t know what makes the difference; I’d like to think that it’s something other than “It’s well done,” but I can’t come up with a good reason.  Even adaptations that have changed a lot of stuff still generally do it by deletion; Tom Bombadil didn’t show up in the movie version of The Fellowship of the Ring, but they didn’t go and make Aragorn a ring-bearer.  There have been modifications in the Game of Thrones series, but they didn’t let Robb survive the Red Wedding or, alternatively, kill him before the Wedding ever happened and put that in somewhere else.

A recommendation:  George Martin’s gonna finish the books when he feels like it, guys, and most of us will be dead by then.  Finish the series however you want.  Don’t worry about his ending.  I’d love to see what the TV people do when they’re cut free of whatever Martin had in mind.  And I say that not to claim that Martin’s ending is going to be bad– although it probably will; at the rate the books are getting worse, he may as well let Jay Bonansinga co-write the two final books– but so that everybody can stop worrying about it.  The books are different from the TV series; there’s nothing wrong with them ending differently too.

Taylor Grace, you continue to rock

Second of two posts I needed to reblog.

Gene'O's avatarMy Former Blog

I just need to post again. Nothing else will do, and my friend Taylor Grace has the perfect thing for me to blog about. A post about what numbers do to the mind. Especially a writer’s mind. Here’s the lede:

I have to admit, I’ve done it. I stared at the blog stats until I knew the numbers by heart, then I would check and recheck. The blog became a live entity I needed to keep happy…and, well, I wasn’t miserable but it was close.

Here’ s the rest. Taylor’s post includes lots of good links – nearly all of her posts do. One of the reasons I love her blog so much is because she turns me on to things I would never see otherwise.

I’ve been right there – looking at those numbers, checking and rechecking, and it wasn’t that long ago. You can measure it in…

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