So I’ve realized something…

Sanctum_72dpi…I have no idea how to market a sequel.

I do have a plan for my writing career, such as it is, and keeping Benevolence Archives, Vol. 1 free or close to it everywhere I can is part of that plan.  My next two books will be a nonfiction stand-alone and the sequel to Skylights, and once Skylights has a sequel it’s not going to go free but the price is going to drop pretty substantially.  (Don’t hold your breath.  I’ve written two paragraphs, and don’t plan on getting much farther for a bit.)

But the sequel to Benevolence Archives is already out!  It’s called The Sanctum of the Sphere, and it’s right there to the right of these words!  And it’s pretty good, if you ask me, which you probably shouldn’t since I’m biased.

Here’s the thing, though: I think SotS stands alone pretty well, but I haven’t had many people who haven’t read BA 1 read it and get back to me yet.  It’s got a Twitter-unfriendly name.  And I haven’t found a way to market it on its own independent of BA that I like.  The plot’s not super nutshellable and it doesn’t have a monkey, which half of my most successful Tweets about Skylights have mentioned.  The print edition is an omnibus, and contains both books, so that’s easy– and to date I think I’ve sold more print copies than I have ebook, which is actually kind of astounding.  But the ebook isn’t doing as well as I’d like.

(Reads what he just wrote)

Hell, I’m not even sure that’s true.  I’ve sold fifty copies and the thing’s been out a month.  That’s not bad at all, at least comparing it historically to my other books.  I guess what I’m getting at is I need to learn to figure out how to a) market a series as opposed to an individual book, and b) figure out how to market individual pieces of a series independently of each other.

Which is awesome, because it’s not like I’d mastered marketing for individual books to begin with.

Yay, independent publishing!

On the signing

That… went very well.

11151004_1045661358795495_203068950655564673_nIf this picture weren’t a trifle blurry it would be my new profile picture for absolutely everything.  I managed to sell 48 of the 60 books I brought with me yesterday– 47 at the signing itself, and one at my other job after the signing, where a customer overheard me talking with a co-worker and started asking questions, and then discovered that I had a card reader and the rest of my books in my car.  Which is why I’m going to keep a Square reader in the car forever now.

I haven’t seen all the pictures folks took yesterday– and it seems like there was a fair number of them– but I’m gonna share two more:

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These two lovely young ladies are both former students, and are both Tuckerized somewhere in Skylights.  I won’t provide any more detail for probably obvious reasons but they’re both high school graduates now so my usual policies about anonymity can be relaxed a little bit.  They managed to beat me to the signing, which both entertained and frightened me.  Truth be told, I was a sweaty, gross mess for most of the first half hour or so until the air conditioning kicked in and I got used to what I was doing.  Memo for next time: bring a handkerchief.

And, oh, next time?  It’s not official-official yet, but I’m pretty sure I’ll be at InConJunction XXXV in Indianapolis in July!

More details to come.  For now, though, I’m exhausted, and will be taking it super easy today.

REBLOG: Author Interview: Luther M. Siler

My third interview of the week! I should release a new book every month. Except that would kill me stone dead and that would probably be bad.

On #WeNeedDiverseBooks, chicken, and Lent

weneeddiversebooks-shelfGot into an interesting conversation on Twitter tonight (I’m writing this Sunday night to pop on Monday morning) and I feel the need to expand on my thoughts a little bit without the restriction of 140 characters, especially since the thread quickly expanded to include four different Twitter handles, and actually talking got kinda difficult quickly.

You can hit up my Twitter stream if you want all the details, but this is the Tweet that caught my attention.  I’m stripping the username out of it because the guy was being reasonable and polite the whole time and I’m not writing this to dump on him– plus, again, my Twitter feed is literally to the right of this post anyway if you want to go looking.

The original post was a question:

My only question to you two is this: is it wrong to discriminate against authors based on gender and race?

A bit of background is perhaps necessary:  While I am not completely certain where the hashtag campaign originated, it blew up right around the time this article by K. T. Bradford was published at XOJane.  The headline for the article really tells you everything you need to know:  I Challenge You to Stop Reading White, Straight, Cis Male Authors for One Year.

couple things on that.

1) I am a white, straight, cis male author.
2) I like it when people read my books.  I like it more when they read my books via sending me money for them.
3) You should absolutely do this challenge if you’re remotely interested in it, even though it means you won’t be reading any of my books for a year.  Although you could decide to start it in May, right after you finish reading The Sanctum of the Sphere.

Is it wrong to discriminate against authors based on gender and race?

Yes.  Discrimination is wrong.

However, and this is real goddamn important:  DECIDING TO NOT READ SOMEONE’S WORK IS NOT DISCRIMINATING AGAINST THEM.  That’s first and foremost.  Absolutely nogoddamnbody anywhere owes an author a read of their books.  I don’t owe it to anyone to read their books.  None of you owe it to me to read my books unless you are my momma or my wife, and even they probably don’t really have to if they don’t want to.  As a reader, in order to read your books I have to invest both a) my money and b) my time, which is far more valuable to me.  You are not entitled to either of those things.

As a writer, I am similarly not entitled to either of those things from my readers.  It takes a special kind of blindness to one’s own privilege to see “I don’t want to give you my money or my time” and interpret it as discrimination.  That is not remotely what that word means and you absolutely cannot even begin to think that way unless you believe (and you may not even realize you believe it) that you are somehow entitled to the time and money of other people.  It’s simply not true at all.

Furthermore: nowhere does K.T. Bradford say you should never read books by white, straight, cis male authors again.  She explicitly challenges her readers to stop reading writers of that persuasion for a year.  Even if you could claim discrimination if someone was trying to talk people out of buying your work based on some immutable physical characteristic of yours, your already-bad-and-wrong case gets even weaker when the time-limited aspect is added in.  This is not, to use a food metaphor, never eat a cheeseburger again.  This is try some goddamn chicken once in a while.  

This is, in fact, basically the book version of Lent.  A lot of y’all are Christians, right?  So maybe you gave up something for Lent.  It’s ludicrous to decree that you are discriminating against gambling, or chocolate, or Coke Zero or masturbation or whatever by giving it up for a few months.  You’re denying yourself something you like,  yes, and maybe a really good candy bar might debut during that forty days or however long Lent is, but it’ll still be there after Lent.  And maybe in the meantime you’ll have discovered that you really enjoy playing handball instead of gambling, or eating roasted brussels sprouts instead of chocolate, or vodka instead of Coke Zero, or self-flagellation instead of masturbating.  Once Lent is over,  you can go right back to those other things– only now you’ve discovered all this other stuff that you like too!  Maybe you’ll discover something you liked even more than chocolate!

How would you have known that if you never tried?

Now, all that said: I am not participating in this challenge.  I already try to keep an eye out for writers of color and women writers, and if I remember right three of my four top books for the last two years were not by white males, so I’m clearly doing something right.  I bought Django Wexler’s first book at least partially because I assumed that being named Django meant he was black, and I still think he’s cheating.  I am, in fact, reading The Goblin Emperor by Katherine Addison right now, and I’m about halfway through it and it’s spectacular.  Do I say this so that you’ll give me a cookie?  No.  I say this to point out that by looking out for the occasional Saladin Ahmed or Helene Wecker or Bill Campbell or Nnedi Okorafor or Ann Leckie or whoever, I’m already getting cookies.  And cookies are delicious and you should eat more of them, even if it means that sometimes you’re too full for yet another baked potato.

Hmm.

I may, at some point in this post, have overmixed a metaphor.

tl;dr: Quit being silly, white guys.

A to-do list

I’m going to claim this is in no particular order, but I know I won’t be able to resist trying to make it somewhat organized:

  • Nail down date for store signing
  • (Definitely) Prepare/order signage for signing
  • (Definitely) Prepare/order free give-away bookmarks for signing
  • Reformat Skylights paperback so that people like the font.  Do this without changing the page count.
  • Make the Skylights cover look a bit better
  • Order a crapton of copies of Skylights for the signing
  • Figure out what a “crapton” actually entails, attempt to be realistic so I don’t lose a ton of money/have a thousand copies floating around my house forever
  • Format Sanctum ebook
  • Format Sanctum paperback
  • Order a crapton of copies of Sanctum for the signing
  • Again, figure out what a “crapton” is
  • Oh, finish final draft of Sanctum
  • I probably ought to reread it first
  • Finish the book I’m reading so I can read my own book because I can’t handle reading two fiction books at once
  • (Maybe) Prepare/order coupon cards for Free Comic Book Day if it turns out the signing isn’t on FCBD.  (Bring the card back for 50% off on a book!)
  • Add a page for Sanctum to the ebook versions of Benevolence Archives and Skylights, resubmit both to various ebook retailers
  • Also, supposedly there is still a spot in BA where I refer to Remember as “he”; find that and fix it
  • Marketing
  • Open a PO box
  • Get mailing list up and moving
  • Possibly order a register iPad stand for signing so that I’m not handing people my phone, which seems like a bad idea
  • Oh, buy a stylus
  • Get all of this done on the rapidly-dwindling number of weekends I have between now and D-day, because I seem to not be able to do serious work during the week lately

None of this will get done today, because we’re having a few people over tonight (!!!) and I need to clean.

STILL crunch time, and a minor announcement

By “crunch time,” I mean “so tired I want to die,” just so you know.

I made arrangements for my first in-person author signing today.  It’s not happening until after Sanctum comes out, so probably the first Saturday in May (which, my calendar informs me, is the 2nd) and as such I will have more details on it later for the few of you who live near me and may want to come out.

Current mental state:

Oh shit oh shit oh shit oh shit ohshitohshitohshitohshit.

A query for the readers and the writers

bacover3dThe first draft of the next, annoyingly-still-untitled Benevolence Archives book is very nearly done.  At that point, hopefully by the end of the month, there will be a call for alpha readers.

However.

I am aware at the moment that there are problems with the manuscript.  Bits I’m not happy with.  And another big section that I think it needs that I need to insert but that isn’t going to make it into the first draft.  Now, if I choose to do this before I can declare the first draft Done, it’s obviously going to take a while longer, and I may as well call the first draft the First Draft so that I can be done with it and then correct the issues that I already know about in Draft the Second.

Here’s the question:  Do I

  • Go ahead and send the first draft to alpha readers, knowing that I feel there are issues with the manuscript, mostly to see if the ARs note the same issues that I do?
  • Or wait until *I’m* happy with it, which in theory could take a decent chunk of time longer, before I let anyone else’s mitts on it?

I may deliberately hold the Big Section back from alphas, if only so that they have something definitely new to look at when the book launches.

Theories?  Answers?  Other options I’m overlooking?  Let’s yammer.

Question for the writerfolk among us

Anybody doing NaNoWriMo this year?  Or do y’all kind of feel like you’ve outgrown it?  I’m not, but because I know I won’t pull it off this year, plus BA 8 doesn’t have 50K more words in it.  I did it twice successfully; I figure that’s good enough.