Call for author recommendations

8:45 on Christmas Eve is totally the best time to do this, right? I’m sure I’ll get tons of responses.

One of my focuses for my reading next year is going to be on books by women of color. I’m not exactly sure how I’m going to set it up; a percentage of my overall books is a possibility, as is simply setting a raw number of books that I want to read– I’m tempted to say 52, a book a week, but that’s going to mean a pretty good number of new authors.

Anyway, I need y’all to give me some names of authors to read. My rather considerable booklist on Goodreads is here, and I’m not exactly coming at this from a place of complete ignorance (you can leave out Octavia Butler and N.K. Jemisin, to start) but there have got to be lots of women of color out there that I don’t know about and I want to know about them. I generally prefer speculative fiction, as you probably already know, but any genre, fiction or nonfiction, is just fine. Recommend some books!

(Also: if you know of authors of color who identify as nonbinary, or genderfluid, or basically anything other than male, go ahead and toss their names in here. So JY Yang, who was AFAB but currently identifies as nonbinary and uses they/them pronouns, counts, but Yoon Ha Lee, a trans man, does not. If you’re not sure if someone counts go ahead and tell me about them and I’ll sort it out myself later.)

While I’m lecturing all the white people…

Had this conversation on Facebook yesterday, regarding this story, in my Bruce Banner alter ego, which is why it’s all censored to hell.  I’m in blue and she, a former student, is in black.  This is why representation is important, guys.  This is why #weneeddiversebooks is important.  Right here:

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Just sayin’.  And now I gotta find a way for Jayashree to survive that fight.  🙂

On #WeNeedDiverseBooks, chicken, and Lent

weneeddiversebooks-shelfGot into an interesting conversation on Twitter tonight (I’m writing this Sunday night to pop on Monday morning) and I feel the need to expand on my thoughts a little bit without the restriction of 140 characters, especially since the thread quickly expanded to include four different Twitter handles, and actually talking got kinda difficult quickly.

You can hit up my Twitter stream if you want all the details, but this is the Tweet that caught my attention.  I’m stripping the username out of it because the guy was being reasonable and polite the whole time and I’m not writing this to dump on him– plus, again, my Twitter feed is literally to the right of this post anyway if you want to go looking.

The original post was a question:

My only question to you two is this: is it wrong to discriminate against authors based on gender and race?

A bit of background is perhaps necessary:  While I am not completely certain where the hashtag campaign originated, it blew up right around the time this article by K. T. Bradford was published at XOJane.  The headline for the article really tells you everything you need to know:  I Challenge You to Stop Reading White, Straight, Cis Male Authors for One Year.

couple things on that.

1) I am a white, straight, cis male author.
2) I like it when people read my books.  I like it more when they read my books via sending me money for them.
3) You should absolutely do this challenge if you’re remotely interested in it, even though it means you won’t be reading any of my books for a year.  Although you could decide to start it in May, right after you finish reading The Sanctum of the Sphere.

Is it wrong to discriminate against authors based on gender and race?

Yes.  Discrimination is wrong.

However, and this is real goddamn important:  DECIDING TO NOT READ SOMEONE’S WORK IS NOT DISCRIMINATING AGAINST THEM.  That’s first and foremost.  Absolutely nogoddamnbody anywhere owes an author a read of their books.  I don’t owe it to anyone to read their books.  None of you owe it to me to read my books unless you are my momma or my wife, and even they probably don’t really have to if they don’t want to.  As a reader, in order to read your books I have to invest both a) my money and b) my time, which is far more valuable to me.  You are not entitled to either of those things.

As a writer, I am similarly not entitled to either of those things from my readers.  It takes a special kind of blindness to one’s own privilege to see “I don’t want to give you my money or my time” and interpret it as discrimination.  That is not remotely what that word means and you absolutely cannot even begin to think that way unless you believe (and you may not even realize you believe it) that you are somehow entitled to the time and money of other people.  It’s simply not true at all.

Furthermore: nowhere does K.T. Bradford say you should never read books by white, straight, cis male authors again.  She explicitly challenges her readers to stop reading writers of that persuasion for a year.  Even if you could claim discrimination if someone was trying to talk people out of buying your work based on some immutable physical characteristic of yours, your already-bad-and-wrong case gets even weaker when the time-limited aspect is added in.  This is not, to use a food metaphor, never eat a cheeseburger again.  This is try some goddamn chicken once in a while.  

This is, in fact, basically the book version of Lent.  A lot of y’all are Christians, right?  So maybe you gave up something for Lent.  It’s ludicrous to decree that you are discriminating against gambling, or chocolate, or Coke Zero or masturbation or whatever by giving it up for a few months.  You’re denying yourself something you like,  yes, and maybe a really good candy bar might debut during that forty days or however long Lent is, but it’ll still be there after Lent.  And maybe in the meantime you’ll have discovered that you really enjoy playing handball instead of gambling, or eating roasted brussels sprouts instead of chocolate, or vodka instead of Coke Zero, or self-flagellation instead of masturbating.  Once Lent is over,  you can go right back to those other things– only now you’ve discovered all this other stuff that you like too!  Maybe you’ll discover something you liked even more than chocolate!

How would you have known that if you never tried?

Now, all that said: I am not participating in this challenge.  I already try to keep an eye out for writers of color and women writers, and if I remember right three of my four top books for the last two years were not by white males, so I’m clearly doing something right.  I bought Django Wexler’s first book at least partially because I assumed that being named Django meant he was black, and I still think he’s cheating.  I am, in fact, reading The Goblin Emperor by Katherine Addison right now, and I’m about halfway through it and it’s spectacular.  Do I say this so that you’ll give me a cookie?  No.  I say this to point out that by looking out for the occasional Saladin Ahmed or Helene Wecker or Bill Campbell or Nnedi Okorafor or Ann Leckie or whoever, I’m already getting cookies.  And cookies are delicious and you should eat more of them, even if it means that sometimes you’re too full for yet another baked potato.

Hmm.

I may, at some point in this post, have overmixed a metaphor.

tl;dr: Quit being silly, white guys.

Review: Bill Campbell’s SUNSHINE PATRIOTS

51kGoLm2MVL._SY344_BO1,204,203,200_This book, right here, you should read it.

2014, for me, has been a bad year for reading.  I’m sort of starting to mentally take stock of the year’s books for the 2014 version of this post, which I’ll write in a couple of weeks, and the simple fact is while I’ll be able to come up with ten books to talk about easily enough there simply aren’t that many on the list that I want to rave about.

Found an exception.  Woohoo!

We’ll start this way: I would never have encountered Sunshine Patriots had Saladin Ahmed not randomly chosen to pitch it on Twitter; he referred to it as an “Afro-Caribbean space opera,” I think last night I called it “Jamaican cyberpunk.”  Neither of us used the word military, though, so we both left some stuff out.  I’m not getting into the plot; it’s pointless– either you saw the phrases “Afro-Caribbean space opera” and “Jamaican cyberpunk” and started looking for the “buy” link to click on or you know this book isn’t for you, and either way, your impulses are probably correct.

The most interesting thing about this book is the language, though.  I haven’t read a book where I wanted to roll around in the words like I do with this one since Catcher in the Rye, and much like Catcher it’s an incredibly rare example of a book where I almost don’t care about the story because the way the author describes his scenes and the way the characters talk are enough.  There are plenty of people who can read that way, but I’ve never been one of them; I prefer my narratives strong and linear, and this book, while the story it tells is really interesting, is absolutely not a linear narrative.  But the dialogue… my god, the dialogue.  The whole damn thing is in dialect– Jamaican patois mixed with Mexican (yes, specifically Mexican) profanity, and quite a bit of that last part.

I understand that this may be a turn-off to some people.  Ignore that impulse.  It’s beautiful.  I wish I could write dialogue like this.

This is a good book and you should read it right now.