On Wandavision, again (spoiler-free)

I think the most depressing thing about the finale of WandaVision, available today on Disney+, is that I really don’t have a lot to say about it, and that’s not a cute way to lead into a 1500-word post. I thought the show started off slow, and not necessarily in a good way, and it ramped up quite a bit after that, steadily getting better until the penultimate episode …

… and then the finale kind of fell flat for me. I have been religiously avoiding spoilers all day today (and, again, this will be a spoiler-free review) and the real interesting thing is that having watched the episode I’m genuinely not sure it was worth the effort. Not that things don’t happen that could have been spoiled– there are some major character developments in the finale and throughout the series– they’re just, and I hope this makes some sense, not the kind of events that spoiling them could have harmed my enjoyment of the show. Ultimately, WandaVision ends up being a very character-driven series about the nature of loss and grief, and if that doesn’t sound like typical Marvel fare, well, it’s because it’s not— there’s a couple of big fights toward the end (if you see that as a spoiler, I can’t help you) and there are some important developments for the future of the MCU in general, but they’re not any of the developments that I thought I might see going into this series in general or this episode in particular.

Was it worth watching? Yes, definitely, and it’s great to see Marvel finally putting some energy into their female characters– Wanda herself, Agatha Harkness, Monica Rambeau and Doctor Darcy Lewis all have substantial roles, and as a lifelong fan of Rambeau in particular it’s great to see her finally on screen. Do I want more? Absolutely, but I’m going to get more, that much is clear, and it’s exciting. And the show deserves some credit for reinvigorating an interest in the MCU that had been seriously flagging after the dual disappointments of Avengers: Endgame and Spider-Man: Far From Home. You could make an argument that that reinvigoration was inevitable, and you’d have a point, but the show still did it. I don’t know that it’s a reason for a Disney+ subscription all on its own, but I suspect that’s not a particularly relevant criticism, as anyone invested in Wanda Maximoff enough to consider getting a Disney+ subscription just to watch her show almost certainly already had one anyway. If all the stuff that they already have plus The Mandalorian wasn’t enough to convince you … hell, you’re probably not reading this in the first place.

So we’ve got a week off now, I think, and then straight into Falcon and the Winter Soldier, another show that I’m not hugely hyped about but I’m still watching anyway. There’s pretty much something Marvel happening damn near every week for the rest of the year; I just hope I don’t actually have to go into a movie theater to see Black Widow in May. I’ll have both my shots by then, but still. Stream it and overcharge me, guys, I’m good for it.

ON WANDAVISION: THE FIRST TWO EPISODES

…meh?

We watched the first two episodes of WandaVision last night. To be clear, this is all that’s been released so far, and I’m still not clear (and I’m not looking it up) how many episodes are planned for this season or what the release schedule is. The real short version of this post is that right now after two episodes I’m not sure why this show exists or what it’s for, and I’m kind of bewildered by the super-positive reception it seems to be receiving so far.

Minor spoilers, but if you’re familiar with the concept of the show there’s really not a lot to spoil.

The thing is, this is a Season 5 mystery, not a first-episode-of-the-series mystery. When last we saw these characters, Wanda was at the big fight at the end of Endgame and Vision was still dead, having had the Mind Stone ripped out of his head by Thanos before the Snap– and because he died before the Snap, as far as we know he stayed dead. Did Tony bring him back? Maybe, but we’ve not been shown that prior to now.

So I guess we’re supposed to be wondering why Vision isn’t dead any longer, and probably wondering why this series is, so far, mimicking crappy TV sitcoms from the fifties and sixties and abruptly bouncing into Technicolor at the end of the second episode to enter the seventies. There have been a couple of hints that something else is going on; the color red, and a weird dude in a beekeeper’s suit, and a couple of moments where Wanda sort of freaks out and takes control of what’s going on around her.

The problem is I don’t care. Here’s what I mean by a Season 5 mystery: if you watched Buffy the Vampire Slayer, imagine that Dawn’s first episode was the series premiere. The viewers knew that something weird was going on from the jump, because we’d had several seasons to get used to Buffy and her family and we knew ferdamnsure that she didn’t have a little sister, and she’d never had a little sister, and so Dawn’s first appearance sparked curiosity. This, on the other hand, comes off to me as more of an okay, this is what we’re doing, I guess sort of thing, and the fact that they’re leaning so hard into the fifties and sixties tropes when those shows were bad is, at least to me, not a smart move. I spent all of both episodes waiting for the minute of footage where Something Untoward Happens, because of course this isn’t how things are supposed to be and can we move on to getting some answers, please, because the A-plot where Vision is having his boss over for dinner is insanely not interesting. Like, that sort of boring-ass plot worked in the 1950s, or at least I guess it did, but in 2021 it’s all wasted time, because there’s no earthly reason to care.

Is there something about Wanda’s personality or hobbies or something that makes reverting to old sitcoms make sense? Dunno; we don’t really know anything about her. I know, because I follow these sorts of things, that the actress calling herself Geraldine in the second episode is actually Monica Rambeau, who is low-key the main reason I’m watching the series in the first place– but that’s not in the episode at all. In a Season 5 mystery, we know that the dude playing Vision’s boss is actually Mr. Frumblegumph from his actual job and the neighbor lady who’s being so nice is actually the villain from Season 2, so we should keep a close eye on her, or whatever. This? If I hadn’t known that Monica Rambeau was in this show, noted the name of the actress playing her, and then seen that name in the credits, I’d have no reason to think anything at all about that side character.

I mean, I don’t hate it, don’t get me wrong, and I’ll watch more of it because 1) what the hell else do I have to do right now and 2) Monica Rambeau, but this wasn’t the home run to me that a lot of people seem to think it is, and I really don’t know where those folks are coming from. Hopefully a few more episodes in will have moved onto something real and not this contrived-ass mystery.


A quick moment, though, while I argue with something that I’ve, uh, not actually seen anyone say so far: one thing I do like about the show is that so far this program has been aping the 1950s and 1960s but there are Black and Asian people in the cast and they have not felt the need to be Historically Accurate and made all these white folks racist as hell. I feel like if I look hard enough I’m going to find someone complaining that “Geraldine” was just treated like another member of the cast when in the real 1950s show she’d be blah blah blah blah and I’m glad they decided to just ignore that.

I haven’t missed a day since April 5…

… so obviously I can’t let that streak break just yet.

Not that I have anything in particular to say, mind you. I’m still kinda pissy about that school boar meeting yesterday; it’s flat ridiculous that we’re this far into the year (and this close to our supposed return) and we still don’t have the vaguest idea how so, so many things are supposed to work. But really, I could do that rant any day.

Here, have the trailer for WandaVision, and muse upon the fact that somehow I never wrote a review of Avengers: Endgame.