#REVIEW: Superman (2025)

I’m just gonna say it: James Gunn’s Superman is the best superhero movie I’ve ever seen. Please take that with whatever amount of salt you like; my opinions are subject to change and enthusiasm can take me on a ride from time to time, so it’s possible that in six months I’ll have cooled down a bit for whatever reason. The only movies, though, that are even close to this one are the original Christopher Reeve Superman, the first Iron Man movie, and the first Avengers movie. And if I’m being honest, Superman ’78 hasn’t aged as well as I might have wanted it to, and I think this version is much better as a movie although I’m not quite willing to put David Corenswet above Christopher Reeve just yet. It doesn’t have the emotional baggage those movies have; I’d been waiting for Iron Man and Avengers for decades when they finally came out, and I grew up watching Superman ’78 over and over and over again.

It’s difficult to overstate how shocked I am to be saying this. In retrospect, I should have put more stock in the tagline they chose for this movie: Look up. It’s fucking brilliant on a whole bunch of levels, but the most important thing about it is that it speaks directly to this movie’s sense of aspiration, the idea that Superman is, first and foremost, a hero, someone who wants nothing more than to do good and to leave the world better than he found it. Superman has not been an aspirational figure for some time, and I’m not even willing to admit he was in the last three movies that had a dude with an S on his chest in them. Hell, two of Reeve’s movies weren’t great, and one of those two was genuinely hot garbage. I’ve really only genuinely liked two movies with this character in them before last Saturday. I am immensely, irrationally protective of Superman, and this movie simply gets him right. Finally. Finally.

I have been waiting for a very long time to watch another Superman movie that understands the character. Going in, I figured that at best I wouldn’t be trying to get the sun to explode on the way out of the theater, and I might have just decided to lay down in traffic if it had been genuinely bad. 2025 has been a terrible enough year without Superman getting fucked over again.

But let’s get into some details. Buckle in; I’ve got a lot to say about this movie, although I don’t think this is going to reach the epic length of some of my Star Wars reviews. Then again, there have been a couple of those that I didn’t think were going to end up being very long that ended up over 10K words, so …

(This won’t be completely spoiler-free, by the way, but I’ll try not to mention anything that wasn’t made obvious by the trailers.)

Let’s start with the casting. There’s not a single weak spot in the main cast. Not one. David Corenswet is amazing, although I’d have liked to see more of his Clark– even during one of his “Clark scenes,” the interview with Lois in her apartment, he’s actually playing Superman wearing Clark’s clothes. We never get anything approaching the epic Reeve transformation scene I linked the other day, but the characters are differentiated enough that it works. Rachel Brosnahan and Nicholas Hoult are both phenomenal, and Hoult’s Lex in particular manages to make scene-chewing monologuing scary. Skyler Gisondo’s Jimmy Olsen is the most useful Jimmy Olsen I’ve ever seen on screen. I liked the Justice Gang enough that I want a movie just for the three of them– Nathan Fillion’s Guy Gardner and Edi Gathegi’s Mr. Terrific are both outstanding, and I’m gonna have to be careful that I’m not overusing my superlatives, but they take a character I’ve never liked and a character I know nothing about and make me want to see movies about them. Isabela Merced doesn’t have as much to do as Hawkgirl, but I enjoyed her nonetheless. Pruitt Taylor Vance and Neva Howell as Jon and Martha Kent are flawless. And María Gabriela de Faría brings a twitchy vulnerability to her Engineer, another character that I don’t know much about and want to see more of.

My wife commented that this did sort of feel like a sequel to a movie that they hadn’t made, which I can see, and there are a handful of characters who feel like they’re there just to be there– you need Perry White, of course, and I liked Wendell Pierce’s casting even though I’m not a hundred percent certain they ever actually said Perry’s name. Mikaela Hoover and Beck Bennett as Cat Grant and Steve Lombard are just sorta there. Anthony Carrigan’s Metamorpho is scary and sad and creepy, which … again, I don’t know a ton about Metamorpho, but from what I do, that’s about right. The worst thing I can say about the casting– and, hell, one of the worst things I can say about the movie— is that I don’t quite get Eve Teschmacher as a character, but that’s not Sara Sampaio’s fault.

This is one of the best-shot action films I’ve seen in a long time, and even scenes in relative darkness are clear. You can actually tell what’s going on during the fights, and it’s amazing that a movie that features a kaiju the size of a skyscraper never manages to disappear into smearing CGI all over everything. Every punch that gets thrown has weight. I’ve seen a few people say that Mr. Terrific’s solo fight about halfway through the film is the best scene in the entire movie, and … I don’t quite agree (the best scene in the movie is between Clark and his dad, at the farm) but it’s up there with Yondu and his arrow as far as Gunn’s action scenes go.

The score uses John Williams’ iconic original music to its benefit without feeling enslaved to it, and while I can’t hum any of the other themes without seeing the movie again, it definitely puts its own spin on things. They could have copy-and-pasted half of Williams’ score and been just fine, so the idea that they added to it and changed it and it worked is an impressive achievement.


Let’s talk about the Star Wars movies for a minute, though. I’ve completely turned on two of three of the new trilogy movies, and while I loved The Last Jedi I will probably never watch it again. The Force Awakens was made retroactively worse by Rise of Skywalker in a way that I’m not going to explain right now. But part of what annoyed me about the discourse around Rise is the people who were insisting that it was a repudiation of The Last Jedi. This was mostly people who didn’t like Last Jedi saying this, and those folks are, in general, not to be trusted– but it went from simple shit like he smashed his helmet in the second movie, and has a new helmet in the third! to slightly more serious if still wrong critiques like insisting that Kylo Ren telling Rey that her parents were nobodies who left her to die in a ditch was absolutely 100% meant to be canonical truth and not Ren deliberately making shit up to fuck with her, which was obviously the case to anyone with a smidge of media literacy. I didn’t like the idea that she was a Palpatine, but it wasn’t a repudiation of anything at all.

James Gunn’s Superman, on the other hand, is a direct thumb in the eye of the Angry Murder Alien movies, and I couldn’t be any happier about it.

Over and over again during this movie, you see Superman stop fighting in order to save people. The kaiju wrecks a floor of a skyscraper and he stops to make sure everyone is OK before rejoining the fight. He protects people, throwing his body in between civilians and danger over and over again. He literally saves a squirrel at one point. And while the climactic fight in Metropolis at the end of the movie probably did as much property damage as the climax to Angry Murder Alien 1, the movie takes it time to make sure everyone understands that they are evacuating Metropolis while the fight is going on. Is it completely logical and reasonable to believe they knocked over a couple dozen huge skyscrapers and no one got killed? Eh, probably not. But you don’t care, because by this point in the movie it’s been made clear over and over again that Superman is there to save people, that people believe that Superman’s job is to protect them, and you’re willing to believe that if Superman says Metropolis has been evacuated, then it’s damn well been evacuated.

I never understood why any of the Murderverse characters wanted to be heroes. Calling their little group the Justice League made no damn sense– can you name any time in any of the main DC movies that anyone other than Wonder Woman cared about justice? That’s a real question! And you can’t do it! Lex Luthor would still be an evil, murderous bastard if Superman had never shown up. Nothing in Angry Murder Alien 1 or Angry Murder Alien Vs. Bat-Themed Ninja Killer would have happened if Superman had never come to earth!

Corenswet’s Superman wants, before anything else, to do good and to save people. His desire to keep people from getting hurt sets the entire story of the film in motion. When he’s fighting the two physical villains of the film, Ultraman and the Engineer, he tries to talk them out of fighting.

Superman’s greatest power as a character isn’t his heat vision, or his strength, or his ability to fly. It’s that he refuses to accept that there’s ever nothing he can do. That if put in an impossible situation where the only way out is to kill or to let someone die, he does the impossible thing anyway. They effectively put him in that exact situation in this film, where there’s a dimensional anomaly eating Metropolis at the exact same time as a nation on the other side of the world is being invaded by a technologically superior force and the citizens are literally crying out his name to come and save them. The movie wants you to think that he’s going to have to choose, that he’ll either have to let people die in Metropolis or let people die in Jarhanpur.

No. He’s fucking Superman. That’s not how it works. He’s going to save everybody. That’s what makes him Superman. And he does.

(There is also a brilliant, if maybe a little overly snarky, scene where Lex Luthor reveals that he has a literal army of genetically enhanced monkeys manipulating the internet into hating Superman. It’s … maybe a little too on the nose. But I loved it anyway.)


Little spoiler coming. It’s not going to be anything that surprises you if you’ve thought much about the movie and it’s absolutely not going to ruin anything, but still.


This actually ties into the only thing I can think of that I really didn’t like about this movie. The film has three bad guys: Luthor, Ultraman, who is a black-suited Strong Silent Guy for 90% of the movie, and the Engineer, whose bloodstream Lex has filled with nanites so that she can create weapons out of her body and interface with computers. You’re meant to believe (although this is a comic book movie) that Ultraman doesn’t survive the movie, and while the Engineer’s fate isn’t quite as clear, she gets knocked unconscious in a really dangerous place late in the movie and you never see her again after that. She could very well still be alive; her status is more ambiguous than Ultraman’s.

I’m not going to get into why, but I would really have liked to see Superman work harder to save both of these characters. He’s kind of got his hands full with other shit when Ultraman goes down, but he tries to talk both of them off of the ledge and away from Luthor during their final battle, and you get the feeling that the Engineer, at least, is listening. Again, she’s kind of fascinating– she’s twitchy and broken and walks with a limp when she isn’t doing metahuman shit and, while I might change my mind after a second viewing, you get the feeling that her enhancement wasn’t entirely her decision. I can do without more Ultraman, and Superman doesn’t directly kill him, but I feel like he should have shown more concern for him, for reasons I’m not going to talk about– this is a guy who lectures Guy Gardner when the kaiju dies, for crying out loud– but I want to see María Gabriela de Faría again. I’ll be paying the closest attention to the last parts of this fight when I inevitably see this movie again.


Okay, that’s it for the spoilers.


You should see this movie. You should see this movie if you love superhero movies, and you should see this movie if you’re tired of superhero movies, and you should see this movie if you don’t usually see movies at all. This movie deserves to be extraordinarily successful. 2025 has been a miserable fucking year for anyone with a trace of a human soul, and it’s probably going to get much, much worse before it gets better. This movie foregrounds hope, and truth, and justice, and a better tomorrow, better than anything I’ve seen in years. It’s a movie that I really feel like America needs right now. And it’s really hard to imagine how I could have loved it any more than I did.

Look up.

Maybe I can do this NO I CAN’T SHUT UP

If I were a dog, I would deserve a firm smack on the nose, perhaps with some sort of rolled-up magazine or newspaper, for writing this post.  Then again, if a dog actually wrote a blog post, perhaps that would be cause for celebration and not censure.  Maybe this metaphor doesn’t quite work.  I don’t know.

I spent about an hour this afternoon sitting in my new classroom, just sort of staring at everything.  Have some pictures.  Ignore the clutter and the untidiness; there were parties yesterday and the janitors haven’t gotten everywhere yet (and the teacher did a terrible job of getting the kids to straighten the room.)

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As you can see, the room is cavernous.  It’s set up as a science classroom; there’s storage underneath the countertop all the way around.  That thing in the back is a vent hood.  I can burn shit in there if I want to.

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There’s room for, like, a million kids in here, and tons of table space too.  There’s 30 student desks, plus three round tables, four computer stations that are probably going away, two rectangular tables, a couple of bar stools for the counter space, and a couple of desk areas built in under the windows.  The versatility for seating arrangements is like nothing I’ve ever seen before.  Both of my previous classrooms could fit inside this one at the same time.

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Lots of board space, too.  The whiteboard is electronic, and there’s some chalkboard to either side of it, plus a fair amount of bulletin board space, especially if I get rid of the computer stations, which I’m planning to do.

God help me, I sat in this classroom today and for a couple of minutes I was actually looking forward to this fall. I cannot do this. I cannot allow myself this luxury when I don’t think I’m going to be getting paid for the entire school year.

This year was rough.  I have no reason to think next year was better, as the two cardinal rules of teaching in Indiana are that nothing ever gets better and everything always gets worse.  And “worse” next year is going to be unprecedentedly worse if I can’t get out this summer.

But damn.  This classroom.

Second verse, same as the first

AvI_0yPCAAII5dDThis has been kind of a frustrating week, and I can’t quite put my finger on why– for all I know, it’s the meat shakes again.  Or maybe it’s fractions, which are apparently the most difficult mathematics in the history of time and are certainly rapidly becoming the most frustrating to me.  I got a heavy dose of “we’ve never seen this shit before” from third and fourth hour today, including one kid who, when adding mixed numbers, had to be harangued for five solid minutes before admitting that he knew what two plus seven was.

This is a seventh grader, and this is emphatically not a fucking joke or hyperbole.  Two plus seven.  He spent five minutes insisting that he didn’t know and that math was hard and why am I bothering him and god I don’t know and I don’t get it and once I finally got an answer out of him immediately switched to insisting that he’d been telling me the answer was nine for “the whole time” and that I was just hassling him.  This kid’s ideal day at school is one where no teacher ever talks to him and he does nothing whatsoever; he will do literally nothing if someone is not hovering over him making absolutely certain that he is doing work for literally every second of his day.  It hasn’t sunk in yet that that shit’s not gonna fly in my classroom, and I’m sure as hell not ever going to let someone get away with “I don’t know” when the question is fucking seven plus two.

But if he doesn’t pass ISTEP, it’s my fault, for not bringing enough fucking balloons and firecrackers into class and keeping him entertained.


I let them get into my head too much, I think.  I have a kid who is currently signed up for the Washington, D.C. trip later this year who is, while not the worst behaved kid I’ve ever had, easily in the top ten– and that’s in twelve years of teaching, so we’re dealing with a sample size in the low four figures by now.  I should have kicked him off the list immediately; there was never any chance that this kid was going to be able to pull his behavior together well enough to convince me to take him eight hundred miles from home for four days.  Never.  But I didn’t cut him off last year because kicking him off a trip he’ll take as a seventh grader when he was in sixth grade didn’t seem fair.  So far this year he literally hasn’t made it through a single week of school without at least a day or two, sometimes more, of either in-school suspension or out of school suspension.  This week he was here Monday, absent Tuesday, in class yesterday and today, and then by the end of the day today he’d managed to land in the office three times from three different teachers, including getting called out of my class for something that didn’t have anything to do with me– so that’s four times in the office, actually– and he’s in ISS for the next three days for the cumulative effects of all of that.

If there’s ever been a time to pull the trigger, it’s now; my principal okayed me to kick him off last year.  And I still keep not wanting to do it because maybe he’ll get it together.  I keep throwing questions at this other kid– in private, mind you; it’s not like I’m calling him out in front of the whole class– hoping that sooner or later the math will click.  And it’s not gonna.  For either of them.  And I keep banging my head against the wall, because banging my head against the wall until the wall breaks down is my goddamn job.

I need a goddamn cheeseburger.