#REVIEW: Loki, Season One

The tl;dr version: I hate time travel stories, and I am so, so tired.

I keep threatening to actually review Avengers: Endgame, which I never actually did. I was hip-deep in family crisis at the time I saw the film, and the reason I’ve not written it since then is primarily because the post is going to end up being 12,000 words long, and it’s not going to be fun to write. The short version: I think that Endgame, for all of its fan service and plethora of holy shit moments, in the long run is easily the worst Marvel movie, and in a lot of ways ruined the MCU. Endgame chose the worst imaginable way to solve the story problems that Infinity War set up, and because of the choices made in that film every MCU product since that film has had to be about Endgame.

And now, every single post-Loki MCU product has to be about Loki, too. And this is not an improvement.

(I’m going to assume you’ve watched the show, but sort of talk around the details a bit? So spoiler warning, I guess.)

I’m still going to resist the urge to make this post ridiculously long. I’m supposed to be back in my training in fourteen minutes, and honestly I’m hoping to get the entire post finished before then. Let me get the positives out of the way first: the actual show itself, in a vacuum, is pretty good. Tom Hiddleston is, of course, an amazingly talented and charismatic actor, and they’ve surrounded him with a cast that doesn’t really have any weak spots. I thought the pacing for the program was great; I didn’t think there were any filler episodes (you wouldn’t think this would be possible in a six-episode season, but it is) and while it ends in a very cliffhanger fashion it definitely tells a coherent story, or at least it does once you accept that you have to have watched, like, 25 movies and two days of TV that came beforehand. Nothing in the MCU is really internally coherent any longer; you either accept that or you don’t as part of the product.

The problem that I have is that one of two things have to be true about this show, and neither are good: either I, someone who has been reading Marvel comic books for nearly four decades and is well-versed in the minutia of things like alternate timelines and multiverses, completely misunderstood what the deal was with Loki’s Time Variance Authority, or the entire concept of the Goddamn show doesn’t make a single damn drop of sense from start to finish.

It will not surprise you to learn that I am not blaming myself for this one. It’s possible that I Just Don’t Get It, but I really don’t think that’s the case. I think I understand It, to the degree that It can be understood, because the fundamental problem is that It doesn’t make any sense.

I can accept, begrudgingly, the concept that the Avengers were “supposed” to go back in time in Endgame and steal an Infinity Stone from themselves, but that Loki picking up that same Infinity Stone from where it was dropped and poofing away was not “supposed” to happen.

I cannot accept that a timeline where Loki is a fucking alligator is due to a single “variance” in a timeline, or that a variance that leads to Loki being a woman (strangely, called Sylvie; why does she have a different name from the other Lokis? No idea.) would lead to that variant Loki being culled at, like, eight. That problem definitely happened earlier than that.

This is already multiverse shit before the show creates the multiverse. A world where Loki is a Goddamned alligator is going to be different from our world in a whole lot of ways other than this one dude being an alligator. You can’t just prune the alligator and everything else is fine. And since this show happens before Infinity War or Endgame, and ends with the multiverse being created and Loki getting dumped into some other universe than the one he started in … is the MCU prime universe still the same? Did the multiverse get created before Infinity War or Endgame, or is that just another mess?

We already have Is This Person a Skrull or Not floating around as a universe-wide problem. I really don’t need Is This The Real Universe or Not dumped on top of it, especially when it’s done this sloppily.

I gotta get back to my meeting, but I think you get the idea. I’ll see Black Widow this weekend; we’ll see if that sets me off too.

THE FALCON AND THE WINTER SOLDIER: Early Impressions

After nearly a year of avoiding sickness, I called out for the second day in a row today, and not even for the same reason I called out yesterday: I woke up in the middle of the night with my eyes trying to force themselves out of my head, and that was it for sleep for the rest of the night; ibuprofen didn’t cut it at all. My son woke up as I was in the office submitting my absence and, damn near in tears, described the exact same symptoms I had, so he quickly got called out from school too and then both of us went back to bed.

I’m … fine now? Mostly? I guess? Sure, let’s go with that.

We watched the first episode of The Falcon and The Winter Soldier tonight, the super short tl;dr version is that I felt like this started off quite a bit stronger than WandaVision did, and I enjoyed it quite a bit.

More details, with some minor spoilers (really, there’s nothing especially spoilable in this episode; I could describe it minute-by-minute and I think it’s still as enjoyable): the show starts off with a big set piece as the Falcon rescues an American soldier from a terrorist group that’s trying to take refuge in Libya; this sets up early that this show clearly has as much budget as they want, as it looks every bit as good as any of the movies have. Interestingly, the soldier he rescues is named Torres, which– okay, there might be a spoiler behind that link if you’ve never heard of the character, but he and Sam appear to be friends and he is Somebody in the comic books. Sam and Bucky’s stories don’t actually ever cross over in this episode; Bucky is busy being sad and dealing with PTSD and hanging out with elderly Asian men and being rude to dates, and Sam eventually ends up at his family home in Louisiana, where he attempts to help his sister get the family shrimpin’ business back on its feet and is summarily denied a business loan.

And this is kinda where things get interesting, because the banker blames the Blip as the reason he can’t give them the loan– the world’s population just suddenly increased by three or four billion people out of nowhere a couple of months ago, and none of them have anywhere to live, and it’s a whole giant fucking mess and the banks aren’t handing out loans right now. Plus, you two are, y’know … Black, and well we’re very sorry we can’t help you but oh look at this pile of plausible deniability over here! Isn’t that convenient?

So it looks like the show is headed in some interesting directions even before we get to anything explicitly superheroic; I have been open in believing that the Blip was the worst possible choice to resolve the story mess that Avengers: Infinity War left the MCU in, mostly because of the unbelievable number of unavoidable knock-on effects that it’s introduced. I’m still convinced that there’s no way they can take this seriously enough, especially when you consider that the Blip was literally across the entire universe, but at least they’re trying a little bit, and I’d like to see them dig into this. Bucky is getting some attention, too; Captain America’s man-out-of-time thing was mostly played for laughs when it was addressed at all, but the first thing we see of Bucky is his refusal to play along with his government-mandated therapist, which is very Silent Generation, and a few minutes later you find out that his only friend looks to be in his seventies or eighties.

(I still kinda want to know why he didn’t just go back to Wakanda, but maybe they’ll get to that, and his time there is mentioned during the therapy session.)

I wasn’t expecting this to turn out to be super character-driven, as these two are definitely among Marvel’s more militaristic characters, but so far I’ve really liked what I’ve seen. We’re only getting a total of six episodes, but they’re going to run longer than WandaVision’s did. I’m looking forward to them.

(Oh, one more thing, and just let this roll around in your head a bit: we get several close-ups on Captain America’s shield, the one he gave to Sam at the end of Endgame, throughout this show. That shield in the logo up there? That is not Captain America’s shield.)


I strongly suspect that this isn’t going to surprise anyone, but I have still not seen Alien of Steel, Angry Bat-Themed Ninja vs. Murder Alien or the original cut of Violence League, and I have no plans at all to subject myself to this “Snyder Cut” thing that just came out. If that’s your kind of thing, glory in yo’ spunk, as BB King used to say. I’m not going near it.

On Wandavision, again (spoiler-free)

I think the most depressing thing about the finale of WandaVision, available today on Disney+, is that I really don’t have a lot to say about it, and that’s not a cute way to lead into a 1500-word post. I thought the show started off slow, and not necessarily in a good way, and it ramped up quite a bit after that, steadily getting better until the penultimate episode …

… and then the finale kind of fell flat for me. I have been religiously avoiding spoilers all day today (and, again, this will be a spoiler-free review) and the real interesting thing is that having watched the episode I’m genuinely not sure it was worth the effort. Not that things don’t happen that could have been spoiled– there are some major character developments in the finale and throughout the series– they’re just, and I hope this makes some sense, not the kind of events that spoiling them could have harmed my enjoyment of the show. Ultimately, WandaVision ends up being a very character-driven series about the nature of loss and grief, and if that doesn’t sound like typical Marvel fare, well, it’s because it’s not— there’s a couple of big fights toward the end (if you see that as a spoiler, I can’t help you) and there are some important developments for the future of the MCU in general, but they’re not any of the developments that I thought I might see going into this series in general or this episode in particular.

Was it worth watching? Yes, definitely, and it’s great to see Marvel finally putting some energy into their female characters– Wanda herself, Agatha Harkness, Monica Rambeau and Doctor Darcy Lewis all have substantial roles, and as a lifelong fan of Rambeau in particular it’s great to see her finally on screen. Do I want more? Absolutely, but I’m going to get more, that much is clear, and it’s exciting. And the show deserves some credit for reinvigorating an interest in the MCU that had been seriously flagging after the dual disappointments of Avengers: Endgame and Spider-Man: Far From Home. You could make an argument that that reinvigoration was inevitable, and you’d have a point, but the show still did it. I don’t know that it’s a reason for a Disney+ subscription all on its own, but I suspect that’s not a particularly relevant criticism, as anyone invested in Wanda Maximoff enough to consider getting a Disney+ subscription just to watch her show almost certainly already had one anyway. If all the stuff that they already have plus The Mandalorian wasn’t enough to convince you … hell, you’re probably not reading this in the first place.

So we’ve got a week off now, I think, and then straight into Falcon and the Winter Soldier, another show that I’m not hugely hyped about but I’m still watching anyway. There’s pretty much something Marvel happening damn near every week for the rest of the year; I just hope I don’t actually have to go into a movie theater to see Black Widow in May. I’ll have both my shots by then, but still. Stream it and overcharge me, guys, I’m good for it.

Hey, Disney, let’s make this happen

Saw Gerrera needs a Disney+ TV series.

That’s it, that’s the post.

I mean, I can elaborate a little bit, mostly by riffing on the idea that Gerrera is enough of an anti-Empire extremist that he’s considered a terrorist by the people who blew up the Death Star, and I find that to be endlessly fascinating, and I also could watch Forest Whitaker read a phone book. That said, Gerrera is old by the time Rogue One happens, and if they wanted to cast someone else in the role and set it in between the Clone Wars and A New Hope that would be fine too.

I am spoiled by Marvel; they’re giving shows to everybody they can think of and a lot of them sound great. My favorite characters are showing up all over the place. Star Wars is … not so much, just yet. I’ve given up on ever getting official confirmation that Chirrut Imwe and Baze Malbus were a couple even if I’m willing to die on the hill that says they were, but … just give Saw a damn show.

The end.

ON WANDAVISION: THE FIRST TWO EPISODES

…meh?

We watched the first two episodes of WandaVision last night. To be clear, this is all that’s been released so far, and I’m still not clear (and I’m not looking it up) how many episodes are planned for this season or what the release schedule is. The real short version of this post is that right now after two episodes I’m not sure why this show exists or what it’s for, and I’m kind of bewildered by the super-positive reception it seems to be receiving so far.

Minor spoilers, but if you’re familiar with the concept of the show there’s really not a lot to spoil.

The thing is, this is a Season 5 mystery, not a first-episode-of-the-series mystery. When last we saw these characters, Wanda was at the big fight at the end of Endgame and Vision was still dead, having had the Mind Stone ripped out of his head by Thanos before the Snap– and because he died before the Snap, as far as we know he stayed dead. Did Tony bring him back? Maybe, but we’ve not been shown that prior to now.

So I guess we’re supposed to be wondering why Vision isn’t dead any longer, and probably wondering why this series is, so far, mimicking crappy TV sitcoms from the fifties and sixties and abruptly bouncing into Technicolor at the end of the second episode to enter the seventies. There have been a couple of hints that something else is going on; the color red, and a weird dude in a beekeeper’s suit, and a couple of moments where Wanda sort of freaks out and takes control of what’s going on around her.

The problem is I don’t care. Here’s what I mean by a Season 5 mystery: if you watched Buffy the Vampire Slayer, imagine that Dawn’s first episode was the series premiere. The viewers knew that something weird was going on from the jump, because we’d had several seasons to get used to Buffy and her family and we knew ferdamnsure that she didn’t have a little sister, and she’d never had a little sister, and so Dawn’s first appearance sparked curiosity. This, on the other hand, comes off to me as more of an okay, this is what we’re doing, I guess sort of thing, and the fact that they’re leaning so hard into the fifties and sixties tropes when those shows were bad is, at least to me, not a smart move. I spent all of both episodes waiting for the minute of footage where Something Untoward Happens, because of course this isn’t how things are supposed to be and can we move on to getting some answers, please, because the A-plot where Vision is having his boss over for dinner is insanely not interesting. Like, that sort of boring-ass plot worked in the 1950s, or at least I guess it did, but in 2021 it’s all wasted time, because there’s no earthly reason to care.

Is there something about Wanda’s personality or hobbies or something that makes reverting to old sitcoms make sense? Dunno; we don’t really know anything about her. I know, because I follow these sorts of things, that the actress calling herself Geraldine in the second episode is actually Monica Rambeau, who is low-key the main reason I’m watching the series in the first place– but that’s not in the episode at all. In a Season 5 mystery, we know that the dude playing Vision’s boss is actually Mr. Frumblegumph from his actual job and the neighbor lady who’s being so nice is actually the villain from Season 2, so we should keep a close eye on her, or whatever. This? If I hadn’t known that Monica Rambeau was in this show, noted the name of the actress playing her, and then seen that name in the credits, I’d have no reason to think anything at all about that side character.

I mean, I don’t hate it, don’t get me wrong, and I’ll watch more of it because 1) what the hell else do I have to do right now and 2) Monica Rambeau, but this wasn’t the home run to me that a lot of people seem to think it is, and I really don’t know where those folks are coming from. Hopefully a few more episodes in will have moved onto something real and not this contrived-ass mystery.


A quick moment, though, while I argue with something that I’ve, uh, not actually seen anyone say so far: one thing I do like about the show is that so far this program has been aping the 1950s and 1960s but there are Black and Asian people in the cast and they have not felt the need to be Historically Accurate and made all these white folks racist as hell. I feel like if I look hard enough I’m going to find someone complaining that “Geraldine” was just treated like another member of the cast when in the real 1950s show she’d be blah blah blah blah and I’m glad they decided to just ignore that.