On ConGlomeration

So it occurred to me that I never really talked about ConGlomeration. Cool thing, first: I am right now listening to an MP3 of my first panel, which was on writing dialogue. I have recordings of two of the four panels, both of which will be posted to Patreon as soon as I have listened to them and made sure everything sounds good and that I’ve edited out the one place where I randomly blurted out what school I work at to someone. There aren’t a huge number of people in the crowd, but it’s still a fun talk.

Three of the four panels went really well; the fourth didn’t precisely go badly, but I quickly found myself not feeling like I belonged at the table. I really liked the people I was neighbors with in the vendor room. For the most part the folks who were there as con-goers were nice people. I sold … decently? I’ve had better shows, but I’ve had some that went way worse.

A couple of minor announcements: there will be second editions of both Skylights and The Sanctum of the Sphere coming, once I’ve sold out of my current physical stock of both of those books. Skylights is going to be slightly updated (no story changes) to eliminate references to the year it takes place in, and Sanctum is going to be released as a standalone single volume without The Benevolence Archives, Vol. 1 in it. I’m hoping this happens by the end of the year, but again, it’s depending on selling out or getting close to selling out the books I have which may take a while.

But, man, y’all … Kentucky.

I opted out of one of my panels because one of the people I was supposed to be sitting with is well-known in the Sad Puppies and Rabid Puppies movement. If you don’t know what that is, don’t look it up, just trust me that it was not a good idea for me to be on a stage with this guy.

(Man, I really talk too much on this first panel. Granted, there’s only two of us, but I didn’t realize I was talking as much as I do. Geez.)

Anyway. The thing about being in an area that is much much much more conservative than what you’re used to is the weird phenomenon where motherfuckers will say absolutely anything to you if you’re a white guy and assume you’re just going to agree with it. And … fuck, did I spend a lot of time not starting, or at least not continuing, shit with people. Like the guy who had three different wildly offensive Second Amendment/ MAGA/ anti-Obama shirts, one for each day of the show, and kept insisting on parking himself right in front of me at my panels. Or the three or four people who randomly brought up wanting to shoot people if they find themselves in certain neighborhoods. And … shit. It just got to be too fuckin’ much sometimes, y’know?

(Meanwhile, the other half of the crowd is the LGBTQIA+ hyper-liberal types who I’m much more comfortable and friendly with, and those folks were all cool.)

So, yeah. I was having fun, for the most part, interspersed with these occasional weird moments where I’m either just cringing or trying to keep myself from losing my shit at somebody. So … is that a decent show? Sure, why not, right?


Still haven’t seen Avengers: Endgame, as family medical drama continues. So I’m still spoiler-dodging and mostly avoiding the internet. I’m hoping to rectify the problem by this weekend. Just FYI.

In which I forgot to title the post again

Only one cosplay photo to share today, but it’s a doozy– I don’t think I’ve ever seen a Hagrid and this dude was born to cosplay him. If you look carefully you can see he’s got lifts attached to his shoes but even without them he was a mountain of a human being.

I wonder what it’s like, to be a cosplayer and to realize that you already basically look exactly like a certain character and are perfect to cosplay as that person.

At any rate: I am home, and only about half-dead, and in my recliner, and I wore earplugs for the entire drive home because the Goddamned crashwrap they put on my window was so unbearably loud. Insurance is covering the loss 100%; I have decided to pretend I just lost the sunglasses (which I rarely wore anyway) rather than trying to pursue whatever I might need to do to get some sort of reimbursement for them.

I have about fifteen blog posts percolating about in my brain right now; we’ll see how many of them get written over the next couple of days, or whether I wake up tomorrow with the vague feeling that at one point I had a bunch of blog ideas and now they’re all gone. I do intend to talk about the con in more detail; for now, the fun parts were fun, the not-fun parts were at least interesting, and I’m not sure yet whether I’ll return next year or not. But again: more later.

I miss anything important this weekend?

#ConGlomeration cosplay

Again, not a ton of pictures today, but I suppose not-a-ton is better than the none I took yesterday, right?

(Note the complete lack of superheroes. There have barely been any! This has been a very different crowd than I’m used to seeing at these things; I’ll get more into that tomorrow, maybe.)

Late-night first day #ConGlomeration update

holy crap am I tired

So, weird thing: for the first time at one of these, I have no cosplay pictures to post today. Attendance wasn’t stellar but the folks who were here were buying; my next sale will pay off my booth, moving me into the coveted Sorta Profit status, where I’ve made money if I ignore travel, food, lodging, and the fact that I had to pay to order the merchandise I’m selling. And the broken car window. It will take … a few more sales to get beyond that.

But for whatever reason there really weren’t a whole lot of cosplayers today, and the only one who really caught my attention didn’t get close enough to me for me to get a picture of him. The masquerade ball is tomorrow, and it’s after the dealer room closes, so if nothing else I’ll try to get some pictures there.

The two panels I did went very well, I thought, particularly since they were scheduled during the first two hours of the convention and I was expecting next to no attendance. I’m really looking forward to my two tomorrow.

But now I must be asleep so that I’m still alive for it.

In which I do author stuff

I will be in Louisville next weekend at ConGlomeration, held at the Crowne Plaza Hotel, also in Louisville. I have my usual table in Artist’s Alley– stand by for further information on that, as I don’t know exactly where I’ll be found yet– but I’m also doing four panels. From their programming page:

FRIDAY:

“Writing Compelling Dialog”
1pm | Perry
Ever wonder how writers manage that witty line or perfect turn of phrase as their characters mouth off to each other on the page? Join us to discuss the ins and outs of writing authentic and compelling dialog.

“Writing Compelling Characters”
2pm | Perry
From Doctor Who to Han Solo, to Spock, these fictional characters speak to us and move us, making their stories epic in a way that can’t be put into words. Come join us to discuss what makes a compelling character and how to write characters that will have your readers rooting for them long after they’ve put the book down.

SATURDAY:

“Success as an Indie Author”
1pm | Perry
Trying to make it as an independent author can be confusing and not a little frightening. Everything depends on you, and it’s up to you to make or break yourself in the field. Join some successful indie authors as they discuss ways to set yourself up for success and build your platform so that you can write stories you love and sell them to people who will love them just as much.

“Writing Fantasy”
8pm | Perry
Fantasy fiction has shaped our culture from ancient myths and fairy tales to current blockbusters and cult-followed classics. Join a panel of fantasy authors to discuss the elements of great fantasy writing and how to make your fantasy story the masterpiece it deserves to be.

I will leave it up to y’all to determine whether I deserve to be on any of these panels; the imposter syndrome is kicking in hard, I’ll admit, but fuck it I’m a teacher and I explain shit to people for a living and if I can’t BS my way through four independent hours of talking about writing … well, I absolutely can bullshit my way through four independent hours of talking about writing, is what I’m saying. I am assuming “Perry” is the name of the hall or the room they’re in, because surely they don’t have the same person moderating every writing panel. Again, more information will follow.

And then, the weekend after next, I’ll be at LaffyCon in Lafayette. This is a Saturday-Sunday only event, with no panels, although I might try and finagle my way into a podcast or something at some point.

After that, IndyPopCon in June, and then … well, I need to find some stuff to fill the summer up with, I think, because nothing else until Kokomo-Con X in October. Maybe I’ll do InConJunction again this year; it was the first one I ever went to so that might be fun. Plus it starts on my birthday.

Anyway, I’ve been designing new banners all day. They’re up on Patreon, even! And I ordered new books, and the point is I’ve spent an awful lot of money on being an author today, and you should go buy a couple of my books because Jesus is this shit expensive. But my new booth setup has potential to look super cool, and I’m excited about that.

In which my own marketing nearly kills me

I am not normally the type to read instructions, at least not at first. I’m perfectly happy to go over them once I’ve taken a shot at something, but my usual method is to muddle in and see if I can figure things out before touching the instructions. I’m not stubborn about it or anything like that; I just don’t go for the instructions first.

My new banner arrived today. I like it! It looks nice! And I should take a second and thank Jamie Noble Frier for the amazing artwork and Michael J. Martinez for the cover blurb. (Have you read Tales: The Benevolence Archives, Vol. 3 yet? Get on that.)

The new banner is built into that base. It did not come with instructions.

Have you ever used one of these things before? There is a tension rod behind the banner itself. It hooks into the metal piece at the top of the banner, but 1) you need to know the feet are there (they rotate underneath the base for ease of transport) and 2) you need to be standing on the feet before you try and pull the banner up because otherwise the base is going to snap up toward your hands after a second or two and the whole thing becomes very unwieldy and also 3) it is not immediately clear how to hook the top of the banner into the top of the tension rod, especially if you do what I think is the natural thing and try to pull the banner up while standing in front of it, meaning that you’re obscuring your view of the tension rod while you’re pulling the banner up.

This means that two or three times you will either lose your grip on the banner or you will not seat it properly and it will crash back down into the base at what is frankly a terrifying velocity and volume and you will yell loud swears and your son will ask you what is wrong in a vaguely frightened tone of voice that you will be ashamed for making him use.

So. For future reference:

  1. Rotate the feet out from underneath the enclosure so that they are perpendicular to the base.
  2. Stand on the feet, behind the banner.
  3. Insert the extended tension rod into both of the holes in the base. There are TWO holes. The second one is invisible and it will take a moment to get the rod into both. FIND THEM BOTH.
  4. While continuing to stand on the feet, lift the banner up over your head and insert the tab on the tension rod into the slot on the banner. TEST IT to make sure it is seated properly.
  5. Walk away slowly, terrified that your footsteps will transmit a shock to the banner through the floor and it will snap back into place.
  6. Do not touch the fucking thing again until you are ready to take it down, and when you are, do it very carefully.

Learn from my mistakes, y’all.

A banner update and a finance question

This should probably be two posts because the two halves could not possibly be any less related to each other. But whatever. I’ve continued fiddling with the banners I posted yesterday and now I’m looking at this (which I posted to Patreon yesterday!):

Interesting fact: everyone who commented on the blog preferred the banner with the characters, and everyone who commented on Facebook preferred the one with the BA1 cover. This still isn’t final (I need to move the Prostetnic logo up a bit, take the capital letter out of the T in “Trilogies” and maybe change the font on the pull quote) so I’m still open for suggestions if anyone has them.


I paid off a credit card yesterday. Without getting too much more deeply into my business than is strictly necessary, I’ve spent my thirties and the first couple of years of my forties either a) managing or b) putting to bed bad financial decisions I made in my twenties. I have, in other words, more credit card debt than most people. My credit rating is on the high end of average, I think– I don’t miss payments, ever, but I have a lot of open credit and a lot of debt. I would like it to be higher, and I would like for a substantially lower amount of my paycheck to go toward paying off credit cards.

The card I paid off has been paid off before, for the record. The last time I paid it off I didn’t close it, and then I was unemployed for six months and underemployed for two years, so not cancelling it seems, in retrospect, to have been a pretty good decision, because as it turned out the available credit kinda saved me. However, it’s a Bank of America card (one of two I hold, because they bought this card from MBNA) and I kinda hate Bank of America and want to be out from underneath them. It’s *also* my longest continuous line of credit, though– I’ve had this account for over twenty years.

So: is it better for my credit to close the card, thus lowering my overall available credit (which I keep being told is hurting my credit rating) and reducing my dependency on Bank of America, or to hold onto the card with its zero balance, because it’s my longest continuous credit account (which I’m told helps my credit rating) and I can’t predict the future and who knows if I might need it again?

(I’m also not certain how much I need my credit rating to be high right now, for whatever that’s worth. We own our house and aren’t moving anytime soon and I see no reason why I might be applying for anything demanding a credit check any time in the foreseeable future. So maybe I can afford to take a hit right know? Who knows.)

I hate how opaque credit ratings are. There should be a formula I can feed this shit into and get an objective answer and I’m pretty sure even people who know what they’re talking about are gonna be mostly guessing. But if you know more than me, feel free to jump in with advice, because I don’t know shit.

In which I need opinions

I’ve got two cons this month, and I want to bring at least one new banner with me. It makes sense for that to be connected to the Benevolence Archives since I have three books in that series. Ideally, I’d like to use the cover from Tales from the Benevolence Archives, since it has my characters on it. So I’ve been fiddling with that. And, well…

The issue here is the background color, which is defeating my meager abilities with image manipulation. I’m not a huge fan of the black. I could use a gradient, but I’ve not been able to find one that works in a way that I like with the top line of the cover image since it’s not a solid color. Also, the Prostetnic logo at the bottom probably needs to shrink a little. I can take or leave using the actual book logo or just choosing a better font (and going with a generic “Benevolence Archives” is probably not a bad idea) so … something like a combination of this image and this:

Neither of the cover images are really the right size to make them the entire background; I have no choice but to have some space somewhere, either at the top, the bottom, or both. So I think keeping it middle-ish is my best bet.

Anyone out there have strong opinions on how to handle this, or willing to fake having strong opinions?