In which you should read this: CONJURE WOMEN, by Afia Atakora

Something you may not know about me: despite my fairly high degree of confidence in my own intellect in many domains, I actually don’t think I read very well. Which may sound really. strange, coming from someone who regularly reads well over a hundred books a year. The thing is, my greatest weakness as a reader is that I’m a very surface-level guy. While I can handle complex narratives, I have to be in the right mood for them, and the fact that I read so fast can really hurt my comprehension if I’m not deliberately paying careful attention to what I read. This means that I tend to stay away from anything that, broadly classed, might be literature, which I nearly spelled litratcher in order to convey a sort of condescension toward the entire concept. If a novel feels the need to tell me it’s a novel on the cover, that’s a sign that it may not be for me. You know what never says “a novel” on the cover? A book with a dragon or a space ship in it. Not once. Not never. The closest to an exception I can come up with is John Scalzi’s Redshirts, which some editions of declare to be “a novel with three codas,” and which I think Scalzi put on the cover more as a lark than anything else.

In short, whenever I read literature, I always feel like I’m missing something; that there is some theme or some Hidden Meaning or some Deeper Symbolism that I’m not seeing, either because I’m being sloppy or the book is just smarter than I am. Is it there? No idea. But I’m convinced it’s there and I just can’t see it. This may be a sign that I’ve been poorly served by my English teachers; I have a copy of A Tale of Two Cities from high school that has a big chunk of the first page circled and the word “foreshadowing” written next to it, and as someone who has read that book as an adult I have no idea what I thought the foreshadowing was or what it might have foreshadowed. I still can’t handle Jane Austen.

Afia Atakora’s Conjure Women needs to become part of The Canon, because it belongs next to books by Toni Morrison and Zora Neale Hurston. That’s it. That’s the review. The book is magnificent. You should read it. I took my time with this one, because I wanted to savor it; normally it’s a good sign if I read a book in a day, and this one took several because I didn’t want it to be over with too quickly. It’s set in and around the Civil War, on a plantation, and the two main characters are mother and daughter, so the book alternates between the two of them, jumping back and forth between just before the war to just after it. A third significant character is Varina, the daughter of the former landowner, who has a bond with Rue, the daughter of the pair, and her story weaves in and out through theirs in a way that isn’t really typical of– here’s that word again– literature set in this time and place. Both Rue and her mother are … well, the title Conjure Women does the job to some extent; they are healers and midwives, and while Rue in particular is generally at some pains to think of her work as entirely natural and (though she doesn’t use this word) scientific, those around them generally don’t, and the book does have just a tinge of the supernatural around it to keep genre-obsessed dopes like me interested. Everything’s just a little better with a little hoodoo sprinkled on it, as my mom never once said in her life.

Every so often someone will ask me, generally not in especially good faith, why I do things like decide I think I’ll read 52 books by women of color this year, when I could … not, I guess. Well, this is part of it; I might not have looked at this book were I not focusing on a certain kind of author, and I’ll freely admit that had Afia Atakora been Ahmad Atakora I probably wouldn’t have bought it. (That said … a man couldn’t have written this book, but that’s not quite the point I’m making.).

In other words, the reason I work on diversifying my reading is that when you go looking for new and/or different reading experiences, you get them, and this book all by itself kind of pays off the whole experiment. Go read it.

In which I go out in public

I had what I had been told was an appointment for “measurements” for my LASIK surgery this afternoon, and it turned out to be a full-blown eye appointment in addition to the supplementary measurements, so this is what I looked like when I left the place– fully masked up, glasses fogged to hell, and my special wraparound plastic shades that made it possible to make it back home again. It’s about five hours later now and I’ve only just gotten to the point where I can see well enough to be able to read what I type; that said, I’m not as likely to notice typos as usual so don’t hold them against me, please.

The informed consent paperwork for this surgery is a trip, y’all. I’m only slightly exaggerating when I tell you that it declares that 1) the surgery will not work, 2) that it will also stop being effective in a couple of weeks, 3) that I will lose my vision altogether, and that also 4) I may lose both eyes and 5) it is entirely possible that the laser gun doing my actual surgery will explode during the procedure, immediately after it loses power due to a localized outage and a meteor strikes the building. It is the most comprehensive informed consent form I have ever signed, and I’m a little surprised that I’m still doing this after having every single thing that could possibly go wrong explained so clearly to me. I think I can still sue if the surgeon literally gouges my eyes out with a spoon, but I think forks are in the fine print somewhere.

That said, I got a nice drawstring bag and a t-shirt out of the deal, and the t-shirt is not only made from nice thick fabric but it looks like it’s going to fit comfortably, which is rarely the case from free t-shirts. I am trying to decide if actually wearing it to my surgery is the equivalent of showing up to a concert in a shirt from the band you’re seeing. I think probably it is.

In other news, let’s talk masks. I wasn’t aware that I was looking at a potentially two-hour visit when I walked in; I was expecting maybe half an hour of pushing my face into various devices and then to be done. The good news is I managed to make it through the entire two hours without a panic attack becoming a serious concern– which I would not have wagered was a thing I could do going into the appointment. Now, my glasses are a big part of what triggers the problem, and I didn’t have them on for most of the appointment, so that’s probably part of it.

That mask up there is my “best” mask. I got it for $12 at a medical supply place, and I’m considering heading back for a couple more so I can rotate through them. It’s treated with something antibacterial, supposedly; it looks okay, and it fits better than several others I’ve tried. But it folds in the middle and gets in my mouth when I talk– you can see the crease in the picture– and my beard constantly pushes the bottom of it up, so I’m always tugging it back down. As you can see, it folds up as well.

I’m considering doing some surgery on the thing with a paperclip or piece of wire to see if I can give that center vertical seam some more rigidity and structure so that it pushes out from my mouth more reliably, but it’s probably worth asking: does anyone have any particular kind of mask they want to recommend? I don’t want one of the kinds with a vent on them because they don’t work as well, and something washable is great, too. An N95 would do the job just fine but we are apparently still having a PPE shortage so I don’t want to use those, plus they’re not reusable. Something vaguely in the department of that one in terms of looks would be a good thing, too. I’ll need to wear it at work, so solid black is probably my best choice.

(It is also possible that I may need to give up on the idea of not having a close-cropped beard while we are on Mask Planet. I am not happy about that idea, but it may become necessary.)

Any suggestions?

In which I review THE LAST OF US 2 without ever playing it

I loved The Last Of Us— I bought a PS3 basically just so that I could play it, and I called it the best game of 2013 after I beat it. If you’re not familiar with that review– and why would you be, since I wrote it seven years ago– you might want to give it a quick read before you read this. Also, I intend to spoil the hell out of the sequel, so if you’re going to read this you should probably have either already beaten the game or not plan to play it. Lemme throw a separator in here to help you out:


SPOILERS ABOUND BEYOND THIS POINT


If you didn’t read the previous review, here’s the important parts: I really connected with this game as a dad, and that resulted in 1) paternal feelings toward Ellie that made the part where you play as her, and thus get killed over and over and over again, really emotionally difficult, and 2) totally understanding why the game ended by forcing you to gun down the scientists who were trying to find a cure for the Cordyceps fungus– because it would have killed Ellie, and there’s just no universe where Joel would have ever allowed that to happen.

I got all kinds of whispers and rumors about this game before it came out that made me feel like playing it– especially right now, with all the other shit going on in the world and in my life– was not going to be an emotionally sound decision. Kotaku called the damn game a “misery simulator.” I don’t need that. But … damn, it was the sequel to what is still one of the best games I’ve ever played! Made by the same people! How do I just ignore this?

I decided to watch a Let’s Play on YouTube instead, which would provide me with the game’s story– in this case, most of what I cared about– and allow me the ability to either 1) buy the game if I decided that’s what I wanted or 2) nope out at any time. And so for the last couple of weeks, I’ve been watching a couple of half-hour episodes a day as they’ve been being released, and up until last night I was more or less still secure in my decision but also thinking eeeh, I probably could have bought this, but never really coming close to the point where I needed to. Plus, it’s violent as hell, to the point where I don’t want my son exposed to it yet, so I’d only have been able to play after he went to bed. This decision worked for me, is what I’m saying.

Well, the guy I’m watching isn’t as into the story as I am, and after having to watch him complain through one of the quieter parts in the denouement at the end of the game, I decided fuck it and went ahead and Googled the spoilers for the rest of the game. And this is where I’m exercising my nope the fuck out option and not even watching the rest, because despite having watched probably 90-95% of it the game has somehow saved a good 2/3 of its assholery for the final minutes.

Huh. I haven’t actually spoiled anything yet.

Here’s the thing: The Last of Us 2’s central thesis is that every decision you can possibly make is going to lead to loss and heartache. That there are no good people, that there is no forgiveness in the world, that where forgiveness does exist it is a fatal mistake, and there is no way, ever, to do the right thing. That the right thing is in fact an illusory concept from the beginning. It’s going to come back and bite you in the ass eventually no matter what you do. Literally every decision any character in this story makes leads to pain. Every single one. There are two moderately sympathetic characters, neither of which are playable, and both of them are put through utter hell. The two protagonists, Ellie and Abby, are both repeatedly shown to be awful people, and I think Ellie absolutely gets the shorter stick in that regard, so if you, like me, came into this game predisposed to like her as a character because you viewed her as a daughter … well, be prepared for the game to hurt you for that as well.

Every decision every character makes in this game leads to the death of their friends and family members. Every single one. And in case you’ve picked up elsewhere– because I haven’t talked about it yet– that revenge is a major theme of the game, be aware that the game shits on its characters both for seeking revenge and for not seeking revenge. Both are terrible mistakes. You cannot escape them.

I, uh, don’t need this in my escapist fiction right now. There’s a place for depressing entertainment out there, but I’m not exaggerating when I tell you that your average Holocaust movie is told with a lot more hope for humanity than The Last of Us 2. There is nothing but nihilism here, nothing at all, and I don’t need it.

The gameplay looks to be about exactly the same as the first one, by the by. That’s a recommendation; if a semi-stealth shooter with absolutely gorgeous graphics is what you’re looking for and you’re capable of ignoring the story you probably will have a good time with this. I can’t; or at least I can’t with this particular series. I’m not even watching the last couple of episodes now that I know how it ends. I’m fucked up enough from reading about them; I don’t need it in my head. I’ve got enough real emotional stress right now without letting fictional misery in.

Turn, turn, turn

My stress level has been through the roof lately, to the point where putting more than two or three words together even on here requires a lot more psyching myself up than it ever used to. And when I say “ever,” I mean dating back to my first blog, so we’re going back like fifteen or sixteen years here.

The one thing that has been keeping me sane the last few days has, no shit, been woodworking videos. They are astonishingly calming. I can’t get enough of them, and I’m going to have to be careful to not accidentally buy a lathe before school starts:

In which pew pew pew

Six days to no more glasses.

Here’s the … fun? Yeah, let’s go with fun– thing about planning completely optional eye surgery during a global pandemic: I have so much other shit on my mind right now that any sort of holy shit something terrible could go wrong and I could go blind I’m going to go blind anxiety just doesn’t even have time to penetrate. Because, well, if, I dunno, the machine explodes or some shit during the surgery, and I’m permanently blinded, well, then I guess I don’t have to worry about shit like returning to work any longer, now, do I? And considering that in… shit, seventeen years of teaching– is that right?– I have never once managed to make it through the first month of school without getting sick for a couple of days, it is fair to say that I am considerably more frightened of COVID-19 right now than I am of any shit going wrong during my five-minute eye surgery. That’s gonna be fine.

I just need to not die after the surgery.

There’s a School Board meeting on July 13th– the same day as the surgery, as it turns out– and rumor has it that more information about this reopening plan is going to be revealed and/or voted on there. I think there’s also some sort of virtual townhall planned in the next couple of days. But right now, nobody knows anything except for the part where what they have planned right now is not going to work. I will have every 8th grader in my building in my math classes next semester. Every single one. Here’s what Indiana’s current infection stats look like:

Note that unlike a lot of states, Indiana doesn’t report all at once, so our number creeps up over the course of the day, and the day’s not done yet. While we’re not Florida or Texas by any stretch of the imagination, our numbers are definitely creeping back up again, and I don’t see that changing by next month.

It’ll take all of a week, tops, before there’s an 8th grader who tests positive in my building. And that will have been a kid in my classroom, by definition. When you toss second-order exposures on there (I don’t know if that’s a technical term; what I’m getting at is Jimmy’s little brother testing positive, but not Jimmy yet) it may not even take a week. We had a positive in March right around when school let out and this had barely started yet.

I keep wanting to write a more academic, reasoned defense of why schools can’t reopen yet, and the fact is I can’t get past the part where I don’t feel like I should be endangering my family so that other people can go to work. If I was actually doing it for education, that would be one thing, but if anything has been made fucking undeniable about American culture in the last three months it’s that schools are looked at as daytime child care and not much fucking else. Go ahead, try and find someone making a genuine case for reopening schools for any reason beyond “parents can’t handle their kids being at home.” You will, to put it mildly, be challenged in this effort. There’s occasional lip service paid to educational inequity and how not everyone has internet access, but that’s generally paragraph nine of the twenty-paragraph article and the rest is all about balancing either an Essential Job with staying home or existential angst from having to be on Zoom while you answer the occasional math question. And I get it! I do! I had to do the same thing with my own kid from March through June, and I only have one of them!

I just don’t think your child care issues are a reason to risk my family’s health, to say nothing of my own, and if that makes me selfish, well, I’ll find a way to live with it. Because the more we find out about this motherfucker the worse it looks, and even with a good chance of everyone coming out alive on the other end I’m not interested in a fucking chronic illness for the rest of my life either. Sorrynotsorry.

Damn near all of us need to be staying home, and while we’re staying home the fucking government needs to get off their asses and start sending people money to pay their bills while they’re home, and if your answer to that is but Republicans then fine, let’s bring the fucking guillotine back and see how fast they change their fucking minds. I’m not in the mood to be civilized about this shit any longer. Enough of this shit. We’ll be over three million fucking infections by tomorrow. Enough.

It’s quiet uptown

There has not been much to today, and the highlights of yesterday were pork chops, mashed potatoes and lemon cake. I am listening to something called Little Simz on Spotify (related: I have a Spotify account now) and grooving to it.

I have a couple of longer posts bubbling, but I think they need to bubble a bit longer. I’ll see y’all tomorrow.

It’s my birthday

… my first one without my mom. 44. And, frankly, it has already been a rough day and I’ve only been up for about an hour. I didn’t get to sleep until about 2:30 in the morning last night because I couldn’t shut my brain down.

Every time I say things like “I probably won’t be around much today,” it leads to a 6,000-word essay, but it’s still pretty likely that I won’t be around much today.

On HAMILFILM, and a quick book review

I have already discussed my deep affection for Hamilton at least once on this site; my wife and I went to see the show in Chicago for our 10th anniversary a couple of years ago, and while that wasn’t with the original cast, I also have the soundtrack, which I have more or less memorized. We waited for the boy to go to bed last night before watching the filmed version in order to avoid fifteen thousand questions while we watched it, so I didn’t get to bed until after midnight and didn’t manage to get to sleep for a good hour and a half after that.

Worth it.

No surprises here, really; there are bits where cadence and inflection differs a bit from the soundtrack but it’s all the same people performing that I was used to, and this time I got the benefit of close-up camera shots so you can see facial expressions and the like much better. I feel like this really benefited Leslie Odom Jr.’s performance as Aaron Burr the most; I felt like I could really feel his emotions throughout the play and connected to him in a way that I didn’t quite manage in Chicago. I also still find myself preferring Tamar Greene’s George Washington to Christopher Jackson; he just seemed to physically fit the role better for me.

Either way, I’d just consider a month’s worth of Disney+ the cost to pay to rent this and watch it over and over for a while; it’s well worth it, especially if you’ve never seen the show in person before.


I’ve read one Tananarive Due book before, and really wasn’t hugely fond of it; it wasn’t necessarily bad so much as it didn’t really make an impact. I picked up her debut novel, The Between, as part of my 52 Books by Women of Color project, and I was happy to discover that I liked it a hell of a lot more than I did My Soul to Keep. I don’t necessarily want to do a full review of it, especially since I think it’s probably a good book to go into pretty blind, but this one is an unapologetic horror novel, and while it did take me a few days to get through it it also lost me some sleep on a couple of nights, so that’s a good thing. This is book 33 of the 52, and it’s the second book 33, because after reading an interview with Akwaeke Emezi after finishing Pet I discovered that they don’t identify as a woman and so that book (which is still really good, and well worth a read) shouldn’t count any longer.

(EDIT: Interesting, I apparently liked My Soul to Keep much more when I read it than my memory serves; it made my honorable mention list for 2016.)

I think I’m probably going to finish 52 books fast enough to be able to turn this into 52 authors, by the way; we’ll see where I’m at once I’ve finished 52 books and how many authors I’ve read more than one book from. I’ll probably be at four or five books just by N.K. Jemisin by the end of the year, so it might be several people, but something makes me think I can manage it.

At any rate, The Between is an effective, scary horror novel. It’s a good read.