#REVIEW: The Caretaker, by Marcus Kliewer

This is one of those books that you finish, put down, and then mutter “Fuuuuuck…” under your breath.

Marcus Kliewer has, I believe, written two books. I read his debut, We Used to Live Here, and reviewed it here. My review was a little on the mixed side; WUtLH features a really unreliable narrator, a literary trick I generally don’t get along with very well, and its genre is mindfuck. One thing that I’m noticing as I’m rereading the review, though, is that I finished the book in one sitting.

I also finished The Caretaker in one sitting, and I did not have “read an entire book cover to cover” on my to-do list for today. Now, granted, this isn’t a terribly long book, coming in under 300 pages and with a largish font on top of that, but I genuinely did not put it down once while I was reading it. This means that Marcus Kliewer has written two books, I have read them both, and I didn’t put either of them down while I was reading them.

That’s … really impressive.

The Caretaker is also a mindfuck, although not as intensely so as WUtLH. The main character, Macy Mullins, is a twenty-something and a bit of a fuck-up, with a doozy of an anxiety issue on top of that. She’s the parental figure for her younger sister Jenna, a seventeen-year-old with a penchant for casual shoplifting. Macy is broke and jobless, and the sisters are about to be evicted from their apartment when Macy happens to spot a want ad for a temporary caretaker position. She interviews and discovers that she’s being offered nine thousand dollars, a life-changing amount of money, for the simple task of three days of house-sitting. The house is old and isolated, buried deep in the wilderness off the coast of Oregon, but despite her sister’s reservations she jumps at it.

Oh, and there are some minor things you need to do while you’re house-sitting. No big deal. The former owner had some, uh, quirks, and maybe some OCD, and maybe a lot of OCD, and his wife promised him that as long as she lived in the house she’d keep up his little rituals that he thought literally kept the world safe. A promise is a promise, though, right? Here’s the list. Again, no big deal. Simple stuff.

You might not be surprised to learn that things don’t go well. Otherwise this isn’t that much of a book, right? Macy babysits the house and makes sure none of the lights turn on in the middle of the night. She makes a ton of money, buys a used car, and gets her and her sister back on track now that she can get to work. The end!

Nah.

Full disclosure: I got sucked directly into this book and it dragged me along at a breakneck pace until I was done with it, and it might be the kind of book I wake up tomorrow and find a dozen huge plot holes in. The three major book services I use for ratings– Amazon, Goodreads and Storygraph– all have it at under 4 stars, which isn’t alarming, necessarily, but it means the book isn’t exactly garnering universal acclaim. But oh, man, the ride it takes you on is great. It’s creepy as hell and the main character makes nothing but bad decisions from start to finish and if I could have found a way to cover my eyes and read the whole book through the cracks in my fingers I might have, except I haven’t found a way to turn pages or hold a book while I’m doing that. But I’m keeping a close eye on this Kliewer fellow from now on; I actually picked this one up from Aardvark without immediately realizing it was the We Used to Live Here guy. I will not be forgetting his name again.

Give it a read. Just make sure you have a few hours set aside before you do.

Three book reviews

It’s entirely possible that you’re going to get a flurry of posts today; I have at least three in the hopper right now and that’s only not five because I’m planning on packing three book reviews into a single post here. One of them is a super late entry into my best books of the year post, which right now is coming tomorrow, I think. We’ll see. Anyway, off we go:

Standard disclaimers, I suppose, for whenever I review an author who I “know” online; Kara and I have been mutuals long enough that I couldn’t tell you where we met or how long ago it was, and we tend to find each other near-immediately any time a new site pops up. That said, I’m a big fan of their Reanimator Mysteries series, the third book of which came out in October and I read a couple of days ago. Kara’s books tend to be(*) queer Victorian paranormal romances, and this one concerns Oliver Barlow, an autistic necromancer who works as a coroner, and Felipe Galvan, an investigator for New York’s Paranormal Society who is, uh, dead. And resurrected by Oliver. And they’re lovers now. And they can’t get more than half a mile apart.

It’s kind of a delightful series, believe it or not. The first sentence of the third book mentions “freshly rinsed organs.” It’s that kind of book.

Anyway, this one dives into both Felipe and Oliver’s pasts, and the main mystery of the book concerns the nearby town of Aldorhaven and a sudden infestation of the risen dead. Aldorhaven is a “murder town,” a decidedly unofficial designation for a place where the number of unexplained deaths and weird paranormal happenings is way above the norm. The town, and the forest surrounding it, become characters of a sort in this book, which has more than a little of The Shadow over Innsmouth‘s DNA in it. It’s wonderfully creepy in a whole lot of ways and you should probably grab the whole series, which starts with The Reanimator’s Heart and The Reanimator’s Soul. Book IV comes out next year.

(*) Tend to be? Possibly “always are”? This is Kara’s 10th book and I haven’t read them all.

I’ve been putting off picking up Marcus Kliewer’s We Used To Live Here until it came out on paperback, but Barnes & Noble’s still-ongoing end-of-year hardback sale and a couple of Christmas gift cards pushed me over the edge. The premise of this one is that a young couple has bought an old crumbling house high up on a mountain, planning on renovating and possibly flipping it, and one night a family of five shows up on their doorstep while Eve, one of the homeowners, is at home alone. The father claims that he used to live in the house, and asks if he can have fifteen minutes to show his family around. Eve reluctantly agrees, and … well, it doesn’t go well. This is psychological horror and not the murder-and-torturefest that “it doesn’t go well” implies there, but Eve basically spends the rest of the book going slowly crazy. It’s intense.

This, I think, is the most your-mileage-may-vary of the three books, because how much you enjoy this book is going to depend on how willing you are to 1) scour the text for clues that may or may not be in there and 2) live with ambiguity about what exactly is going on. Eve ends up unable to trust her own perceptions and her own memories about literally anything, and this is the kind of book that has little interstitials throughout, clips from interviews or TV shows or message board posts that initially won’t make sense but will tie together eventually, and all of them end with Morse code. I deciphered one and got the word “and” and decided that I didn’t need to decipher the rest. Maybe you will! Maybe that whole idea kind of annoys you. I have no idea if the Morse code is important or not. I know I didn’t bother to check.

Anyway, for me, this book started off as a great slow-burn mindfuck but sort of collapsed under its own weight by the end. I four-starred it on Goodreads, but you’ll need some tolerance for gaslighting and unexplained events and a wildly unintentionally unreliable narrator. By the end of the book if Eve so much as mentioned the color of something I was flipping back to see if that thing was the same color the last time she mentioned it. I don’t mind some ambiguity in this kind of book but it went a little beyond my comfort zone. You will doubt everything by the time the book ends, but the atmosphere and the oppressive quality of Kliewer’s writing meant I more or less finished this book cover-to-cover in a single sitting. You decide if that sounds like your type of thing.

I meant to hold off until paperback on the Kliewer book and ended up grabbing a hardback; I have this one in paperback and I regret not buying it sooner. Alexis Henderson’s debut, The Year of the Witching, was an Honorable Mention for my best books of 2020 list, and House of Hunger is better than Witching. It’s a vampire book in all but name; there is, in fact, no explicit magic or supernatural powers mentioned anywhere(*) in the book, but Marion, the main character, flees a life as a scullery maid to take a position as a Bloodmaiden in the ambiguously defined “north.” Her job is to provide her blood when her obscenely wealthy patroness, the Countess Lisavet, requests it. In return for seven years of indentured service, she will receive a huge pension for the rest of her life upon her retirement.

And, yeah, Lisavet isn’t a vampire, and neither are any of the other rich people in the book– blood is extracted through needles or occasionally through bites, and even when Marion is bitten it’s made clear that Lisavet is wearing prosthetic sharp fangs in order to puncture her skin. But there’s a whole lot of blood-drinking going on, and the closest the book gets to actual magic is mentions of things like “blood lamps,” which might just be regular lamps inside a hollow globe so that the light is red but might also be powered by blood somehow? It’s unclear. One way or another, Lisavet in particular is a fascinating character, and her relationship with Marion is really well-written and interesting, and when things inevitably go to hell at the end the horror is real. This book isn’t related to The Year of the Witching, and Henderson’s third book just came out and is also a standalone, but I’d love to see more about this world. I’m genuinely not sure if this is actually going to show up on the list tomorrow, but it’s definitely in the running. Check it out.

(*) Heavily implied, maybe, but not until late in the book.