#REVIEW: How to Say Babylon, by Safiya Sinclair

It won’t actually take all that long for me to dispense with the “review” part of writing about Safiya Sinclair’s How To Say Babylon. You should check it out. There you go. Sinclair grew up in Montego Bay, Jamaica, the daughter of a Rastafari reggae musician, and the book is partially about her escape from grinding poverty to ultimately achieve a Ph.D in the United States and become a celebrated poet, and partially about trying to grow up female in a home dominated by an abusive misogynist. Sinclair, as one might expect from an award-winning poet, is a beautiful, lyrical writer, and her story is fascinating. I can’t imagine someone picking this up and not at least finding it tremendously interesting. I don’t recall how it crossed my radar, but I jumped on it, and it’s a pretty fast read.

That said, the book itself isn’t why I’m writing about the book, which ended up fascinating me but perhaps not for the reasons Sinclair intended. All the dialogue in the book is rendered as spoken, meaning that 90% of the dialogue is in Jamaican English, and I want to take a deep dive into Jamaican English grammar rules now that I’ve read this book. The dialect’s use of pronouns is kind of fascinating, and it was endlessly entertaining to me the way I was hearing anything her father said throughout the book. And, actually, after doing a light bit of Googling just now, it’s possible that there is some translation going on, because Jamaican patois is significantly more difficult for an American English speaker to understand than the dialogue in this book, which is unfamiliar but not incomprehensible. So maybe she pulled back a bit to simplify what people were saying, or perhaps conversation in their house was closer to American English than it might have been in other places. All four of the Sinclair kids ended up with university educations, so it’s clear that education was highly prized in the house– by their mother, as the book makes clear– so it’s entirely possible that a certain level of code-switching was taking place from the beginning.

The other thing is reading through this book and realizing I didn’t know anything at all about Rastafari. I went through a heavy Bob Marley phase in late high school and early college that was more or less responsible for everything I know about it, and I hadn’t appreciated just how unusual the … religion, and I’m using that word under some small amount of protest, really is. Rasta is wholly decentralized, for starters; it recognizes the Bible as Scriptural but there is no Rasta text to rely on and it emphasizes individuality to a degree where concepts like “orthodoxy” can barely even exist. In other words, Safiya Sinclair’s father was a devout Rasta, but that doesn’t mean that his practice of Rastafari lined up with anyone else, and while Jamaican culture as a whole tends toward the patriarchal, it wouldn’t be strictly accurate to say that Rasta was the reason her father turned out to be the man he did, or that it was responsible for how he treated his children and, particularly, his daughters.

(Also interesting: there are pages devoted to all four of the women in Sinclair’s family deciding to cut off their dreadlocks. There is not a similar scene for her brother, although there is a poignant moment where he declares his newborn child is going to decide on their own whether to follow Rastafari or not.)

On top of that, I absolutely wasn’t aware that Haile Selassie had traveled to Jamaica and explicitly rejected Rastafari’s belief that he was, in some way, God. Sinclair’s father appears to have believed that he was literally God on Earth; some of Marley’s lyrics lean that way as well, and Selassie straight-up said it wasn’t the case, at which point a whole lot of Rastas turned around and said that only God would be humble enough to deny he was God.

Which … wow.

And, like, think about this, right? Selassie was Emperor of Ethiopia. He was not, himself, a Jamaican, and there are no Rastafari in Ethiopia, or at least there weren’t when Selassie was alive. So this guy is Emperor of one country, and this group of people halfway across the globe decide that he is either literally God or at least the Messiah (and, again, no orthodoxy, so each individual Rasta might have a different idea about how this works) and form an entire-ass religion around him. And then he goes there, and he’s like, “No, I’m not God,” and it doesn’t work, and then eventually he dies and … Rastafari just keeps on truckin’.

There was also a lot of oppression of Rastas early on, including a couple of events that qualify as massacres and/or pogroms, and I wasn’t aware that had happened either.

I need to know more, and I want to read a formal academic history of this belief system, is what I’m saying, and not just a memoir. I feel like I’m overusing the word fascinating in this piece but it’s mind-blowing to me that this developed the way it did.

Anyway, read the book.

2023 in Music

I purchased– and yes, “purchased” is the right word– 72 albums in 2023. I am an Old, and I have never taken to streaming, and so I’m still paying for all this stuff, and the fact that I got handed $200 in Apple gift cards partway through the year definitely didn’t hurt. Obviously not all of that is 2023 music, and as usual, I’m going to talk about stuff that was new to me this year. 

The usual caveat whenever I’m talking about music: I have no idea how to write coherently about music, and never have, and furthermore I still cannot understand other people when they write about music. I have seen a ton of “Best New Releases of 2023” types of lists in the last few weeks, and purchased some music based on them, and … I just don’t get it. I’m pretty convinced that you could take the actual review parts of this article, randomly swap the artist and albums’ names, and republish it, and no one would notice. So this isn’t a list of reviews, it’s not a Best Of, and it’s sure as hell not in any kind of order other than maybe reverse chronological order of when I bought them. These are just albums that I enjoyed in 2023. Maybe you’ll like them too.

And I can hear you already, going “Wait, Luther, there’s no way you didn’t have Diamonds and Pearls already!” And you’re correct! I bought it on release day when I was in high school. What came out this year is the Super Deluxe Edition of Diamonds and Pearls, by Prince and the New Power Generation, which, for all my love of Prince’s entire career, will always be my favorite iteration of him.

The physical version of this motherfucker is seven disks long. There are live versions and alternate takes and an entire concert and demos and remasters and I’m going to stop typing now because you’ve already clicked away to go spend money.

I discovered Ren in 2023; Freckled Angels is a 2016 release but Sick Boi came out this year. Sick Boi is absolutely a rap album; Freckled Angels is something else and I’m not even going to try to describe it. Ren is Irish and monumentally talented and even if you’re not generally into hiphop you might want to look into him. Good shit.

I think it might actually be illegal to write anything about music in 2023 without mentioning Guts, by Olivia Rodrigo, and, well … yeah, it deserves it. I am really proud of myself for never unleashing my feelings about Sour in this space; Rodrigo has been underage for most of her career and picking on an actual child for musical choices that most likely were made mostly by other people who didn’t have her best interests in mind (no goddammit I’m not gonna do it) is not a move I want to make. But Guts is a more mature and multidimensional piece of work in every imaginable way, and bad idea right? is a fucking banger and I no longer feel like she should be taken away from her parents. All good. We’re fine.

2023 is also the year Paramore finally clicked for me, and after spending weeks mainlining This is Why every time I got into my car I went back and picked up most of the rest of their backlist. I mean, Christ, the name of their album is half of the line this is why I don’t leave the house; it’s like it was written for me.

You may have seen Queen Omega freestyling her ass off over a Dr. Dre beat on TikTok; I did, over and over and over again, until I cracked and spent money. I don’t listen to a ton of reggae nowadays, and I listen to even less reggae that doesn’t have anyone named Marley involved with it, but Freedom Legacy was a great dip back into the genre, and I feel like I might explore what modern, hip-hop influenced reggae is doing more next year. This is a hell of a collection, though, and I’m glad I grabbed it up.

Six? Six sounds good. Here’s the rest of the list:

Music Rec Sunday

I tried to come up with something properly alliterative, but “Song Sunday” sounds kinda stupid so to hell with it.

Anyway, I’ve been on a reggae kick lately for the first time in a while, and I’m betting that unless you’re into reggae or you spend a lot of time on TikTok, you’ve probably not heard of Queen Omega, so let’s fix that. This song, Agape Love, is one of my favorites by her. Check it out.

The 10 Album Challenge

I just finished this the other day, doing it slightly wrong (my 10 albums was 15 albums, and this post will add at least two more) and I figured I’d at least post the albums I chose here, in no particular order beyond the first one:

This is the most important one, and it should probably be its own post, as virtually no one I met beyond high school would ever have met me had I never listened to this album. This is the single most important piece of music I’ve ever listened to, period.

The soundtrack to my junior year of high school.

I really could have chosen any of Pearl Jam’s first three albums and it would have been fine.

Similarly, there are about three Public Enemy albums I could have picked.

The part of my brain that wasn’t marinating itself in hiphop during high school was marinating itself in reggae.

Speaking of marinating in hiphop, this was either the first or the second hiphop album I ever bought, and it had much more of a long-term impact than the other, which would have been the Fat Boys.

The other soundtrack to my senior year of high school, and the album that was being played at incredibly unsafe volume during all sorts of high-speed, late-night drives in the boonies in southern Indiana during college.

I got very heavily into blues music in college; there are a half-dozen BB King albums I could have picked.

One of only two Dave Matthews Band albums I really like, this one got me through my sophomore year of college. Will never forget having this on in the background about three days after it came out while a friend and I were hanging out and her remarking after a few minutes, incredulous, “You’ve memorized it already?”

Speaking of memorization: another big car album, and an album that we were listening to during an unforgettable game of euchre in high school, where the only words spoken by anyone at the table other than loudly singing along were to claim the trump suit. Whistling in the Dark was fucking epic.

I used to actually meditate to a couple of the songs on this album.

Listening to this one right now. Another case where I could have chosen any of several albums.

The other utterly unforgettable album from my blues period. Things Gonna Change is a perfect song.

The soundtrack to my senior year of high school.

And, closing in on 30 years after I first bought it, an album I still listen to on the first really warm day of every year. It’s not spring until I’ve listened to No One Can Do It Better, preferably in the car.


8:17 PM, Monday May 11: 1,346,723 confirmed cases and 80,342 deaths, which represents a remarkable slowdown over the last couple of days, and the smallest two-day total in months, which I’m afraid is going to end up having something to do with people not reporting much over Mother’s Day. We’ll see how tomorrow and Wednesday go.

Sunday reggae break

In which I declare defeat

Be it known that I have officially declared myself Wrong, and that the previous post shall be consigned to the flames.  Metaphorically.  I’m not deleting it or anything, and I’m not sure how I’d set an interwebs post on fire.

That would be a great superpower, though.

This may look pissy after that announcement, but after a long day at work and about half an hour of staring at the screen I’m also declaring defeat on having anything useful to say tonight.  I just discovered K’naan, and I think I’m going to spend the evening grooving.  Have a video or two:

And, honest to God, this one has a Chubb Rock cameo. I’m not even sure I knew Chubb Rock was still alive. Awesome:

This isn’t strictly a video– some YouTuber put it together– but Christ I love the hell out of this song.  Stunning, beautiful stuff; make sure to pay attention to the lyrics:

What music do you guys listen to? I want more new stuff.