In which Taylor Swift did it again

I pre-ordered Midnights, Taylor Swift’s last studio album, only to discover when I got up on release day that she’d released a previously-unannounced deluxe “3 AM” edition with several extra tracks three fucking hours after the base version of the album released. She waited three hours and then released an entire new version of the album while I have to assume the vast majority of the people who had preordered were still fucking asleep and hadn’t had time to even listen to Midnights yet.

When The Tortured Poets Department got announced, with a pre-order available, although you could, if you wanted to, spend $1.99 to download something or another that was eight seconds long, I decided there were probably going to be shenanigans afoot again and decided not to pre-order the thing this time. It didn’t look like she was releasing any singles anyway, and she didn’t.

iTunes insisted that the thing was coming out on the 21st, so I was a little surprised when my wife let me know yesterday that it was out already. And that I’d been exactly right– Taylor had pulled the exact same bullshit move again, only worse— that now the new version was a fucking double album, and was clearly the version that she intended to release, for a dollar more than the original pre-order price, and a different cover, and yep, you can still order the original, half-length version if you want to … and every single person who pre-ordered it got the inferior version, because no fucker anywhere knew the “Anthology” version even existed prior to it being released a few hours after the fake-out version.

I have come around on her music after many years of loathing her, but holy shit, is this a bullshit move, and the people it’s hurting the most are her biggest fans. I can’t believe I’m not hearing more about it; maybe it’s a function of the fact that most people stream nowadays. I don’t know what proportion of her fanbase is still buying digital music rather than streaming it. One way or another, I feel like she– and by definition, Apple, as well as whoever else might have been involved in this– owes her fans either a fucking way to get a refund or a way to buy the extra tracks for a dollar. This is an absolute fucking asshole move.

Never, ever, pre-order a Taylor Swift album, kids.

(I haven’t listened to it yet, by the way. The new Pearl Jam album is, after four more listens in addition to the two in the theater, absolutely fucking phenomenal, and it’s absorbed my attention. I’ll give it a spin this weekend sometime.)

BALREMESH AND OTHER STORIES back cover copy is now live

mblile-72dpi-1500x2000A last stand against ultimate evil. A refugee from outside of time. A corrupt governor and a graveyard of wronged spirits. A technological breakthrough that could change human culture forever, or end it entirely. An executioner listening to a genocidaire’s’ final statement. And a door, hanging in the air, a door that must never be opened. These and other tales await you within BALREMESH AND OTHER STORIES, a novella-sized collection of short stories and microfictions in the horror, science fiction and fantasy genres.

Hundreds-selling, Hugo award-nominated(*), generally-not-as-acclaimed-as-he-feels-he-deserves author Luther M. Siler returns to independent publishing with BALREMESH AND OTHER STORIES, his first new project in nearly two years. His other works include the BENEVOLENCE ARCHIVES series, the near-future science fiction novel SKYLIGHTS, and a nonfiction book about teaching, SEARCHING FOR MALUMBA.

(*) Anyone can nominate anyone for a Hugo. It’s like the Nobel prize. He was not a finalist.

You can pre-order Balremesh and Other Stories here, or add it to your Goodreads shelves here.

SEARCHING FOR MALUMBA now available for pre-order!

This is probably a teeny bit premature, since the book description’s not done and I’m not completely set on the price, but Searching for Malumba: Why Teaching is Terrible… and Why We Do It Anyway is officially available for pre-order at Amazon!  The cost, in line with my other books, is a completely reasonable four of your dollars and ninety-five of your cents for what is currently a 116,000 word manuscript.  A Goodreads page ought to be appearing at some point today too.

Release date is October 27, y’all.  Woohoo!