#REVIEW: The Luminous Dead, by Caitlin Starling

So:

1) Read yesterday’s post.

2) Understand that I have finished the book and remain just as enthusiastic about its strong points.

3) Also understand that the issue described in that post does not get better, ever, so calibrate your expectations as needed.

The end.

#REVIEW: THE HUNGER, by Alma Katsu

For whatever reason, I’m reading a lot more this year than I did last year. I set last year’s goal at 100 books and only barely got past that at 106; I decided to dial it back a little bit this year and set my goal to 75, and I just finished the 70th book of the year last night, so I’ll finish my yearly reading goal before the year is halfway done.

Given that I’ve been on a book-every-day-or-two pace for most of June, the fact that it’s still notable how fast I devoured — pun intended — Alma Katsu’s The Hunger is pretty impressive. I couldn’t put this book down; it’s nearly 400 pages long and I finished it in less than a day. Even more impressively, The Hunger is a horror novel, and I tend to be kinda rough on horror novels. The scariest book I ever read was a nonfiction book about the Dust Bowl (I am not remotely kidding) and on the rare occasions that I find a horror novel that actually scares me I tend to promote them heavily.

You might imagine, given all of that, that a historical fiction about the Donner Party that tosses some supernatural complications into the story might be right up my alley, and man, you’d be all sorts of right. Don’t get me wrong; I think Katsu probably could have played this book perfectly straight and still written a hell of a novel if she’d wanted to, but taking what was already a nightmare hellscape of a setting and tossing in what isn’t quite a zombie story but is still certainly in the neighborhood ended up creating one hell of an engrossing story. Katsu bounces back and forth between half-a-dozen or so narrators from the caravan (which was, at the beginning, nearly 100 people strong) and from my brief research into the actual events of the time, does a decent job of keeping at least the important parts of her narrative close to what actually happened.

(I mean, monsters. She adds monsters. I’m pretty sure the monsters weren’t there originally. But it’s still decent historical fiction nonetheless, I think.)

So, yeah: this book is about terrible things happening to regular people, and some of the terrible things are kind of their own damn fault but most of them are because frontier-era America was legitimately dangerous as hell, and Katsu keeps the tension so thick for most of the book that you want to wipe it off your fingers when you’re done reading. She’s got a genuine gift for setting a scene and a hell of a talent for just keeping everything creepy; this book isn’t a jump-scare sort of thing, but the type of book that’s gonna worm its way into your head while you’re reading and stay there a while. There’s a good chance of seeing this one on my Best of 2019 list at the end of the year. Check it out.

I been readin’: some reviewlets

4169sZXxF0L._SX322_BO1,204,203,200_I spent a lot of time reading this weekend, which is the best way to spend a weekend; I managed to read two complete books cover to cover basically before even getting into the shower yesterday, and knocked out another one this afternoon.  I know I keep saying it, but it’s nice not working weekends.  I didn’t even put my watch on today!  That’s how awesome this weekend has been.

At any rate, seeing as how I really enjoyed all four of the books I’ve finished, but I don’t want to write four full book review posts, y’all get some quick reviewlets instead of a solid week of book posts.

We’ll start with Into the Drowning Deep, by Mira Grant, who is also Seanan McGuire.  I’m a big goddamn fan; I know I’ve talked about her under both pen names around here repeatedly, so I’ll cut to the chase on this one: it’s her best book.  ITDD is kind of a book designed to push my buttons in a lot of ways; all of the characters are scientists (and damn near all of them are women scientists, which is even better) and the book is a great mix of research-intensive oceanographic geekery, cryptid speculation, and gut-wrenching horror.  It takes a lot for a book to scare me, to the point where I can only recall praising one book in the past for how scary it is.  This is right up there.  It’s also insanely movie-friendly.   I want to see this movie on the big screen so bad I can taste it, and some Hollywood bastard needs to shovel a ton of money at Seanan and get this on screen now.

410o6yuEykL._SX311_BO1,204,203,200_ My love for Tor.com’s novella line continues to grow with every book they release.  I have damn near an entire shelf of them by now, and I’m at the point where I’m putting them on my Amazon wish list the second I find out about them regardless of who the author is or the subject matter.  That said, P. Djèli Clark’s The Black God’s Drums is a perfect exemplar of what I love about the line: an author I’ve never heard of (I have found so many good authors through these novellas!) writing an alt-history featuring characters that are generally underrepresented in genre literature.  In this case, the book is set in an antebellum, independent New Orleans, in an America that is split into at least three or four different factions, with airships and steampunk and, oh, right, orisha magic.  The main character, a young girl named Creeper, is possessed by Oya, an African god of wind and storms, and occasionally is able to manifest magic powers.

Oh, and there are nuns who are basically spymasters, which kinda rocks.

51UnBCky8WL._AC_US436_QL65_I have actually already read most of Walter Mosley’s Easy Rawlins mysteries, but it’s been a really long time and I’ve been slowly working my way through his books over the course of this year.  This is the third one I’ve read and the second of the Rawlins mysteries.  It’s weird; the last time I read a lot of Mosley was in college, and for years I’ve been telling people that he was an author where I was really fond of his sentences and paragraphs but that I didn’t necessarily love his books.

College Luther was kinda dumb, I guess.  Or he was half right, at least, since Mosley remains a brilliant craftsman as far as the beauty of his writing goes, but I really wasn’t giving his skills with plot and story enough credit.  I’ve been enjoying these books much more on the second pass-through than I did when I first read them, and even back then I recognized how good the guy was.  There will be more Mosley to come this year, that’s for sure.

81LZP9WQ7yL-1I encountered Ismail Kadare’s The Traitor’s Niche through Twitter, and specifically through my friend Anne Leonard, who Tweeted out a link to this New York Times profile of the book.  It caught my interest as well, and when Barnes and Noble actually had the damn thing when we popped in on Saturday I took it as a sign and bought it.  Kadare’s book is the one I’m most conflicted about out of everything I read this weekend, mostly because I feel like I didn’t quite get everything that was going on: the book was written in 1978, and only recently translated into English, and while it’s supposedly about the nineteenth-century Ottoman Empire, it’s actually about Albania in the 1970s.  Albania in the 1970s was a client state of Russia and controlled by a dictator.  This is therefore not only literally translated from the Albanian it was written in, but is metaphorically complicated as well; the book demands to be read on a couple of different levels and the simple fact is that I’m not in possession of the necessary background knowledge (I just told you everything I know about Albania) to be able to read the book with the understanding and background knowledge that it probably deserves.  I four-starred it on Goodreads, but it could have been a five and it might end up in my 10-best list at the end of the year anyway.  It’s just kind of a rough book to form a snap opinion on.

What’s it about?  Severed heads.

Just trust me.  🙂

#REVIEW: THE OUTSIDER, by Stephen King

9781501180989_p0_v4_s550x406I didn’t want to buy or read this book at first.  That’s not my normal approach with Stephen King; the man has written approximately 5000 books, but I have damn near all of them.  I can only bring two of his books to mind that I know exist and have not read yet: his novel about the Kennedy assassination, which rubbed me wrong from the beginning and which I never started, and the third of his three Finders Keepers books, which I cannot explain why I have not read yet.  I’m gonna get to it eventually!  I promise!

So, yeah: I’m a fan.  I have been a fan since I was, I dunno, however old I was when Misery came out and I found my grandmother’s copy when staying the night at her house and managed to read most of it before she realized what I was doing.  Honestly I don’t remember if anyone tried to stop me or not, but it wouldn’t have done any good if they had; nobody was ever any good at keeping books away from me.

But I didn’t want to read this book.  The main reason?  The premise, as explained by most of the pre-release stuff, is white dude is accused of heinous sexual assault, turns out to be innocent.  And if I’m being honest, white dude turns out to not be a sexual abuser after all! is not really something I’m super interested in reading about too much right now.  There are entirely too many white men getting away with sexual assault and rape right now– some of them being elected fucking president, no less– just put me off the book for several weeks.  My wife read it in the meantime, and told me to go ahead and read it anyway, and I did.

Which was the right call, because once I started The Outsider I had the damn thing finished in two days– a hundred pages the first night, another hundred the second, and then I picked it up when I got home from work yesterday and didn’t put it down until I was done with it.  And it’s a big damn book.  Stephen King, after all.  The reason I wrote such a short post last night?  I got caught up in reading and didn’t want to put the book down to write a post.

So, a couple of things: this is King’s darkest work in years, if not in his career, to the point where I’m not even sure right now what I’d suggest its closest competition is.  The book begins with a man being arrested for an absolutely heinous act of rape, sexual torture, and murder, and despite his innocence being such a plot point that I can’t even honestly call it a spoiler to mention it, the book keeps you wondering what the fuck is going on anyway, and then at about the 200-page mark it throws a massive curveball at you and runs off to be an entirely different book than the police procedural you thought you started with.  And even before that curveball, King does an outstanding job of whipsawing you back and forth between this man is absolutely guilty and this man cannot possibly be guilty, sometimes in the same chapter, and the cops don’t always make great decisions on how to prosecute the case and when the book finally does tie everything together and explain what’s going on I feel like it earned its ending in a way a lot of books– including a handful of other King books– really don’t.

This is also his scariest book in a long, long time.  I will admit that being the father of a young son didn’t exactly help me with that, and if you aren’t a parent your mileage may vary a bit.

One gripe, though: I have always thought that one of Stephen King’s greatest gifts as an author was his ear for voice and for dialogue, which makes it weird that this book has such really weak dialogue throughout.  There are so, so many sentences in this book that no human being has ever uttered before and never will.  He does this thing at the end where he sort of thanks the people of Oklahoma and says that if he got anything wrong, he’s sorry?  And I feel like maybe he’s doing this weird thing where he’s trying to capture something he thinks is Oklahoma Folksy and instead he’s landing on Abraham Simpson:

This is especially bad in the earliest parts of the book, where a fair part of the text is interview transcripts, meaning that they’re nothing but dialogue and people telling stories.  The various cops in the book generally aren’t prone to rambling, but any time someone else is talking– again, especially in that early part?  God.

But yeah.  If you can push past that one rather notable weakness, this is excellent King and a great recovery from Sleeping Beauties, which I didn’t really like much at first and has not climbed in my estimation since then.

I need recommendations

I’ve been making another stab at getting into podcasts lately.  I just took a four-hour road trip last weekend and I tried to grab some recs from Twitter, leading to several hours of listening to Lore and a quick try at Case File that was immediately derailed by the host’s accent, which was just a bit too thick for me to handle in the car.

Lore I liked a bit more, but it’s falling into the same trap that Welcome to Night Vale did–after listening to a half-dozen or so episodes, I am both tiring of the host’s voice and becoming really good at predicting certain tics in the way the show is written.  If I’ve got a mental drinking game mapped out for your show after listening for a couple of hours then it’s probably not going to hold my interest for too terribly long.

So: any of you out there listen to a lot of podcasts?  Y’all should have a decent idea of what I’m into by now.  Any recommendations from those of you who don’t follow me on Twitter and are seeing this for the first time?

#REVIEW: STILLHOUSE LAKE, by Rachel Caine

images

Rachel Caine is– and I hope somebody out there understands what I’m talking about here, because I feel like I might be talking out of my ass– an author that I’m a stealth fan of.  She’s one of the most prolific authors I’m aware of, up there with Seanan McGuire and Stephen King, and I have eighteen of her books.  That is a lot of books!  There are probably not many authors who I have that many books by; in fact, King is the only writer I can think of who I’m certain I have more books by than I do by Rachel Caine.

And yet I’m pretty sure I’ve not listed her previously on any list of my favorite authors, despite that, and I think Stillhouse Lake is the first of her books that I’ve been moved to review here.(*)  Her books, to me, are like candy.  This isn’t an insult!  Everybody loves eating M&Ms!  Sometimes you find yourself really craving them!  But you don’t really talk about your love of M&Ms with other people, right?  They’re just there, and they’re delicious, and there are always new M&Ms available whenever you’re ready for a new M&M.  Yummy.

(I swear.  That’s supposed to be a compliment.  I’m not very good at this.)

Here’s the thing about Stillhouse Lake, though: I feel like Rachel Caine was writing outside of her comfort zone for this book.  Her series tend (not all, but mostly) to fit squarely into the Urban Fantasy genre: first-person stories about impossibly attractive women with some sort of supernatural abilities who fight against some sort of shadowy world-dominating evil cabal of some sort.  Sometimes there are genies.  Sometimes there are zombies.  But there’s a theme.

This is the only Rachel Caine book I own that fits squarely into the modern world.  There’s nothing supernatural about it at all.  It’s also the only book of hers I’ve read that is undeniably a horror story.  (She has a series, called the Morganville Vampires, which I haven’t read and could conceivably be a horror series?  But vampires are rarely scary anymore and I suspect it’s more urban fantasy.)

So it’s quite different from her previous work that I’ve read.  And I’m about to say something about this book that I’m fairly certain I’ve rarely if ever said about a book before: it scared the hell out of me.  The premise is pretty simple: the main character was once married to, and in fact had two children with, a man who turned out to be a serial killer.  She had no idea about what kind of person she was married to until he was caught.  He was convicted and is on death row, and she was tried as an accessory to his crimes but acquitted.  Since then, she and her kids have been on the run, both from her husband’s inevitable cadre of fans and hordes of Gamergate-style internet assholes who think she got away with being a serial murderer and want to see her destroyed.  Over the years, she and the kids have gotten good about dropping everything, burning their identities and fleeing town whenever anyone seems to figure out where they are before the hate mail and the rape fantasies and the death threats can start up again.

The book starts off making the internet the enemy, and letting us inside Gwen’s head as she tries to protect her kids both from external threats and from finding out about the external threats– understandably, she wants to keep the worst of the harassment and the details of their dad’s murders from them, but without understanding just how dangerous the world around them is, the kids aren’t especially happy about constantly having to uproot themselves.  Her relationship with the kids, especially her teenage daughter Lanny, is my favorite thing about the book.

And then they find a couple of bodies in the lake they live by, bodies of young women killed in much the same way that her ex-husband killed his victims, and all fucking hell breaks loose.  And the strength of the book– Gwen’s relationship with her kids– started really working against me, as what were theoretical threats against her family and her children become terrifyingly real.  I read the last half of the book in one giant gulp last night, wanting nothing more than to go to bed but knowing for goddamn sure that I wasn’t going to put the book down until I knew everybody was safe.  The book tapped directly into my daddy-brain, and it scared the shit out of me, and when you combine that with pure expertise in page-turnery, you have a book I’m proud to recommend.  Go give it a look.

(*) EDIT: Not true, as I reviewed the last book I read by her, Ink and Bone, back in November.  And a lot of the praise I had for that book reads similarly to what I have said here– hell, the first few paragraphs of the reviews are interchangeable, basically– but Ink and Bone retains the supernatural elements of her previous work and Stillhouse Lake jettisons it entirely.  I&B is still a damn good read, mind you, but I think Stillhouse is a cut above.

A brief, charming little story

pennywise-the-clown-tim-curry
Sure, why not.

My wife is out of town again, through Friday this time, and as he tends to do when one of us is out of town the boy has requested to sleep in the “big bed.” I put him off last night because for a five-year-old he takes up an astonishing amount of room and is somewhat less receptive than my wife to the occasional nudge if he strays past his side of the bed.

(For the record, I have no idea how receptive I am to such nudges.  I’m sure I do it too.)

My wife is reading IT for about the hojillionth time right now in preparation for the upcoming movie.  We have at least three copies of the book in the house and two of them are on her nightstand– the paperback copy she started reading, and the hardback she ganked from her parents when she realized that reading a thousand pages of the tiny print in the paperback might not be in her eyes’ best interest.

As I’m reading the boy his bedtime stories, he notices the books and asks if tomorrow I can read IT to him instead of, oh, Disney’s 5-Minute Fairy Tales or whatevertheshit.

“No.”

“Why not?”

“It’s too scary for you.  You can read it when you’re old enough,” I say to him, reflecting upon the fact that my first Stephen King book was Misery, published in 1987, and therefore first read (I stole my grandmother’s copy on an overnight visit, and I was 2/3 done with it before she realized what I was reading, well past the point where she could have objected) when I was in fifth grade.  I went on a serious King bender after that and so it couldn’t have been much longer before I got to IT.

“Oh, okay,” he says.  “They taught me to read yesterday at school.  I can do that now.  Can I read it to myself?”

I think about this for a second.

“Sure.  You can start tomorrow, though.”

“Okay,” he says, and hands me the fairy tales book, apparently satisfied.

I’m really gonna feel ridiculous if he actually did learn to read yesterday, I imagine.

“Warrior Jayashree and the Gallows Pole”

     A devilishly persistent beam of sunlight dragged the warrior Jayashree into unwilling consciousness.  She tried to cover her eyes, to snatch a paltry few moments more sleep away from the accursed daytime, only to realize she couldn’t move her arm.

Either of her arms.

It occurred to her that the bed she was lying in was exceedingly uncomfortable, and that her head did not appear to rest on a pillow.

I’m in gaol again, aren’t I?

She forced an eye open.  She winced painfully, as the action allowed a bit more of the demon sunrise into her skull.

I’m probably in gaol, and I may also still be a bit drunk.

     Drunk was good.  It meant she had probably at least earned the imprisonment somehow.  Hopefully whatever had gotten her arrested had been fun.

She gathered the dregs of her strength and wrenched her other eye open, trying to look around her cell—for that was certainly what it was—while moving her eyes and her head as little as possible.  She was dressed in a light, coarse shift that she was certain didn’t belong to her.  She was laying on a stone bench set into a wall, and her arms were secured by bamboo rope tied to a metal ring.  The window the offending sunbeam was pestering her through was barred.

GaolDefinitely gaol.

She tested the ropes.  They would break, if she really needed them to, although she might have to accept spraining a wrist along the way.  Her legs were unbound.  She had enough slack to sit up, so she did.  Started to, at least, until a thousand tiny homunculi wielding icepicks declared war upon on her temples and she sank back against the bench again.

Perhaps a few minutes more, before I try again.

She heard motion behind her, and the closing of a heavy door.

“So.  What did I do?” she asked.  Her voice sounded much more like a croak than she was used to.

“You don’t remember?”  The voice was familiar.  And quite irritated.  It sounded like—

Oh, no.

Ignoring her body’s protests, she rolled off the bench and into the closest approximation her muscles and bound wrists would allow of a genuflect.  It hurt more than she expected.  And in more places.

This isn’t just a hangover.  Oh, it was certainly a hangover, and probably one caused by grape sura.  Grape sura always hurt the worst the next day.  But there was something else wrong.  She’d been in a fight.

“Who did I kill?”

“Stand up,” the voice answered, and the ropes slithered away from her wrists like snakes.  She turned toward the voice and dropped closer to the ground.

“Mother of Magic.  My deepest apologies for whatever has—”

“Stand.  UP.”

     She leapt to her feet, the voice compelling her, her limbs and torso screaming in protest.

The Mother of Magic stood before her, practically glowing in head-to-toe white raiment.

White.  White was the color of mourning.  The Mother of Magic generally wore ruby-red.

Oh, this is bad. 

     “Look out the window.”  This statement did not carry the compulsion along with it, but Jayashree did not hesitate.

Her cell overlooked a central courtyard, which was not unexpected.  The gallows pole standing in the center of the courtyard was, though.

Jayashree cleared her throat, concentrating intensely on willing her hangover away.

“Is … is that for me?”

“At the moment?  Yes.  And I am not sure I should do anything to help you change that, either.”  Jayashree turned, daring to look the Mother of Magic in the eyes.  Her pupils were gone, her eyes a shining white void against ebony skin.

This was generally not a good sign.

“May I ask what happened?”

“Do you recall being propositioned last night?”

“I am propositioned every night,” Jayashree said.  “I don’t … wait…”

She recalled a particular man, not unlovely to look at, but with food in his beard and the stink of fish on his breath.  A man who had loomed over her, trying to intimidate her with his size.  She had … what had she done?  She genuinely didn’t remember.

“Possibly one.  Large.  Unkempt.”

“You have bedded the unkempt before, Jayashree.  More than once, I believe.”

“I didn’t want to bed this one,” she said, shrugging.  “He felt differently.  I take it I overreacted?”

“Somewhat.  He went through a table on the way to the floor.  A piece of the table lodged itself behind his ear.  I suspect you did not intend to kill him.”

Jayashree thought about this.  It sounded familiar.

“And then … and then, he had a lot of friends, for some reason…” Yes, there had definitely been a fight.  She’d clearly held her own; nothing was broken.  She tested her teeth with her tongue.  Some missing, but none newly so.

“The nephew of the Rajh.”

Ah.

     “That’s bad.”

“It is.  The Rajh is rather put out about it.”

I can imagine.  “And you?”

The Mother of Magic shrugged, her first human gesture since entering the room.  “I have met the nephew.  He was a boor.  I can see why you rejected his advances.”

She forced more of the alcohol’s aftereffects out of her brain.  “Is there to be a trial?  Or are we discussing escape and not defense?”

“The Rajh has a proposition for you,” the Mother of Magic said.  “I suspect he believes it to be a death sentence of a sort.  But he has a proposition.”

“I accept,” Jayashree said.

“Yes, you do,” the Mother of Magic said.  “And then, when you are released, I will kill you.  This has been a most inconvenient morning, Jayashree.”

Jayashree bowed her head.

“Mistress,” she said.

#

     “Were this not your creature, Mother Manisha, I would have dealt with her already,” the Rajh said.  “You should keep better track of your guards.  Her survival is due solely to my high opinion of you.”  He fingered his seal of office, which dangled heavily around his neck.

“Your high opinion of my office, at least,” the Mother of Magic replied calmly.  There was no love lost between her and the Rajh.  They were both fully aware of this fact but of the two he was more likely to pretend to conceal it.  “The Potentate will frown upon open warfare between his Rajh and his goddess’ Mother of Magic.”

Jayashree knelt facedown, in a warrior’s tunic and loose pantaloons, trying to stay as close to the ground as possible.  The Mother of Magic had released her from her cell and given her less than an hour to make herself dressed and presentable.  She had forced herself to have some greasy food and cold coffee to wash away the last dregs of the hangover, and now her stomach complained.  Not so loudly, she hoped, that the other two could hear it.  Her arms and armor had not been restored to her yet, but if the Rajh genuinely expected a task from her she would surely get them back soon.

“You suggested you had a task for my creature to perform,” the Mother reminded the Rajh.  “One that might, somehow, soothe the pain of the loss of your nephew, which you surely feel so keenly.”
“I am shattered,” the Rajh said, and Jayashree realized with a jolt that this had nothing to do with her or even with his nephew.  The Rajh was simply looking for someone expendable and she had obligingly provided herself for him.  Her loss being an inconvenience to the Mother would simply be a bonus in the man’s eyes.

The Mother did not rise to the bait.  “The task, then?”

“Rise, warrior,” he said, and Jayashree climbed to her feet, trying to keep from groaning or wincing too obviously.  There were scrapes and bruises mottling the red-wheat color of her skin on her face and arms.  She would not let him think they mattered.

“Are you familiar with the pishacha?” he asked.

Jayashree barely suppressed a sideways glance at the Mother.  The question was unexpected.  “Demon spirits,” she said.  “They haunt graves and cremation grounds.  They … I do not recall, Rajh, whether they are the type to possess the living, or merely to consume them.  I am sorry.”  She bowed her head.

“Both,” the Rajh said.  “There is a cremation ground not far outside the walls.  It has of late become infested with them.  They are beginning to spill outside the grounds and bother travelers and others.  People are beginning to talk.  You are to rid me of these … upsetting presences.  Do this task, I care not how, and I will forget your offense upon my family.”

“Upon one of the lesser branches, to be sure,” the Mother of Magic added.  Rather unhelpfully, Jayashree felt.

The Rajh ignored the jab.

“How does one defeat a pishacha?” Jayashree asked.  “I have never encountered such a thing.”

“Cold iron will do, I am told,” the Rajh answered.  “But silver would be better.  A pity, then, that I have no silvered weapons to spare to you.”

“The Mother will provide,” the Mother of Magic said.  “We will outfit Jayashree properly ourselves, and send a contingent of warriors today.”

“She is to perform the task alone,” the Rajh said placidly.

“And why?” the Mother challenged.  “It seems that your problem would be solved more easily were we to send more than a single greenwood warrior.”

“The pishacha are shy,” the Rajh said.  “They have not appeared to groups, only to individual travelers.  A larger group would likely go unbothered.”

“Then someone more seasoned,” the Mother protested.  “A more experienced warrior.  One who could, again, solve your problem.”

“The pishacha or the gallows pole,” the Rajh countered.  “Those are your choices.  Those, and no others.”

Jayashree bowed her head, and made her choice.

#

     “The blade is silvered,” the Mother said, “and the dagger cold iron.  You will not need your bow.  You will be too close to them to use it, when they finally reveal themselves.”

“Any suggestions on tactics?” Jayashree asked.  She tightened the straps on her armor, not sure if she was wasting her time or not.  She had been in fights, even a few battles, but none against the undead.   

The Mother murmured a few words, pressing a thumb into Jayashree’s forehead.  Jayashree closed her eyes as the world opened to her for a moment, then snapped closed again.  “The pishacha have their own language,” she said.  “And you will feel them talking before you hear it. The word pishacha is an old one; it means chatterers.  The spell will help you understand their words, if they wish to be understood at all.  Listening to them may save you from battle.  If it comes to iron and silver, be merciless.  Every blow must be a killing one.  Aim for the neck.  They are not human, but they will die like humans if they must.  And trust all of your senses.  If you feel one nearby, swing, whether you see it or not.”

“It sounds like you are telling me not to trust my eyes,” Jayashree said.

The Mother considered.  “Not quite.  They can make themselves invisible to your eyes.  They cannot create illusions of themselves.  If you see one, it is there.  If you do not see one, it may still be there.”

“I am not ready,” Jayashree admitted.

“None of us ever are,” the Mother replied.  “But I have faith in you, daughter.  We will meet again, I promise you.”

Jayashree nodded, and strapped the silvered khanda to her hip.

#

     The old cremation grounds were a few miles outside of town, at a sharp bend in the river.  For generations, bodies had been ritually burnt on the muddy spit of land the river encircled, and any cremains not borne away by the wind were commended to the water a few days later.  The Grove of the Children was across the river; the bodies of the young were buried, not burned.  Jayashree found herself hoping the pishacha were on the cremation side, as killing the reanimated spirits of children felt like a task heavy enough to break her.

She considered riding and decided to walk.  She suspected the pishacha would not emerge until nighttime, which meant she had several hours.  The day had grown hot but dreary, a thick layer of clouds rolling in over the bright sun that had awakened her in the morning.  It would rain soon enough.  I may as well die in the rain, Jayashree thought, and considered simply continuing past the cremation grounds and never returning.  The Rajh would likely assume she had died.  The Mother of Magic would know, of course.  The Mother of Magic had a way of always eventually knowing everything.  Jayashree was not sure she would go to the trouble to track her down again.

No.  She had killed before, but always intentionally.  The Rajh’s nephew was the first whose death she had caused by accident.  She felt shame as she realized she had not bothered to find out the man’s name.  He had likely introduced himself, but the drink had erased the memory.  The Rajh had not bothered to use his name, either.  If this was the task she must perform to atone for the death she had caused, she would try her best to do it, even if it felt a bit unreasonable.

She ate a light meal a few hundred yards from the cremation grounds, enough to keep her strength until well after dark.  She had seen no one since leaving the city, and it looked as if no one had passed by here in some time.  The path was overgrown, no tracks of horse or man or cart beating down the underbrush.

Odd.  The Rajh had said the spirits were bothering passersby.  There was no sign there had been any for weeks, at least.  Not for the first time, Jayashree wished she had spent more of her time learning woodcraft.

She looked up at the sky.  The rain would come soon, before nightfall.

I will not die today, she thought.  That day would come eventually, but she would not die wet and cold.  At least being at the cremation grounds meant there was plenty of wood available to build a fire.  She set out to prepare for her vigil.  The fire would have to be large, to keep the rain from extinguishing it.

#

     She felt a cold touch, a brush across the back of her neck.  She had been meditating by the fire for hours, cross-legged, the expected rain never growing stronger than an annoying sprinkle.  She opened her eyes and rose to her feet in one motion, one hand on her khanda.

She saw nothing, but she heard whispers all around her.  They were almost understandable, as if the pishacha were deliberately concealing their words from her.

“Show yourselves,” she said.  Her words vanished into the silence, as the spirits around her stopped speaking.

Then they started again, and this time she could understand them.

     you

     what what are you

     what is this

     it has a sword it has a sword a weapon a weapon to kill

     kill it bring it down into the ground

     it hears us

     do you do you hear us do you hear our words

     we must kill it

     no not yet

     no

     soon

     do you hear us

“I hear you, honored spirits,” Jayashree said, cold fear working its way up her spine.

you were sent to kill

     no not to kill

     to kill

     to listen

     it fears

     it was sent to listen it hears and understands

     it was sent to kill it carries a sword the sword bites and shines and bites and shines and bites and shines and bites            

     to kill to kill to kill

     fear

     fear

     it fears

     Jayashree unsheathed her sword, plunging it into the embers of her fire.  There was a sudden storm of noise around her, then a withdrawal.  She waited, making no further movements, and felt the spirits growing closer to her again.

“I was sent to kill,” she said.  “But I have free will.  I will listen if you will speak.  I was told you had become a danger to the living.  That you should be removed from this place.  That you have killed travelers, and menaced the living.”

She felt more cold touches, but nothing caused her to reach for the sword again.  A shape coalesced in front of her, a swirl of smoke slowly forming into a familiar shape.  The babble of voices began again.

lies

     your words are lies

     it will kill us take it take it now

     it will not

     it speaks lies

     but it wishes for truth

     kill it kill it kill it kill it

     no

     not yet

     Jayashree felt a pressure at the back of her neck, a beckoning, an invitation.  Trust all of your senses, the Mother of Magic had told her.

“Tell me what you want,” she said.

quiet

     silence

     we wish quiet quiet the grave the silence the sound of peace

     but not by the sword no not the sword not hurting not biting not silver

     can you bring us this

     can you can you can you

     will you

     kill it kill it kill it kill it kill it now

     will you bring us

     the quiet

     “Tell me how,” she said, and felt the pressure at the back of her neck again.

She had asked the Rajh if the pishacha were creatures who possessed or merely killed.  Both, he had answered.  The shape formed in the smoke again, and the rain fell harder.

This is not the day I die, she thought to herself again, and let the pishacha have her.

#

     The visions came upon her all at once in a wave.  She panicked and tried to push them away, and they abated for just a moment.  The pishacha appeared to understand that she could not cope with them all at once.  But then the memories began to arrive one at a time, no pauses in between, and every memory ending in death and blood, and that was almost worse, for when those who had become the pishacha died, Jayashree died with them.  If she had caused one death by accident, she had atoned for it fully within minutes, as she died over and over again in their visions.

And each time, the same face.  Sometimes wielding a dagger, or a spear, or a garrote.  Sometimes standing nearby and smiling as an innocent swung from a rope.  Sometimes giving orders that, followed obediently, led to painful death at the talons of his other victims.  The same face.  The same hands, bloody from murder upon murder.  The same result, as the spirits of the unjust dead rose again, waiting for the one who could understand them, the one who could end their pain, who could avenge them.

him

     always him

     he was the one

     all of us hurt

     all blood

     all murder all blood all death

     trapped here in the cold and the wet and the cold and the wet

     do you understand

     do you do you do you do you see

     do you see

     “I see,” Jayashree said.

will you help

     “I will,” she answered.

Everything went black.

#

     She felt herself flying, moving faster than she could imagine, and hurtled into a building, through halls and up stairs.  She finally came back to herself back in the city, standing in a room, at the foot of a bed.  The storm roared outside.  The bed was opulent, surrounded by a gossamer curtain.  The room furnished as if for a man of wealth.

And she knew where she was, somehow.  The Rajh’s bedroom.  She shuddered.  How had they brought her here?  And so quickly?

They cannot see us, the pishacha told her, speaking as one voice for the first time.  The pishacha are hidden to groups, she thought.  And she had been, for a time, one of them.  She dropped a hand to her hip, feeling the khanda hanging back at her side again.  Its pommel was still warm, the metal still retaining some of the heat of the fire, unaffected by the cold and wet of the storm.

“He had guards,” she whispered.  “Did we kill them?”

They sleep.  They cannot see us, and they sleep.  He is yours.

     She unsheathed her khanda, and swept the curtain aside.  The Rajh slept peacefully, wrapped in expensive silk pajamas.

The pajamas tore as she grabbed him by his tunic and lifted him above her head one-handed, undead energies bolstering her strength.

His first reaction was to call, panicked, for his guards.  She let him, staring into his eyes.  No one would hear him.  Let him call.

“You lied to me,” she said.

“I did nothing,” he said.  “I sent you to kill spirits.  You let them have you.  I can see it in your eyes.”  He struggled against her grip.

“And the Mother of Magic let me understand them,” Jayashree answered.  “They showed me how they died.  They showed me who killed them.  Your symbol of office.  All of their deaths.  You, responsible.  And you’d have added me to their ranks without a second thought.  You’ve been executing any who cross you for years, making them disappear at the old cremation grounds.  None of them with a trial.  And few for any real offense.”

“As is my right,” the Rajh replied, choking.  “I rule here.  I.  Not the spirits, and not the Mother of Magic’s lapdogs.”

“They seem to disagree,” Jayashree answered, and there was a crack of lightning, and suddenly she stood outside, the rain now falling so hard it hurt.  The gallows pole still stood at the center of the courtyard, seven steps leading up to the platform.  She held the Rajh two feet off the ground as if he was a kitten, her muscles feeling no strain.  The voices of the pishacha were legion again, echoing in her head.

do it

     yes yes yes

     hurt him burn him kill him

     he was the one

     we died he dies

     give him to us

     give him to the ground

     do it do it do it

     Realizing where he was, the Rajh began to scream.

     “You said to rid you of the spirits,” Jayashree spat.  “You cared not how, do you remember?  The spirits will trouble you no longer, Rajh.  There is just this one thing to do, first.”

     Jayashree hauled the struggling man up the seven steps.  At the top, the rope beckoned.

“The pishacha or the gallows pole, you told me,” the warrior Jayashree said, wrapping the bamboo rope around the Rajh’s neck.  “I made the wrong choice at first.  I have changed my mind.  I choose the pole.”

She kicked the Rajh in the back, sending him flying off the platform.

The wet snap of his neck echoed like thunder in the empty courtyard.