#REVIEW: The Radiant Dark, by Alexandra Oliva

I have reached a point where I am getting a truly absurd number of books every month through book box services of one stripe or another, and every time I think I’m going to get my shit together and cull one or two of them, I discover a book like The Radiant Dark, which was not on my radar in any way before it showed up and caught my interest via, in this case, my Aardvark box. Alexandra Oliva has written a couple of other books before this, but she’s new to me, and anything that can consistently feed me new authors that I like is going to continue to get my attention and my money.

The Radiant Dark is part alternate history, part science fiction, and part family saga; it starts in 1980, and at first I thought I had managed to pick up what feels like the third or fourth book in the last month or so featuring a struggling young mother with a baby and a useless husband. And, well, it is that, for a little while, but it doesn’t stay that way for long. Very early in, President Carter announces that a signal emanating from a specific region of outer space has been conclusively proven to have intelligent alien origins, from an unknown exoplanet approximately eleven light-years away. And because of the distances involved, any message that gets sent back is going to take eleven years for the aliens to receive, and 22 years minimum for Earth to receive any sort of response. The book isn’t solely concerned with the communications, of course, but there have to be time skips to keep it from being a thousand pages long. Oliva also has a defter hand with her characters than you might think at the beginning of the book, and the relationship between Carol, her son Michael, and her daughter Rosanna (called Ro for most of the book) is the emotional center of the book. Carol’s husband quickly becomes her ex-husband, but he’s a complex character in his own right, and while it seems clear who the hero and who the goat is early on, it gets muddled up nicely in the fashion of most dysfunctional families pretty quickly. Ro in particular has a very strained relationship with her mother, and she will eventually become a mother on her own. I genuinely feel like even if they hadn’t had the first contact/science fiction side of this book, it would be well worth reading just because of the way it explores the family dynamics.

Ro turns out to be a world-class astronomer, and is one of the first people to decipher the second message the aliens send us, 22 years after the original beacon. She is snatched out of her Ph.D program by a world-renowned scientist who wants to use the knowledge the aliens have sent us to start looking for other potentially habitable planets and, possibly, other intelligent life– although the aliens make it clear that all they have been able to find so far is us. She presents it as a generational effort, something that she doesn’t plan to survive to see the fruits of. By the time the book ends in the 2030s, humanity has colonized the Moon and sent people to Mars, so obviously there’s some divergence from our own history, as you well might expect.

I was not expecting to enjoy this nearly as much as I did, and this is the rare book that I will recommend because I find the characters so compelling. I like good character work, of course, but it’s rarely at the forefront of my reasons for liking a book, especially one so suited to my interests as a first-contact science fiction novel. But I think it’s best to read this as a family saga with a side dish of sci-fi rather than the other way around; if you go into this solely as a sci-fi person, I think you’ll come out disappointed. It’s not much of a spoiler to say that the aliens do show up eventually, but don’t read the book waiting for that reveal. That’s not the book Oliva wanted to write. Go in with your expectations calibrated appropriately, though, and you’ll end up with a read that I think stands a pretty good chance of showing up on my end of the year list. Check it out.

#REVIEW: Cursed Daughters, by Oyinkan Braithwaite

This is going to be one of those reviews where I talk more about myself than the book, so … brace yourself, I suppose.

I frequently make snap decisions about books. I learn of their existence and thirty seconds later money has left my bank account and a couple of days later I have a book. The problem comes when I don’t read that book immediately, and it gets worse when it sits on my Unread Shelf for four months.

(There are two books on that shelf that have been there longer. Soon. I swear.)

I have no idea why I purchased Oyinkan Braithwaite’s Cursed Daughters. No idea if someone recommended it to me, if I came across the author on BlueSky and decided I liked her … nothing. And by the time I got to it, I’d also completely forgotten what the book actually was. See, that cover kinda yells “fantasy” at me? And the book has the same physical format and size as every hardcover YA book I’ve bought for years. And note the “from the author of” at the bottom. Come on! You’re telling me My Sister, the Serial Killer somehow isn’t genre fiction??

Cursed Daughters is not a fantasy novel and it is absolutely not YA. It is, in fact, hated Litratcher.

It’s fucking brilliant.

I keep saying this, over and over: you should read more books by Nigerians, goddammit. The book scene out of Nigeria is amazing right now.

This is the second time this year I’ve had to apply the word “brilliant” to a work of genreless Literary Fiction. I remain salty about it. Because this is the only book I’ve read this year that came close to Tom’s Crossing. I need the swords and lasers and magic contingent to step up their damn game, is what I’m saying.

At the beginning of the book a Nigerian woman intentionally walks into the ocean to die. The same day, her cousin Ebun gives birth to a daughter. The baby resembles the dead woman, Monife, to such a degree that Monife and Ebun’s mothers immediately decide that the baby is Monife reincarnated. Ebun is … unconvinced, and frankly quite a bit upset by the entire thing. There is also the minor matter of a generations-old family curse, that no woman of this family can be happy in love.

It’s still not a fantasy book. There’s some traditional beliefs mixed into a book set in the modern day in Lagos, and there’s a juju woman as a minor side character, but it’s not a fantasy book. Ebun believes none of this nonsense, and her daughter Eniiyi wants nothing to do with it either, but has to live her entire life in her dead semicousin’s shadow. She dreams of Monife occasionally, and by the end of the book genuinely resents the effect on her life that this woman she’s never met has. She remains Monife’s spitting image, so when she occasionally runs into people who knew Monife she either provokes shock or is genuinely thought to be a ghost. And as her great-aunt gets older, she begins regularly mistaking Eniiyi for Monife, and eventually her dementia increases to the point where she forgets Eniiyi exists at all.

The book follows three generations of the family, with Ebun and Monife in the middle, and jumps back and forth from the nineties to modern day. You eventually learn why Monife chose to walk into the water, and I’m not going to spoil anything but God damn does it end well— like, “I gasped and had to put the book down for a minute” well. I started this yesterday afternoon, read a chapter or two and put it down. When I picked it up again in bed last night it cost me at least an hour of sleep, and I got home from work today and sat down in my chair and didn’t get up again until I finished it.

Absolutely phenomenal work. I ordered My Sister, the Serial Killer about ten minutes ago. It’ll be here tomorrow. Oyinkan Braithwaite is on my “buy immediately” list forever now, and I’d really like to know what the circumstances were that brought this book onto my radar. If it was you, thank you very much.

#REVIEW: The God of the Woods, by Liz Moore

One good thing about being sick is that in between naps, coughing fits, randomly snotting all over my pillow and light hallucinations, I can get a fair amount of reading done. I was really hoping not to lose two more days this week but this is legitimately the sickest I’ve been since the last time I had COVID and right now I’m just hoping to be functional enough to go in on Monday.

Anyway, The God of the Woods is real real good, a missing persons story worthy of Tana French at her best, and you ought to read it. The story bounces around from the 1950s to the end of 1975, set mostly at a summer camp in the Adirondacks, a camp run by a multigenerational wealthy family that appears to own or employ most of the town it’s set in. The twist here is that while Barbara Van Laar has gone missing in 1975, her brother Peter Van Laar (the fourth, no less) also disappeared at the same camp fourteen years prior. The book bounces around several different timelines, giving a host of characters both inside and outside the family and inside and outside the investigation time as POV characters, and does a great job of both juggling multiple mysteries and character arcs and tying them all up in a satisfying fashion at the end. I have said this before; I am not the world’s most careful reader, unfortunately, and I’m further impaired by this bastard of a head cold I’ve got going on right now, so the fact that I was able to keep up with a mystery novel that was jumping around between three different timelines and half a dozen characters without completely losing track of what was going on is a testament to the author’s skill. I wasn’t aware of Liz Moore before this, and buying the book was a bit of a dice roll (to be honest, the title had me thinking there were going to be some spec fic/ horror elements, and … I admit, having finished the book, I’m not sure I get the title) but it’s one I’m glad I made and I’ll be checking out more books by her in the future.

Short and sweet, I know, but as I said, I’m kind of dying here, so just trust me on this one. You’ll like it.