#REVIEW: The Barn, by Wright Thompson

I probably shouldn’t write this tonight. I spent the first hundred pages of this book thinking about putting it down, not because it was bad but because it wasn’t exactly the book I thought it was when I picked it up. I bought this book on sight in Barnes and Noble, and I didn’t know it existed prior to finding it, and I had to flip it over and look at the back to be certain it was about Emmett Till’s murder. There are a lot of barns in Mississippi, and there have been a lot of murders. And the title of the book does not mention Till.

It becomes clear fairly quickly upon starting to read it that The Barn is not only a history of the Till murder. It’s a memoir before anything else, I think, and if it’s a history of anything it’s a history of Mississippi, framed around the young man’s murder and the barn he was killed in. Often when places are mentioned, their distance from the barn is the first thing you find out about them, carefully measured down to the tenth of a mile. “Secret history” makes it sound like it’s going to be digging up long-buried stories, which actually is accurate, but mostly because Mississippi has never been interested in the truth. Mississippi buries history like a fucking professional, you see. Lying about itself is in the state’s blood.

And, well. About that.

Here’s the cover of the UK version of this book:

I literally made this discovery five minutes ago, as I sat down to write this; the first thing I do whenever I’m writing a book review is find a high-res copy of the cover, of course, and … well.

I am surprisingly angry about the title change, and I really want to know which one was the original title. I feel like the UK subtitle has to be the original one; I can see changing the title from that to the more sensationalistic, less specific US version despite how fucking awful a decision I think it was, but altering the title from the US version, especially the way the cover emphasizes Till’s name, doesn’t make a whole lot of sense. Maybe I’m wrong, but I feel like the average British citizen, or even the average British reader of nonfiction about America, probably doesn’t know who Emmett Till is? Or, at the very least, his name has significantly less salience over there than it does here? I could be wrong, I suppose, and it might be worth pointing out that we have one cover that does not mention Till and one cover that does not mention Mississippi. And, again, this book is more about Mississippi than it is about Emmett Till.

I’ll do some digging tomorrow and see if I can find out the story of the title change. It’s 2026; maybe Wright Thompson is on Bluesky. You never know.

One way or another, once I got out of my own head and started judging the book for what it was, rather than what I thought it was going to be, it’s a phenomenal piece of work, and even if the title was changed for the most base and cowardly reasons– and, Christ, the title of a book about Emmett Till getting changed to omit Till’s name is the most Mississippi thing that could possibly have happened– I can’t blame the book for that. And the third section of the book, called 1955, tells the story of the murder well enough. I don’t know that there’s enough in a straight history to fill 400 pages, but the way Thompson weaves hundreds of years of Mississippi and US history around the events of a single night in a crumbling barn in a shithole town in the middle of nowhere makes it an impressively hard book to put down. The research that went into this book is detailed and exacting, the prose soars, and I sat down and tore through the last 170 pages in one sitting immediately after finishing dinner tonight. This is one of the best nonfiction books I’ve read this year. You should read it.

Well, that’s new and dumb

I have talked about this before: possibly the most consistent aspect of my teaching career has been my weekly trivia question. It’s had a few different incarnations over the years, but the way it usually works is that I post a question on Monday and, for those who choose to participate, an answer is due by the end of the school day on Thursday. Anyone who gets it right gets a piece of chocolate or a Jolly Rancher or something similar on Friday. No one has to participate; it’s purely for an excuse to hand out candy.

The kids can find the answer to the question any way they want, including ways that might be considered cheating in other contexts. The only rule is that I will not tell them the right answer or confirm that their answer is right. They can look answers up however they want, they can ask each other— every so often I will seed a completely ridiculous answer to see how far I can get it to spread— or they can ask other teachers or staff members. Everything’s legal.

The picture above is not the exact same picture I used— it’s the same march, from a slightly different angle— but I can’t find a high-res version right now to use on the site, and the exact picture doesn’t really matter all that much anyway. The question is “Name any two people in this picture.” Which, okay, isn’t exactly trivia, but whatever, my game my rules.

Martin Luther King, obviously, is a gimme, although my students have shown the annoying habit of deciding any Black man in a black-and-white photo is King regardless of whether he looks anything like him. So they really only have to identify one other person, and the fact that King is linked arm-in-arm with the woman next to him (who has “Not Rosa Parks!” written in my handwriting underneath her) is kind of a hint as to who she might be.

Anyway, one of my girls turned in an answer on a half-sheet of paper. She wrote “Coretta Scott King” at the top of the paper, “Martin Luther King, Jr.” in the middle of the paper, and her own name— kind of important if you want your candy— at the bottom. Relevant: she is Latina and has a very obviously Latina name.

As I was going through the answers this afternoon, I discovered that one of my students in a different class period had obviously fished her paper out of the basket they get turned into and copied her answer. Now, again, technically this isn’t cheating. It’s kinda gross, but it’s not cheating. However, he’s not getting any candy tomorrow.

Why not? And how do I know his answer was copied from hers, specifically? Take a moment and think about it. See if you can come up with the reason. It’s cool, I’ll watch a video while you’re thinking about it:

This young man also wrote three names on his piece of paper. At the top was Martin Luther King, Jr. At the bottom was his name. And the third name? The one in the middle? Was the name of my other student, in all her Mexican glory. A fellow student in his grade at his school.

Now, I warn them: they can find out the answer however they want, but if I get an answer that I think betrays an exceptional lack of thought being put into the process, I reserve the right to make fun of them the next day. Usually this happens when I have a question beginning with the words “Which President …” and get someone who was never President as an answer.

I will have a grand fucking time mocking this answer tomorrow, I tell you.

(Also, left to right: Bayard Rustin (in the stocking cap), Philip Randolph, John Lewis, Ralph Abernathy, Ruth Harris Bunche, Ralph Bunche, Martin Luther King Jr, Coretta Scott King, Fred Shuttlesworth, and Hosea Williams in the dark coat with the child in front of him. I recognized Randolph, Lewis, Abernathy and both Kings without looking them up, and I’m kind of embarrassed that I didn’t recognize Rustin.)

#REVIEW: House of Diggs: The Rise and Fall of America’s Most Consequential Black Congressman, Charles C. Diggs Jr., by Marion Orr

This book represents an interesting milestone for me in a couple of ways. First, I am rarely offered nonfiction ARCs for review, something I’d like to encourage more of. Second, I don’t think I’ve ever read a biography of someone I was less familiar with prior to reading the book than I was with Charles C. Diggs. While I don’t think I could claim to have never heard of him– I have read too much about the Civil Rights movement to have never encountered his name before– I couldn’t tell you much other than that he was a Black congressman. I certainly wouldn’t have recognized a picture of him. I was a little worried that this might hurt my enjoyment of the book; as it turns out I have more than enough context around his life that that wasn’t a problem.

The interesting thing here is that, sitting here, I’m struggling with the urge to make this piece a review of Diggs rather than a review of the book. At the same time, though, you weren’t sent a copy of this for free, so I kind of feel like if I’m going to convince you to read it you probably need to know a little bit about the fellow you’ll be spending a few hundred pages with. To wit: Charles C. Diggs Jr. was the son of one of Detroit’s most influential Black businessmen. His father was the founder of the slightly-oddly-named House of Diggs, a funeral home that at one point handled just over half of the deaths among Detroit’s Black citizenry. Charles Sr. had a short-lived political career as a Michigan state Senator but mostly kept his business empire running; Charles Jr. started his political career in his father’s seat in the Michigan Senate but was elected to Congress in 1954 and never looked back. He would remain in office until 1980, when a financial scandal led to him being censured by Congress, forced to resign, and briefly imprisoned. He holds the distinction of being the victim of one of Newt Gingrich’s first acts of assholery, as the future Speaker of the House and fellow resignee-in-disgrace began agitating for Congress to expel Diggs almost as soon as he took office.

When Diggs entered office, he was one of only three Black congressmen, joining William Dawson of Illinois and Adam Clayton Powell, Jr. of New York. He proved himself to be skilled at coalition-building and incrementalist approaches to civil rights– one of his first legislative accomplishments was desegregating airlines, for example– and eventually became one of Congress’s foremost experts on and advocates for Africa as well. Soon after taking office he traveled to Mississippi to sit in on the trial of Emmitt Till’s murderers, which made national headlines, particularly as Mississippi at the time had absolutely no idea how to handle a Black Member of Congress.

But let’s talk about the book. House of Diggs is a very strong political biography and a worthy addition to my library about the Civil Rights movement and is somewhat less successful as a biography of a person. Which, honestly, kind of fits with its subject anyway, as Diggs was quite successful as a politician and much less successful as a person. His children are barely mentioned, but his four wives, three of whom had children with him, would have described him as a poor father anyway, and you won’t find out about any of the three divorces until nearly 80% of the way through the book. He had a gambling problem and was absolutely terrible with money, which is part of what led to his own downfall and at least tangentially led to his father’s business empire slowly disintegrating after the senior Diggs died by suicide in 1967. The finance issues that led to his resignation and jail time are a bit too complicated to go into detail about here, but I felt Orr did a really good job of explaining the details of what happened, both in a literal factual sense and in how Diggs’ own personality flaws led to his eventual indictment. It also seems to be true that the practices that took Diggs down were quite common in Congress at the time, and Orr doesn’t neglect the role of racism in his prosecution while never losing sight of the fact that, no, “everybody else was doing it” isn’t really a top-10 legal defense.

All told, I’m really glad I was sent this, as it’s from a university press and I likely wouldn’t have even encountered it otherwise. If political biography is your thing or you have an interest in the Civil Rights movement, I highly recommend taking a look.

House of Diggs releases September 16.