
Careful readers will notice that for some reason there are two copies of Disquiet Gods, Book Six of the Sun Eater series, on that shelf. Exceptionally detail-oriented humans might further notice that they are not exactly the same! The title is a different color, as is the author’s name, the character image is different, and so is the publisher. Further, one title is matte in finish and matches the other books precisely, and the top book appears to be glossy.
You might, just maybe, also notice that the top book is roughly a quarter inch taller than the books below it, but if you don’t, don’t worry; it just means that you’re neurotypical.
Shall I explain? Let me explain. Author and apparent personal nemesis Christopher Ruocchio originally had a five-book contract with DAW for the Sun Eater series. Upon writing five books and not completing the series, he asked for a two-book extension to the contract. DAW offered a single book. And Ruocchio said “bet” and bounced, taking the last two books of the series to Baen, where he used to work as an editor.
Oh, don’t worry, said Baen, we’ll make sure the new books match the old ones! Promise! We’ll use the same artist and everything! And, well, they did use the same artist, but they switched from the matte paper to the glossy paper and made the books ever-so-slightly taller, just different enough that I suspect no one noticed, me included, until the book was on the shelf with its series-mates.
And then a certain subset of humanity of which I am a member lost their minds, because why in the merry hell would you do your best to make sure that the books mostly match, except for those two kind of important details? You get no credit for that at all! None! We hate you!
(By “you,” I mean the publisher, a faceless corporate entity; I’m completely certain Ruocchio had nothing to do with this decision. The man is an author so I suspect he’s One of Us anyway.)
Here’s how they looked originally:

And, again, if that doesn’t bother you, it just means you’re normal. It’s okay to be normal. Also, the book isn’t deeper than the others, just … puffier? I don’t know why it looks so much further forward on the shelf than the books next to it.
Anyway, at some point DAW came to their senses? And apparently bought his contract with Baen out, and now they’re publishing the whole series again, including their version of the book that Baen originally published and the final book. I have to believe this cost them more money than just giving Ruocchio the two books he wanted at the beginning, but I have no idea. So the new DAW version of the book matches the rest precisely, as it should. I’m going to do another book cull over winter break, and the original version of the book will end up in the basement. I can imagine a universe where it’s worth slightly more than cover price in the future, but I’m not going to hold my breath.
(For the record, I bought most of my Christmas presents with my Amazon card, which I get 5% back on. Not that paying for it would have stopped me, but I got the second copy of the book basically for free.)
This is, believe it or not, not the greatest spine-matching sin that has been perpetrated on my bookshelves. I bought an entire special edition of Ken Liu’s Dandelion Dynasty series so that I didn’t have to look at this abomination any longer:

Again: why are they just sort of the same? Why change things, guaranteeing you’re going to enrage a certain portion of your readers, but just change them a little? If the shit’s not gonna match, just fuckin’ go nuts and completely redesign everything. This makes no Goddamn sense at all. I was already mad enough when Veiled Throne lost the gold and the embossed title, but I was willing to put up with it. The rest of those changes are just gratuitously evil.
I’m going to go take some sort of pill; I suspect I need one.












